💕「愛台灣,我的選擇」系列第15發:臺虎董事長黃一葦(Peter Huang) 要讓臺虎精釀 Taihu Brewing成為台灣年輕人才發光發熱與實踐夢想的平台
「儘管我有著東方面孔,但我不是台灣人,家族根源也不在台灣。一直到我念大學時 (美國麻薩諸塞州的威廉斯學院,非常棒的學校),我才透過普林斯頓北京中文培訓班的機會,真正到東亞來闖蕩。
大學畢業之後,我埋首於數字和表格之間,精釀啤酒陪我撐過了這段辛苦的歲月。我的職涯始於紐約,但後來輾轉來到亞洲 (名義上是去新加坡,但主要是在印尼、緬甸和馬來西亞)。
在數字間打轉從來不是我的夢想。身為一個負責任且典型的千禧世代,我一直很想獨立開創自己的事業,如果能將個人興趣和創業機會相結合,那就太完美了。而精釀啤酒就是那完美的交集點!精釀工藝的精神我深有同感,這是一種對未來可能性充滿嚮往、不盲目接受現狀的精神;同時也代表著與一群優秀的人才,一起開發令人驚喜的產品,並打造屬於自己的社群。
成立臺虎精釀的契機出現之後,我立刻想到台灣。之所以選擇這裡,不是因為台灣文化很吸引人 (雖然確實是),不是因為台灣有著厚實的文化傳統 (雖然確實有),更不是因為台灣的好山好水。
我選擇台灣的主要原因是這裡遇到的人。很多人會說,人生中有兩個家庭,一個是你的原生家庭,另一個是你自己選擇的家庭。對我來說,那個我自己選擇的家庭,似乎就在台灣。
臺虎精釀的商標 (由台灣傑出設計師Jess Lee設計) 由老虎、啤酒花和葫蘆三個元素組成,葫蘆是古代盛酒的容器。
葫蘆就不需要多加解釋了,但啤酒花是當代精釀啤酒的基石,代表著創新創意的精神。事實上,我們使用的絕大多數啤酒花都來自美國,畢竟美國是精釀啤酒的中心 (過去20年一直都是)。美國的啤酒花產業 (還有麥芽產業) 可以說是世界之最,也難怪經典IPA啤酒中最受歡迎的啤酒花都來自美國。
商標中的老虎是為了向早期台灣作為「亞洲四虎」(亞洲四小龍) 的年代致敬。當年台灣經濟快速起飛,產業朝氣蓬勃,民眾無不對未來充滿樂觀和期待。
老虎代表的正是那樣的生機勃勃、神采煥發。臺虎167名員工幾乎都是台灣人。我們認為,與其說臺虎是一個釀酒廠,不如說臺虎是讓台灣年輕人才發光發熱、實踐夢想的平台。
我們的目標是吸引並培育人才,最終目標希望能夠在台灣發展出欣欣向榮的創業生態圈。Sway是我們成立初期的成員,她一開始是在吧台工作,非常優秀。在小公司工作的好處就是,你可以盡你所能所想去做,Sway後來開始慢慢接觸進口通關業務,現在是我們全球物流的主管 (很不簡單)。
也許有一天,她會開創自己的事業,進而將這份育才的信念在台灣新創圈繼續傳承下去。」— 臺虎董事長黃一葦 Peter Huang
💕Why I chose Taiwan #15 – Taihu Brewing Founder Peter Huang leads Taihu to become a platform for Taiwan young talents to carry out their dreams and express themselves
“Despite appearances, I’m neither Taiwanese nor have roots here. It took college (Williams College in Massachusetts – phenomenal place), to really bring me out to East Asia via Princeton’s immersion program in Beijing.
Post-graduation, I paid my dues shuffling numbers around in a spreadsheet. Craft beer made it bearable-ish. Working life began in New York, but ultimately landed me in Asia (nominally Singapore, primarily Indonesia, Myanmar, Malaysia).
Shuffling numbers was not the dream. So, as a responsibly stereotypical millennial, I had an urge to venture out on my own. Ideally, to try something at the intersection of opportunity and interest. Craft beer! The craft movement itself struck a chord - a yearning for what could be, rather than blind acceptance of what is. It is about building communities around delightful products and, critically, wonderful people.
When the opportunity to start Taihu appeared, my mind immediately went to Taiwan. Not necessarily because the culture is fantastic (though it is), nor because it has a strong cultural heritage (though it does), and not even because the island itself is a magical composition of mountains meeting oceans.
Ultimately, I chose Taiwan because of the people I met here. There’s a tired trope that you get two families in life, the one you’re born into and the one you choose. For me, that chosen family, well, it seemed like it could be in Taiwan.
