關於 end of the world電影 ，我們在網路上蒐集到這些相關的討論、資訊與評價

「哈娜麥莎微醺時刻」今天和明天的邀請的特別來賓，是一個很特別的藝術家畫家，當她頂著一頭美麗鮮艷的橘紅色頭髮，走進我的電台錄音室，頓時心情都開朗了起來⋯😜😜🧡🧡🧡
寧芮潔N. R. J，光這個名字就讓你過目不忘，你再看到她嬌小的身軀，頂著一頭橘紅色的頭髮，穿著皮衣配著洋裝⋯是不是某部電影或者某部動漫甚至是線上遊戲的女主角豁然現身🥰🥰😜
因著我們共同的朋友喬飛的引薦，認識了芮潔，直到喬飛跟我約了三芝鄰居阮丹青Denise DanChing丹青夫婦到現場看了王藁賢阿賢老師在三芝策的展「山海經」真的是為之動容！
沒有想到看似粉紅色從漫畫裡跳出來嬌小溫柔的她，卻用著給人印象生硬的鋼筋水泥以及銅鐵五金作為她的創作題材，還夾雜著一些回收垃圾以及落葉沙土⋯。映入眼簾的作品「諾亞方舟」，我沒有看過這種的「諾亞方舟」⋯🤭🤭👍👍❤️❤️
當芮寧侃侃而談她作品背後的創作點滴，我也默默地成為了他的粉絲了～🥰🥰
開始進入她的藝術世界，她兩種藝術創作形式，都圍繞著「房子」～不管是生硬剛硬的水泥裝置～或是漂浮在紅髮的大娃娃～就越發感受她的藝術寬廣與有趣！
幾次的深談，讓我更加訝異她的生命的轉換～著實給我上了一堂課！
人生的不設限以及單純勇敢～是我從她身上感受到的力量！
從來沒有規劃自己成為藝術家畫家的她，年紀輕輕創辦有規模有名氣的數位設計公司，15年之久～在她財力名氣都旺盛的當頭，他居然一個轉念，放下所有，走進孤單的藝術創作，為她的生命重新開啟了新的篇章⋯。（我真的佩服佩服🙏🙏👏👏🌹）
她只是單純的、專注的進入創作，芮潔說，她連美術館也沒去過幾間更不用說拿畫筆畫畫，就在這幾年，完全沒有背景人脈的她，卻默默的快速地在藝術的世界，受人喜愛～！
2018年到2021年以迅雷不及掩耳，北中南各處的聯展個人展 、甚至是藝術界年度盛事的北中南藝博展，都看見她的作品。
我想是她生命本質的純粹、單純、勇敢和她特別敏銳與萬事萬物體會的眼光，使得大家這麼熱愛並且共鳴與她的作品！
今天和明天千萬不要錯過芮潔和我在空中打開心中話匣子～徐徐道來她的故事⋯。

🧡❤️🤍🧡❤️🤍🧡❤️🤍🧡❤️🤍🧡❤️
哈娜麥莎微醺醺時刻
73集 紅髮浮城的浪漫 寧芮潔
1、Silent all these years /Tori Amos
2 稻香/周杰倫 Jay Chou
3、Nothings going to change my love for you/Westlife
4 Somewhere over the rainbow/
蘇婭live 演唱

74集 紅髮浮城的浪漫 寧芮潔
1、The end of the world/Skeeter Davis
2 、I swear/ All-4-One
3、The gift/Collin Raye & JimBrickman
4、我需要有你在我生命中/蘇婭live演場


寧芮潔臉書連結：
https://www.facebook.com/Iris.iae

❤️🧡🤍❤️🧡🤍❤️🧡🤍❤️🧡🤍
寧芮潔創作個展
「紅髮浮城浪漫」
介紹影片
https://youtu.be/hLC5rY9xfFo

展覽日：
2021.9.18-11.14
開幕座談暨茶會9.18(六)
pm3:00-4:30
地點:
台南市中華路12號15F-3
StoryLe ART 地平線臉書連結
https://www.facebook.com/StoryLine-ART-%E5%9C%B0%E5%B9%B3%E7%B7%9A%E8%97%9D%E8%A1%93-110459794546548/
因應疫情限20人參與
僅接受電話預約 06-7035733

