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在songs from the 60s and 70s這個產品中，有2篇Facebook貼文，粉絲數超過8,029的網紅欣彦 Z Yan，也在其Facebook貼文中提到， 你知道其实我有一个组合吗？我们是 Gadis Kebaya :: 芭雅女郎 一个极富马来西亚多元文化的音乐组合。独立前的马来亚南洋风情和异国风情，通过新颖的爵士编曲，重新呈现马来西亚传奇人物的经典，包括 Tan Sri P. Ramlee, Saloma, 邓丽君以及李逸等家喻户晓的经典代表。这些...

songs from the 60s and 70s 在 欣彦 Z Yan Facebook 的精選貼文

欣彦 Z Yan By 欣彦 Z Yan

2019-11-12 21:08:34 有 72 人按讚
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你知道其实我有一个组合吗？我们是 Gadis Kebaya :: 芭雅女郎 一个极富马来西亚多元文化的音乐组合。独立前的马来亚南洋风情和异国风情，通过新颖的爵士编曲，重新呈现马来西亚传奇人物的经典，包括 Tan Sri P. Ramlee, Saloma, 邓丽君以及李逸等家喻户晓的经典代表。这些经典是代表马来西亚多元种族的文化冲击，反映了马来西亚在60年代和70年代初期的音乐色彩。我们想要展现的是马来西亚社会的和谐，和丰富的文化遗产，它有着用音乐去团结多元种族的“一个马来西亚”的精神 。我们漂亮的服装造型其实是出自于以腊染(Batik) 以及马来旗袍(Kebaya)还有亚太风 (Aseana)闻名的资深时尚设计师Eric Chong 一手打造的哦。这首“月亮颂”现已收录在我们最新发行的 [复古盛世] 合辑里头。你可以到各大CD Rama 书局， Caruso Vinyl 或 WildFlower's MusicShop 购买哦。

Do you know that I actually have a group? Gadis kebaya, a musical duo that is exotic and elegant like Old Malaya, it embraces Nanyang music by refreshing, re-imagining the renditions of various popular Malaysian music legends: Dato. P. Ramlee, Saloma, Teresa Teng and folk songs that we grew up listening to. It is as "muhibbah" as it is harmonious, reflecting the multi-faceted cultures of Malaysia in the 60s and early 70s. This beautiful 'Moon Medley' was included in our new released compilation called [Stars On Pop Pop]. Get a copy at your nearest CD Rama bookstore now with special price! And of course you can also get it from Wildflowers Music Shop. Not to forget, our beautiful Kebaya is from @ericchoong_official
#gadiskebaya #newalbum #compilation #kebaya #starsonpoppop #poppopfactory

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欣彦 Z Yan

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歌手。填词人。演员。 Singer. Lyricist. Actress
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songs from the 60s and 70s 在 YOSHITOMO NARA Facebook 的最佳解答

YOSHITOMO NARA By YOSHITOMO NARA

2013-03-29 20:34:22 有 134 人按讚
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Nobody’s Fool　　( January 2011 )

Yoshitomo Nara

Do people look to my childhood for sources of my imagery? Back then, the snow-covered fields of the north were about as far away as you could get from the rapid economic growth happening elsewhere. Both my parents worked and my brothers were much older, so the only one home to greet me when I got back from elementary school was a stray cat we’d taken in. Even so, this was the center of my world. In my lonely room, I would twist the radio dial to the American military base station and out blasted rock and roll music. One of history’s first man-made satellites revolved around me up in the night sky. There I was, in touch with the stars and radio waves.

It doesn’t take much imagination to envision how a lonely childhood in such surroundings might give rise to the sensibility in my work. In fact, I also used to believe in this connection. I would close my eyes and conjure childhood scenes, letting my imagination amplify them like the music coming from my speakers.

But now, past the age of fifty and more cool-headed, I’ve begun to wonder how big a role childhood plays in making us who we are as adults. Looking through reproductions of the countless works I’ve made between my late twenties and now, I get the feeling that childhood experiences were merely a catalyst. My art derives less from the self-centered instincts of childhood than from the day-to-day sensory experiences of an adult who has left this realm behind. And, ultimately, taking the big steps pales in importance to the daily need to keep on walking.