寧芮潔的話：
很開心，籌備了半年，能成為StoryLe ART 地平線藝術首檔展出藝術家，感謝陸銘澤老師與藝廊團隊的用心策展，終於在 9/18 要開展了。
2021年對我來說是特別的一年，
今年有個紅髮小女孩陪著我的房子一起長大。
我對童年的想像，都幻化在這個紅髮小女孩身上，
那股獨一無二的純真，讓複雜的生命變單純了，
愛與想像力，滿足著我，成為生命當中最堅韌的力量。

❤️🧡🤍❤️🧡🤍❤️🧡🤍❤️🧡🤍

2021福爾摩沙國際藝術博覽會
臉書連結
https://m.facebook.com/artformosafair/
貴賓預展｜9. 24
公眾展期｜9. 25 – 9. 26
展覽地點｜誠品行旅 6-8F ｜6003室
網路售票｜
333畫廊
https://www.facebook.com/1401127110180153/posts/2772002396425944/?d=n

🕊🕊🕊🕊🕊🕊🕊🕊🕊🕊🕊🕊🕊🕊
每週六每週日晚上
20:00-21:00 Alian96.3
原住民族廣播電台
「 哈娜麥莎微醺時刻」
每週六日晚八點
歡迎跟我蘇婭一起聽聽音樂
談談心 小小微醺一下 🥂🍷🥃🌹

App下載「Hinet Hichannel」
「Alian FM96.3原住民族廣播電台」
Http://hichannel.hinet.net/radio/index.do
(手機電腦都可以聽）
http://alian963.ipcf.org.tw/programs_view.php
（原住民族廣播電台隨選節目網址～可以點選你喜歡的節目收聽）

🧡❤️🤍🧡❤️🤍🧡❤️🤍🧡❤️🤍🧡❤️

【本土+0 感謝曾幫助台灣的你】

108天前，彷彿末日電影般，COVID-19進入台灣的社區。

一夕之間我們的生活改變，停課、居家辦公、減少接觸，更加注意自己的衛生習慣。

掃QR Code記錄足跡變成生活必備，會議變成視訊、購買透過網路，更頻繁的測量體溫，更多次的酒精消毒。

不變的是我們希望能夠回到原來的生活，#一個安全的國度。

在疫情期間，見證許多國家對我們雪中送炭，每次疫苗飛抵台灣時，都讓我們與國際友人的關係更加緊密。

我們持續踏著穩定的步伐，疫苗的涵蓋率超過了四成，國產疫苗也開始施打。

108天過去，今天本土案例加零，我們彷彿看到了雲朵旁鑲著的那一條銀邊。

當然，我們知道，未來的每一天都是新的挑戰。

感謝曾經幫過台灣的你，我們一起繼續努力。

We're still a long way from the end of the pandemic but today's local COVID-19 case numbers hit zero for the first time in 108 days. This suggests masks, social distancing and vaccination are working. This is thanks in part to generous vaccine donations from our partners around the world, helping us reach a vaccination rate of over 40%. Let's keep up the momentum and #BeatTheBug together!

(English is belowed)
最近翻照片翻到了2017年，我最愛的鼓手 Antonio Sánchez 帶著他的樂團 Migration 來台灣 河岸留言 演出，想起了之前我曾經翻譯過他的DVD "Master Series"的一段話，非常感動且給我很大的能量，但之前有被盜過帳號都不見了，於是決定再找出來聽打一次重新翻譯分享給大家。

也再次謝謝 河岸留言可以邀請這麼棒的樂團來台灣！！

如果不知道Antonio Sanchez是誰的，他是Pat Metheny band的鼓手，葛萊美獎得了好幾座，同時已經得了奧斯卡等N個獎項的電影 Birdman 「鳥人」，這部整部電影配樂只有鼓聲，所有鼓也都是他錄的。