While I was in high school, before I had anything to do with art, I worked part-time in a rock café. There I became friends with a graduate student of mathematics who one day started telling me, in layman’s terms, about his major in topology. His explanation made the subject seem less like a branch of mathematics than some fascinating organic philosophy. My understanding is that topology offers you a way to discover the underlying sameness of countless, seemingly disparate, forms. Conversely, it explains why many people, when confronted with apparently identical things, will accept a fake as the genuine article. I later went on to study art, live in Germany, and travel around the world, and the broader perspective I’ve gained has shown me that topology has long been a subtext of my thinking. The more we add complexity, the more we obscure what is truly valuable. Perhaps the reason I began, in the mid-90s, trying to make paintings as simple as possible stems from that introduction to topology gained in my youth.

As a kid listening to U.S. armed-forces radio, I had no idea what the lyrics meant, but I loved the melody and rhythm of the music. In junior high school, my friends and I were already discussing rock and roll like credible music critics, and by the time I started high school, I was hanging out in rock coffee shops and going to live shows. We may have been a small group of social outcasts, but the older kids, who smoked cigarettes and drank, talked to us all night long about movies they’d seen or books they’d read. If the nighttime student quarter had been the school, I’m sure I would have been a straight-A student.

In the 80s, I left my hometown to attend art school, where I was anything but an honors student. There, a model student was one who brought a researcher’s focus to the work at hand. Your bookshelves were stacked with catalogues and reference materials. When you weren’t working away in your studio, you were meeting with like-minded classmates to discuss art past and present, including your own. You were hoping to set new trends in motion. Wholly lacking any grand ambition, I fell well short of this model, with most of my paintings done to satisfy class assignments. I was, however, filling every one of my notebooks, sketchbooks, and scraps of wrapping paper with crazy, graffiti-like drawings.

Looking back on my younger days—Where did where all that sparkling energy go? I used the money from part-time jobs to buy record albums instead of art supplies and catalogues. I went to movies and concerts, hung out with my girlfriend, did funky drawings on paper, and made midnight raids on friends whose boarding-room lights still happened to be on. I spent the passions of my student days outside the school studio. This is not to say I wasn’t envious of the kids who earned the teachers’ praise or who debuted their talents in early exhibitions. Maybe envy is the wrong word. I guess I had the feeling that we were living in separate worlds. Like puffs of cigarette smoke or the rock songs from my speaker, my adolescent energies all vanished in the sky.

Being outside the city and surrounded by rice fields, my art school had no art scene to speak of—I imagined the art world existing in some unknown dimension, like that of TV or the movies. At the time, art could only be discussed in a Western context, and, therefore, seemed unreal. But just as every country kid dreams of life in the big city, this shaky art-school student had visions of the dazzling, far-off realm of contemporary art. Along with this yearning was an equally strong belief that I didn’t deserve admittance to such a world. A typical provincial underachiever!

I did, however, love to draw every day and the scrawled sketches, never shown to anybody, started piling up. Like journal entries reflecting the events of each day, they sometimes intersected memories from the past. My little everyday world became a trigger for the imagination, and I learned to develop and capture the imagery that arose. I was, however, still a long way off from being able to translate those countless images from paper to canvas.

Visions come to us through daydreams and fantasies. Our emotional reaction towards these images makes them real. Listening to my record collection gave me a similar experience. Before the Internet, the precious little information that did exist was to be found in the two or three music magazines available. Most of my records were imported—no liner notes or lyric sheets in Japanese. No matter how much I liked the music, living in a non-English speaking world sadly meant limited access to the meaning of the lyrics. The music came from a land of societal, religious, and subcultural sensibilities apart from my own, where people moved their bodies to it in a different rhythm. But that didn’t stop me from loving it. I never got tired of poring over every inch of the record jackets on my 12-inch vinyl LPs. I took the sounds and verses into my body. Amidst today’s superabundance of information, choosing music is about how best to single out the right album. For me, it was about making the most use of scant information to sharpen my sensibilities, imagination, and conviction. It might be one verse, melody, guitar riff, rhythmic drum beat or bass line, or record jacket that would inspire me and conjure up fresh imagery. Then, with pencil in hand, I would draw these images on paper, one after the other. Beyond good or bad, the pictures had a will of their own, inhabiting the torn pages with freedom and friendliness.

By the time I graduated from university, my painting began to approach the independence of my drawing. As a means for me to represent a world that was mine and mine alone, the paintings may not have been as nimble as the drawings, but I did them without any preliminary sketching. Prizing feelings that arose as I worked, I just kept painting and over-painting until I gained a certain freedom and the sense, though vague at the time, that I had established a singular way of putting images onto canvas. Yet, I hadn’t reached the point where I could declare that I would paint for the rest of my life.

After receiving my undergraduate degree, I entered the graduate school of my university and got a part-time job teaching at an art yobiko—a prep school for students seeking entrance to an art college. As an instructor, training students how to look at and compose things artistically, meant that I also had to learn how to verbalize my thoughts and feelings. This significant growth experience not only allowed me to take stock of my life at the time, but also provided a refreshing opportunity to connect with teenage hearts and minds.

And idealism! Talking to groups of art students, I naturally found myself describing the ideals of an artist. A painful experience for me—I still had no sense of myself as an artist. The more the students showed their affection for me, the more I felt like a failed artist masquerading as a sensei (teacher). After completing my graduate studies, I kept working as a yobiko instructor. And in telling students about the path to becoming an artist, I began to realize that I was still a student myself, with many things yet to learn. I felt that I needed to become a true art student. I decided to study in Germany. The day I left the city where I had long lived, many of my students appeared on the platform to see me off.

Life as a student in Germany was a happy time. I originally intended to go to London, but for economic reasons chose a tuition-free, and, fortunately, academism-free German school. Personal approaches coexisted with conceptual ones, and students tried out a wide range of modes of expression. Technically speaking, we were all students, but each of us brought a creator’s spirit to the fore. The strong wills and opinions of the local students, though, were well in place before they became artists thanks to the German system of early education. As a reticent foreign student from a far-off land, I must have seemed like a mute child. I decided that I would try to make myself understood not through words, but through having people look at my pictures. When winter came and leaden clouds filled the skies, I found myself slipping back to the winters of my childhood. Forgoing attempts to speak in an unknown language, I redoubled my efforts to express myself through visions of my private world. Thinking rather than talking, then illustrating this thought process in drawings and, finally, realizing it in a painting. Instead of defeating you in an argument, I wanted to invite you inside me. Here I was, in a most unexpected place, rediscovering a value that I thought I had lost—I felt that I had finally gained the ability to learn and think, that I had become a student in the truest sense of the word.

But I still wasn’t your typical honors student. My paintings clearly didn’t look like contemporary art, and nobody would say my images fit in the context of European painting. They did, however, catch the gaze of dealers who, with their antennae out for young artists, saw my paintings as new objects that belonged less to the singular world of art and more to the realm of everyday life. Several were impressed by the freshness of my art, and before I knew it, I was invited to hold exhibitions in established galleries—a big step into a wider world.

The six years that I spent in Germany after completing my studies and before returning to Japan were golden days, both for me and my work. Every day and every night, I worked tirelessly to fix onto canvas all the visions that welled up in my head. My living space/studio was in a dreary, concrete former factory building on the outskirts of Cologne. It was the center of my world. Late at night, my surroundings were enveloped in darkness, but my studio was brightly lit. The songs of folk poets flowed out of my speakers. In that place, standing in front of the canvas sometimes felt like traveling on a solitary voyage in outer space—a lonely little spacecraft floating in the darkness of the void. My spaceship could go anywhere in this fantasy while I was painting, even to the edge of the universe.

Suddenly one day, I was flung outside—my spaceship was to be scrapped. My little vehicle turned back into an old concrete building, one that was slated for destruction because it was falling apart. Having lost the spaceship that had accompanied me on my lonely travels, and lacking the energy to look for a new studio, I immediately decided that I might as well go back to my homeland. It was painful and sad to leave the country where I had lived for twelve years and the handful of people I could call friends. But I had lost my ship. The only place I thought to land was my mother country, where long ago those teenagers had waved me goodbye and, in retrospect, whose letters to me while I was in Germany were a valuable source of fuel.