-----------------------------------------
一些來自 Antonio Sanchez 對鼓手們的金玉良言 (出自他的 “Master Series” DVD )

最後一點我想要說的是，許多關於跟音樂以及音樂家共事的態度。

嗯，當我還在成長時，我總是夢想著可以在很棒、高聳、最大的場館，跟著大型樂團，以及最棒的音樂家們一起演出。 這夢想當然很棒，但你總是要從某些名不經傳的小地方當作你的起點。

突然之間，我意識到我正在小酒吧、小俱樂部、或是某家餐館、某個婚禮場演出 — 而且沒有人在專注聽你演奏，那時我覺得很沮喪而且覺得被冒犯了，舉例來說。我以前做很多婚禮場，而且在上面演奏「熱愛105度C的你」(註一) 上百次，演奏時心裡想「我在這邊銃三小？」、「快讓我離開這吧，殺了我吧，我可以演比這個帥一百倍以上的曲目！」於是，我在演奏時只想打卡下班，就沒有把我的專注放在音樂上面。

又或者某天，我在某間小酒吧演出，正在演奏搖擺樂，或者一些我真的很喜歡的音樂風格，但沒有人在注意聽我們演奏，大家都在看大銀幕上的棒球比賽。 我就想說「好吧，反正沒人在聽，我就把我昨天練功的招式都丟進去音樂吧。」而那時我只是胡亂的丟我練過的招式，並沒有在那個音樂裡面，我也沒有在聽其他音樂家演奏了什麼，不過也許其他音樂家有聽到我做的事情。

後來，當我幸運地得到了更多演出機會，而這些場合開始需要更高的難度，我了解到我的專心程度並不足以支撐這些高強度的場合。

舉例來說，當我在九零年代晚期開始跟Niels Pedersen一起做巡迴，那是個非常高強度的演奏，它是個三重奏，每次演出的晚上，我的腦袋好像快爆炸一樣，因為我並不習慣如此需要長時間專注程度的高難度演出，我才了解到我浪費了太多時間以前演奏的時候沒有把專注力放在音樂上。

我覺得，如果你有兩隻手、兩隻腳、而且可以演奏樂器，你已經夠幸運了。而我認為如果你現在正在某間酒吧、某個餐館、或是某個婚禮場作演出，而你可以把每一場演出當作好像是全世界最棒的演出、在最大、最美麗的場館，跟著最棒的音樂家一起演出，那我認為你正走在對的路上。因為你有把你的心放在音樂裡面，而且你給這些音樂跟音樂家他們所渴望的最棒的尊重，那麼我可以向你保證接下來會有很棒的事情降臨在你身上。

這就是我想說的，非常謝謝你們今晚的蒞臨，希望我們下次可以再見。

註一：原文是說演奏「La Mecarena」，９０年代的當紅歌曲。這邊為了年輕讀者，使用較貼近現在的105度C的你。

註二：Niels Pedersen 全名是 Niels-Henning Ørsted Pedersen (N.H.O.P.)，是從70-90年代活躍的傳奇的低音提琴手，演奏速度可以超級超級快又具備非常豐富的音樂性。

英文原文，因為是用聽打的，也許有少部分錯誤

Recently I found a picture that my favorite drummer
Antonio Sanchez and his band "Migration" touring in Taipei in 2017. And few years ago I've seen his DVD and felt so inspired from these words. I decided to translate it into Chinese to share with other Chinese drummers.

There's maybe little mistakes because English is not my mother language.

---------------------------------
Some wise words from my all-times favorite drummer Antonio Sanchez from his DVD - "Master Series".

And the last things I wanna said, hmm, has a lot to do with attitude to work with music and musicianships. Hmm, When I was growing up, I was always dreaming of playing in a nice, tall, the biggest stadium and the biggest band with the greatest musicians in this world. And that’s great except that we all have to start somewhere. And I, all of a sudden, I was playing in a little bar, or small pub, or some restaurant, or a wedding where nobody was paying an attention. And I really felt depressed and I felt violated. And for example, I’ve been played for a wedding gig, and I would be playing “La Marcaena” for a hundred times , and I would be like “What am I doing here ?”, “Get me out of here, shoot me, this is not for me, I’m so much better than this !”
And I was not putting my heart into it at all. When the next day, I would play in some small bar, I was playing maybe swing or something that I really like, but nobody was paying an attention. Everybody was looking at the screen, the baseball game. And I would be like “Well, nobody is paying an attention, then I just gonna playing practice whatever I was working on yesterday.” And I was NOT in the moment, I was not listening to what the other guys were playing. And maybe the other guys were listening to me.

So, when I luckily started getting better and better opportunities music-wise, and the situations start getting a little more the manling. I realized that I did not have the concentration I took for me to be able to deal with some of the situations. Uh, for example when I started to play with Niels Pedersen in the late 90s, it was a very tense gig , it was just a trio, and every night I would end would headache , because I was not used to have a lot of concentration and focusing that much, for that amount of time.
I realize that I’ve wasted a lot of time not being into the music not putting my heart into it. Because, I mean I really feel like if a, you have two arms, two legs, and you are able to play , you are lucky already. And I think if you are playing in some small restaurant, or wedding, or whatever. You treat that situation like the best gig in the world in the most beautiful opera house or the biggest stadium, and you treat you felt the musicians like the greatest musicians you could play with. I think you are on the right path. You put your heart into it, and you give the music and musicians the respect they deserved. Then I can assure you really good things are gonna happen to you. So that’s it for me, thank you so much for coming, hope see you next time.

Dua minggu yang lepas, ada beberapa orang-orang EXTREMISTS dari Pemuda Perikatan Nasional membuat laporan kepada polis, menuduh saya menghina orang Melayu kerana poster filem [BABI] saya, dan dia juga menjemput wartawan dan media ketika membuat laporan polis… Come on lah, kenapa pulak nak panggil wartawan bila report polis? Adakah siapa pernah panggil wartawan bila buat laporan polis? Adakah? Kamu semua ingat mamat ni betul-betul mahu tolong orang Melayu ke? Atau dia hanya ingin nak jadi famous je? Dalam video hari ini, saya ingin membantah PUKIMAK ini ...

關於國盟青年團的極端分子到警局報警+抗議黃明志[你是豬]電影海報事件。警方目前已經展開調查，林北這一趟回去不知道會被關到什麼時候了… 今天，我就來回應一下這些王八蛋… 啤酒拿來先…

I use to think that all I need to do is to work harder to create my artwork, make movies, make music, and be recognized on international stage, and then one day I can become an honor of my country. But in the end, I realized that they don’t even know how to appreciate me and my effort. The police would rather listen to the extremists’ opinions and arrest me without using their professional judgement and sense. All because of a poster. It makes me feel extremely disappointed and ashamed of them. I hope everyone will share this video to more people to let the world know the current situation in Malaysia. Please cherish democracy and treasure creative freedom. Please don’t be like Malaysia.

Part 2 Namewee membantah Seniman ! Youtube 高清版：https://bit.ly/2KM6kwF

-

Trailer【你是豬|BABI】預告 ：https://youtu.be/_ZuZiHMSXtE

Behind The Scene【你是豬|BABI】幕後花絮 ： https://youtu.be/Leo6Z5aLXiE

Movie Theme Song【你是豬|BABI】電影插曲 Movie Theme Song【Happy Family】：https://youtu.be/tdnfe3lALd8

-

Namewee 黃明志 Official Facebook Fan Page:
https://www.facebook.com/namewee/

Namewee YouTube Channel Link:
http://www.youtube.com/user/namewee

#Namewee #黃明志 #Babi #你是豬

Dear All,
I am more than happy to announce that our team is launching an exciting campaign with lots of collaborations! Here you go the second piece of our work.

"音樂影像(Music Video)不是音樂的襯托。她是獨立的作品，同時讓人能"看見"音樂及一切從音樂開展的可能性。"

【Please support us】:
https://tickcats.co/ticket/everyday-i...