After my long space flight, I returned to Japan with the strange sense of having made a full orbit around the planet. The new studio was a little warehouse on the outskirts of Tokyo, in an area dotted with rice fields and small factories. When the wind blew, swirls of dust slipped in through the cracks, and water leaked down the walls in heavy rains. In my dilapidated warehouse, only one sheet of corrugated metal separated me from the summer heat and winter cold. Despite the funky environment, I was somehow able to keep in midnight contact with the cosmos—the beings I had drawn and painted in Germany began to mature. The emotional quality of the earlier work gave way to a new sense of composure. I worked at refining the former impulsiveness of the drawings and the monochromatic, almost reverent, backgrounds of the paintings. In my pursuit of fresh imagery, I switched from idle experimentation to a more workmanlike approach towards capturing what I saw beyond the canvas.

Children and animals—what simple motifs! Appearing on neat canvases or in ephemeral drawings, these figures are easy on the viewers’ eyes. Occasionally, they shake off my intentions and leap to the feet of their audience, never to return. Because my motifs are accessible, they are often only understood on a superficial level. Sometimes art that results from a long process of development receives only shallow general acceptance, and those who should be interpreting it fail to do so, either through a lack of knowledge or insufficient powers of expression. Take, for example, the music of a specific era. People who lived during this era will naturally appreciate the music that was then popular. Few of these listeners, however, will know, let alone value, the music produced by minor labels, by introspective musicians working under the radar, because it’s music that’s made in answer to an individual’s desire, not the desires of the times. In this way, people who say that “Nara loves rock,” or “Nara loves punk” should see my album collection. Of four thousand records there are probably fewer than fifty punk albums. I do have a lot of 60s and 70s rock and roll, but most of my music is from little labels that never saw commercial success—traditional roots music by black musicians and white musicians, and contemplative folk. The spirit of any era gives birth to trends and fashions as well as their opposite: countless introspective individual worlds. A simultaneous embrace of both has cultivated my sensibility and way of thinking. My artwork is merely the tip of the iceberg that is my self. But if you analyzed the DNA from this tip, you would probably discover a new way of looking at my art. My viewers become a true audience when they take what I’ve made and make it their own. That’s the moment the works gain their freedom, even from their maker.

After contemplative folk singers taught me about deep empathy, the punk rockers schooled me in explosive expression.

I was born on this star, and I’m still breathing. Since childhood, I’ve been a jumble of things learned and experienced and memories that can’t be forgotten. Their involuntary locomotion is my inspiration. I don’t express in words the contents of my work. I’ll only tell you my history. The countless stories living inside my work would become mere fabrications the moment I put them into words. Instead, I use my pencil to turn them into pictures. Standing before the dark abyss, here’s hoping my spaceship launches safely tonight….

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Sing along with your favourite Nineties songs. Sing Sixties, 60s karaoke! Enjoy studio-recorded Nineties instrumental versions with lyrics.

#51. "Yesterday" Some of The Greatest Hits of 60's and 70's (5 CD's

"Yesterday" Hits of 60's and 70's (103 songs). 5 discs for the price of 4!!!! The top hits of the '60s and '70s. Classic Rock vol. 1, Southern Rock Vol.

#52. 25 Huge Bands from the '60s You Totally Forgot Existed

The London-based group had a string of hits in the 1960s, including three ... their bright-as-Technicolor success began to dim in the '70s, ...

#53. Best 167 Hippie Songs (60s - 70s) - NSF - Music Magazine

Best 167 Hippies Era Songs (When Peace and Love Reign Over The World) - Old Hippie Songs. ... Best 167 Hippie Songs (60s – 70s).

#54. Youtube classic rock 70s. They are compiled by the 'editor ...

Top 100 Rock Songs of the 60s and 70s - Rock music came into its own in the 60s and 70s. ... Free Oldies 60s 70s 80s 90s Rock Music Hits Android latest 1.

#55. Pop Songs of the 60s & 70s on Acoustic Guitar - JioSaavn

Listen to Pop Songs Of The 60s & 70s On Acoustic Guitar songs Online on JioSaavn. English music album by Steve Petrunak, Acoustic Guitar Songs, 60's 70's ...

#56. The 15 Most Depressing Songs of the 1960s and 70s - Flashbak

The 15 Most Depressing Songs of the 1960s and 70s · 15. “All By Myself” by Eric Carmen · 14. “Diary” by Bread · 13. “Seasons in the Sun” by Terry ...

#57. Now And Then Movie Soundtrack Best Songs 60s 70s Pop

Now and then, we put on the soundtrack from “Now And Then” and think about the good ol' days. With music like this, it's hard not to.

#58. 60s 70s 80s 90s Rock Music Hits For Free - Google Play 應用 ...

Free Rock Music, So you can enjoy your 60s-90s rock music from the different performers of the genre and the best rock music live for free.

#59. 1960s Pop & Motown Songs by Female Singers (Uptempo)

1. “You Can't Hurry Love” by The Supremes (1966) · 2. “It's My Party” by Lesley Gore (1963) · 3. “My Boyfriend's Back” by The Angels (1963) · 6. “ ...

#60. The Best 1960s Country Songs - Ranker

Country music is the most popular genre of music and its popularity stems from classic country songs such as these from the 1960s that have paved the way ...

#61. 100 Classic Oldies Songs for Your Next Roadtrip - Southern ...

Roll your windows down, drum your fingers on the steering wheel, and queue up your playlist with the greatest hits. Whether you're taking a long trip up the ...

#62. The Top 20 Billboard Hot 100 Hits of the 1960s

1, we're revealing the top 20 Billboard Hot 100 hits from each decade since the 1960s (for a total of 120 songs). The '60s was the first ...

#63. Boomer's Book of Classic Rock Guitar 60s 70s Easy Tab ...

66 Essential Songs of the Era. Series: Easy Guitar (Notes & Tab). Classical Gas. Sample only: Actual sheet music may vary from guide. Dance To The Music.

#64. 60s ukulele songs with chords and tabs • UkuTabs

All songs within the genre "60s" with ukulele chords and tabs. Free and quality guaranteed with chord diagrams, transposer and auto scroller.

#65. The Look Of Love - Love songs from the 60s, 70s, 80s and 90s

Stream Zefyko - The Look Of Love - Love songs from the 60s, 70s, 80s and 90s by High Bass Sound System on desktop and mobile.

#66. Love Songs 60s 70s - Shared Playlists

Love Songs 60s 70s ; 2. Your Song. Elton John. 4:00 ; 3. Wonderful Tonight. Robin Gerrard. 3:40 ; 4. Hey Jude - Remastered 2015. The Beatles. 7:05 ; 5. Piano Man.

#67. 20 Songs of the 1970s That Were Made for Road Trips

The 1970s were one of the grooviest decades ever. Take a trip down memory lane with our top 20 70s driving songs from this era.

#68. 20 seriously underrated rock songs from the '70s - al.com

20 seriously underrated rock songs from the '70s · Somehow, somewhere along the way, phones became sexier than guitars. Thank God for the '70s.

#69. Baby love : 100 Classic love songs of the 50's and 60's

Album information for Baby love : 100 Classic love songs of the 50's and 60's.

#70. 50s and 60s Party Songs | WXXI

1960's cultural phenomenon Chubby Checker hosts this specal PBS My Music series focusing on the most joyful dance hits of the early rock era ...

#71. Best 60s Female Singers: 10 Women Who Changed The World

The best 60s female singers paved the way for future generations ... the building blocks for many hits through the 60s and into the 70s.

#72. Groovy Prom Songs From The '60s And '70s

Groovy Prom Songs From The '60s And '70s ; I Got You Babe - Sonny And Cher; And I Love Her - The Beatles; Theme From A Summer Place - Percy Faith

#73. Top 10 Country Songs of the 1960s - The Boot

From Woodstock to the Beatles, the 1960s were a huge decade for music -- and country music was no exception. The '60s gave country music ...

#74. Best songs of the 70s

Paste compiled the 100 best songs of the 1960s by whittling down a list of more ... Listen to Hits Of The 60s, 70s, and 80s Songs by artists like Frankie ...

#75. 60s songs with guitar chords | Bellandcomusic.Com

Song Artist Date A Time For Us Andy Williams ✓ 1968 Are You Lonesome Tonight Elvis Presley ✓ 1960 As Tears Go By The Rolling Stones ✓ 1965

#76. 60s girl groups: 10 of the best | Music | The Guardian

Girl groups might have been responsible for the sweetest 60s music, ... As good as song intros get – a military stomp announced with a ...

#77. Relive the Memorable '60s & '70s Love Songs - West Virginia ...

Beautiful ballads from the late 1960s and 1970s are back, featuring unforgettable hits from Andy Williams, Dusty Springfield, ...

#78. The soundtrack of the Sixties demanded respect, justice and ...