第二部曲 | Everyday I Die A Little Bit Inside
活著 vs 死亡 ：內心矛盾 vs 身體表達【現代編舞家/舞蹈家】

故事內容 ： 從AI的逝去，回歸到人類。精神支配身體，續Reminiscence的意念，一個從肉身展現心理消逝的過程。我們每一個情緒變化，都在皮膚、肢體、呼吸和心跳的頻率上展現。由肉身糜爛反射到心理絕望與死亡⋯這⋯到底如何影響我們每一天？到底⋯累贅的是肉體，還是過盛的情感？

Chapter two | Everyday I Die A Little Bit Inside
Alive vs dead: the dilemma and body language 【Choreographer/Contemporary Dancer】 From the death of AI back to talking about human beings. Mind controls the body. Like in the previous chapter Reminiscence, this is about the process of emotional regression, expressed through the body. Our every emotion is printed on our skin, our body, our every breath taken, and our heartbeat frequency. From the deterioration of our body to depression and death... How is this affecting our daily life? Is the redundancy our body or our emotion that is too strong to handle?

【Lyrics】

Everyday I die a little bit inside
With no one else can ever tell
I sing my lullaby

Every time I die a little bit inside
Not even me could recognise
Who the hell am I

Oh save me
In between you and me
I’m drowning I’m drowning I’m drowning

Oh save me
I dunno where I can be
In this world
Falling slowly

Everyday I try a little bit harder
I learn to say black is white
Before I see any colours

Every time I smile a little bit harder
I stay the same face to face
With all all of the fake love and laughters

Oh save me
In between you and me
I’m drowning I’m drowning I’m drowning

Oh save me
I dunno where I can be
In this world
Falling slowly
And kill my spirit
Falling slowly

Oh save me
I dunno where I can be
In this world
Falling slowly

Falling slowly
_________________________

【Video】
Choreographer/Dancer Tung Chiu

Director Deshawn Leung
Exclusive Director Faith Ma
Producer Tiffany So
Assistant Producer Bryan Chan

Director Of Photography Deshawn Leung
Cinematographer Faith Ma
Ho Shun
So Kin
Mahpee Ng

Focus Puller Kuen Chung
Johnny Liu
Assistant Camera Mahpee Ng
So Kin
Ho Shun
Tacky Nam

Gaffer So Kin
DMX Control Benny Leung
Best Boy Donald Fong
Yukki Tai
Ken Chan
Calvin Leung
Seasun Chan

Art Director Charlotte Lee
Costume Designer W26
Makeup Artist Agnes Young

Still Photographer Wong Ho Fung
Hui Hong Nin

Editor Deshawn Leung
Faith Ma
Colorist Faith Ma
Online Editor Yippy Yip


Special Thanks
留白 Lau Bak Freespace Livehouse
香港沙龍電影有限公司
One man army Equirment rental
Jasmine Cheung
Alex Chu
Vivian Kwong

Represent
百勝

______________________

【Music 】

Written by CHANKA
Arranged by CHANKA
Recorded by MAEL
Mixed & Mastered by Lok Chan
-
#CHANKA #陳嘉 #Reminiscence
-
Now available on:
Spotify: https://spoti.fi/3kl1diC
Apple Music: https://apple.co/2UfKsdZ
MusicOne: https://bit.ly/3pjOMaj
KKBOX: https://kkbox.fm/3P149C
Joox: https://bit.ly/2IpxeZX
Tidal Music: https://bit.ly/3bRhaub

_________________________

CHANKA 陳嘉:

https://www.instagram.com/wander.chanka/
https://www.facebook.com/wander.chanka/
wanderchanka@gmail.com
-
Have a listen of some of my other works :
"Silence" : https://youtu.be/1Hkk7l4zk9k
"Young" : https://youtu.be/kolrKYxvvf8
"Ocean" : https://youtu.be/GOTdDrC1G-E
“Reminiscence(End Game Version)” : https://youtu.be/3SWolTFXHcg
-

Dear All,
I am more than happy to announce that our team is launching an exciting campaign with lots of collaborations! Here you go the second piece of our work.