Throughout history, artists and songwriters have expressed a longing for equality and justice through their music. Before the Civil War, African ...

#79. 9 of the Best Songs Associated With the Vietnam War - History ...

The Vietnam War happened during the '50s '60s and '70s from 1955 to 1975. During these 20 years the music being released had a big...

#80. Radio 10 60's & 70's Hits radio stream live and for free

Listen to Radio 10 60's & 70's Hits internet radio online. Access the free radio live stream and discover more radio stations at one glance.

#81. Counter-Culture: The Top 100 Songs of the '60s - Treble

To simply make a list of the best songs of the '60s would involve combing ... the seventies “nothing is better than something” denigration.

#82. 10 Great 1960s Instrumental Hits | Best Classic Bands

10 Great 1960s Instrumental Hits · 10) “Music To Watch Girls By” by The Bob Crewe Generation · 9) “The Horse” by Cliff Nobles and Co. · 8) “Soulful Strut” by Young ...

#83. Jive songs from the 60s. Set1 - Dan Munnerley

Here on his debut album 'Songs Of Leonard Cohen' he bids farewell to Marianne, ... Hits Of The 50s 60s 70s - Old School Music Hits - Greatest Hits Golden O ...

#84. Oldies fm. 7 WQOL On Facebook! Cool 101 - Atelier Descartes

Oldies der 50s, 60s, 70s und 80s - Oldies Radio. ... The best hits from the 60's, 70's, and 80's on web radio ANTENNE BAYERN - oldies but goldies.

#85. hippie bands 60s 70s. Zipper fly

Listen to Christian Hits of the '60s & '70s by Various Artists on Apple Music. 95; Jointed Female Hippie BE57776 $ 7. Mens 60s Hippie Costume.

#86. Top 100 Car Songs of the '50s and '60s | Way Back Attack

TOP 100 CAR SONGS OF THE '50S AND '60S · The Little Old Lady (From Pasadena) - Jan and Dean · Maybellene - Chuck Berry · Beep Beep - The Playmates · G.T.O. - Ronny ...

#87. 60 Songs From The 70s That Will Instantly Put You In A Good ...

60 Songs From The 70s That Will Instantly Put You In A Good Mood · 1. Al Green – Let's Stay Together · 2. The Knack – My Sharona · 3. Stevie Wonder ...

#88. Top 15 Dance Songs from the 60s - Project Revolver

Top 15 Dance Songs from the 60s ... So, get up off your seat, start moving your hips, shaking your ass to the top 15 dance hits of the 60's.

#89. Oldies mashup

Can you identify all of our songs in our music mashup? ... Oldies 80s, 70s, 60s Best songs ♬ Throwbacks HITS - Queen, The Beatles, Michael Jackson, Elvis, ...

#90. Top 500 Songs of the 1960s - Nothing But Good Things

Top 500 Songs of the 1960s. I wrote the preamble yesterday. ... 439) The Ikettes - I'm Blue (The Gong-Gong Song) (1961)

#91. Listen: this is what musicians of the '60s and '70s ... - Vox

Listen: this is what musicians of the '60s and '70s thought the future would sound like ... But those songs were just the beginning.

#92. Music of the 1960's and 70's | GROM Blog and News

The Rolling Stones started in the early 1960's covering Blues and Rock songs. With covers of Chuck Berry hidden diamonds like “Around and ...

#93. The Top 10 Workout Songs from the 1960s - Shape Magazine

The Top 10 Workout Songs from the 1960s · The Four Tops - I Can't Help Myself (Sugar Pie, Honey Bunch) - 127 BPM · The Rolling Stones - (I Can't ...

#94. Rock Music Hits 60s 70s | Best Rock Songs of the 60's & 70's

23.1k members in the makemeaplaylist community. Want music for that 8 hour drive to pick up your new car? How about for the party your wife ...

#95. Top 50 Guitar Songs of the '60s

Top 50 Guitar Songs of the '60s · 1 “(I Can't Get No) Satisfaction” · 2 “Sunshine Of Your Love” · 3 “Purple Haze” · 4 “Day Tripper” · 5 “Walk, Don't ...

#96. Great Rock Songs in English... by Various Artists - Napster

Play full-length songs from Rock Anthems 60's 70's: Great Rock Songs in English from the 1960's & 1970's. Best of Top Album's Music Hits by Various Artists ...