"音樂影像(Music Video)不是音樂的襯托。她是獨立的作品，同時讓人能"看見"音樂及一切從音樂開展的可能性。"

【Please support us】:
https://tickcats.co/ticket/everyday-i-die-a-little-bit-inside/

第二部曲 | Everyday I Die A Little Bit Inside
活著 vs 死亡 ：內心矛盾 vs 身體表達【現代編舞家/舞蹈家】

故事內容 ： 從AI的逝去，回歸到人類。精神支配身體，續Reminiscence的意念，一個從肉身展現心理消逝的過程。我們每一個情緒變化，都在皮膚、肢體、呼吸和心跳的頻率上展現。由肉身糜爛反射到心理絕望與死亡⋯這⋯到底如何影響我們每一天？到底⋯累贅的是肉體，還是過盛的情感？

Chapter two | Everyday I Die A Little Bit Inside
Alive vs dead: the dilemma and body language 【Choreographer/Contemporary Dancer】 From the death of AI back to talking about human beings. Mind controls the body. Like in the previous chapter Reminiscence, this is about the process of emotional regression, expressed through the body. Our every emotion is printed on our skin, our body, our every breath taken, and our heartbeat frequency. From the deterioration of our body to depression and death... How is this affecting our daily life? Is the redundancy our body or our emotion that is too strong to handle?

【Lyrics】

Everyday I die a little bit inside
With no one else can ever tell
I sing my lullaby

Every time I die a little bit inside
Not even me could recognise
Who the hell am I

Oh save me
In between you and me
I’m drowning I’m drowning I’m drowning

Oh save me
I dunno where I can be
In this world
Falling slowly

Everyday I try a little bit harder
I learn to say black is white
Before I see any colours

Every time I smile a little bit harder
I stay the same face to face
With all all of the fake love and laughters

Oh save me
In between you and me
I’m drowning I’m drowning I’m drowning

Oh save me
I dunno where I can be
In this world
Falling slowly
And kill my spirit
Falling slowly

Oh save me
I dunno where I can be
In this world
Falling slowly

Falling slowly
_________________________

【Video】
Choreographer Tung Chiu

Director Deshawn Leung
Exclusive Director Faith Ma
Producer Tiffany So
Assistant Producer Bryan Chan

Director Of Photography Deshawn Leung
Cinematographer Faith Ma
Ho Shun
So Kin
Mahpee Ng

Focus Puller Kuen Chung
Johnny Liu
Assistant Camera Mahpee Ng
So Kin
Ho Shun
Tacky Nam

Gaffer So Kin
DMX Control Benny Leung
Best Boy Donald Fong
Yukki Tai
Ken Chan
Calvin Leung
Seasun Chan

Art Director Charlotte Lee
Costume Designer W26
Makeup Artist Agnes Young

Still Photographer Wong Ho Fung
Hui Hong Nin

Editor Deshawn Leung
Faith Ma
Colorist Faith Ma
Animator Yippy Yip


Special Thanks
留白 Lau Bak Freespace Livehouse
香港沙龍電影有限公司
One man army Equirment rental
Jasmine Cheung
Alex Chu
Vivian Kwong

Represent
百勝


______________________

【Music 】

Written by CHANKA
Arranged by CHANKA
Recorded by MAEL
Mixed & Mastered by Lok Chan
-
#CHANKA #陳嘉 #Reminiscence
-
Now available on:
Spotify: https://spoti.fi/3kl1diC
Apple Music: https://apple.co/2UfKsdZ
MusicOne: https://bit.ly/3pjOMaj
KKBOX: https://kkbox.fm/3P149C
Joox: https://bit.ly/2IpxeZX
Tidal Music: https://bit.ly/3bRhaub

_________________________

CHANKA 陳嘉:

https://www.instagram.com/wander.chanka/
https://www.facebook.com/wander.chanka/
wanderchanka@gmail.com
-
Have a listen of some of my other works :
"Silence" : https://youtu.be/1Hkk7l4zk9k
"Young" : https://youtu.be/kolrKYxvvf8
"Ocean" : https://youtu.be/GOTdDrC1G-E
“Reminiscence(End Game Version)” : https://youtu.be/3SWolTFXHcg
-