Taihu Brewing’s logo (designed by brilliant local artist, Jess Lee) is comprised of a tiger and hops within a hulu (traditional Chinese alcohol vessel).
The hulu needs no explanation, but hops are the cornerstone of modern craft beer. They represent the innovation inherent in the space. In fact, the vast majority of the hops that we use are from the United States. Since the US is the epicenter of craft brewing (and has been over the last twenty years), the American hop industry (malt too, actually) is arguably the best in the world. It is for good reason that the most popular hops in category-defining IPAs are American.
The tiger is a nod to an earlier era when Taiwan was one of the “Four Asian Tigers.” Taiwan’s meteoric economic rise was accompanied by deterministic optimism, vibrancy, and general excitement about the future.
The tiger represents that energy. That sense of opportunity, positivity, and hope. Taihu’s 167 employees are almost entirely Taiwanese. Internally, we think of Taihu as more of a platform for young Taiwanese talent than as a brewery, a medium for that energy to express itself.
Our goal to attract and develop talent with the ultimate goal of developing the burgeoning entrepreneurial ecosystem here in Taiwan. One of our earliest team members, Sway, came on board as a bartender -- a fantastic bartender. At a small company, you do what you can, where you can, and Sway ended up taking up some of the slack in our logistics. Now she runs all of Taihu’s international supply chain (no small feat).
With luck, one day she’ll be running her own successful Taiwanese business, and, in doing so, perpetuate the cycle.” — Peter Huang, founder of Taihu Brewing
同時也有3部Youtube影片,追蹤數超過7萬的網紅Elaine Hau,也在其Youtube影片中提到,中文字幕請打開[字幕](右下方):) 如果仍然看不到中文字幕,請轉到“設置”(右下方),然後轉到“字幕”,然後“自動翻譯”,然後點擊“中文” Please turn on [CC] for English subtitles :) If you still can't see English ...
「primarily中文」的推薦目錄:
primarily中文 在 Roger Chung 鍾一諾 Facebook 的最佳貼文
今早為Asian Medical Students Association Hong Kong (AMSAHK)的新一屆執行委員會就職典禮作致詞分享嘉賓,題目為「疫情中的健康不公平」。
感謝他們的熱情款待以及為整段致詞拍了影片。以下我附上致詞的英文原稿:
It's been my honor to be invited to give the closing remarks for the Inauguration Ceremony for the incoming executive committee of the Asian Medical Students' Association Hong Kong (AMSAHK) this morning. A video has been taken for the remarks I made regarding health inequalities during the COVID-19 pandemic (big thanks to the student who withstood the soreness of her arm for holding the camera up for 15 minutes straight), and here's the transcript of the main body of the speech that goes with this video:
//The coronavirus disease 2019 (COVID-19) pandemic, caused by the SARS-CoV-2 virus, continues to be rampant around the world since early 2020, resulting in more than 55 million cases and 1.3 million deaths worldwide as of today. (So no! It’s not a hoax for those conspiracy theorists out there!) A higher rate of incidence and deaths, as well as worse health-related quality of life have been widely observed in the socially disadvantaged groups, including people of lower socioeconomic position, older persons, migrants, ethnic minority and communities of color, etc. While epidemiologists and scientists around the world are dedicated in gathering scientific evidence on the specific causes and determinants of the health inequalities observed in different countries and regions, we can apply the Social Determinants of Health Conceptual Framework developed by the World Health Organization team led by the eminent Prof Sir Michael Marmot, world’s leading social epidemiologist, to understand and delineate these social determinants of health inequalities related to the COVID-19 pandemic.
According to this framework, social determinants of health can be largely categorized into two types – 1) the lower stream, intermediary determinants, and 2) the upper stream, structural and macro-environmental determinants. For the COVID-19 pandemic, we realized that the lower stream factors may include material circumstances, such as people’s living and working conditions. For instance, the nature of the occupations of these people of lower socioeconomic position tends to require them to travel outside to work, i.e., they cannot work from home, which is a luxury for people who can afford to do it. This lack of choice in the location of occupation may expose them to greater risk of infection through more transportation and interactions with strangers. We have also seen infection clusters among crowded places like elderly homes, public housing estates, and boarding houses for foreign domestic helpers. Moreover, these socially disadvantaged people tend to have lower financial and social capital – it can be observed that they were more likely to be deprived of personal protective equipment like face masks and hand sanitizers, especially during the earlier days of the pandemic. On the other hand, the upper stream, structural determinants of health may include policies related to public health, education, macroeconomics, social protection and welfare, as well as our governance… and last, but not least, our culture and values. If the socioeconomic and political contexts are not favorable to the socially disadvantaged, their health and well-being will be disproportionately affected by the pandemic. Therefore, if we, as a society, espouse to address and reduce the problem of health inequalities, social determinants of health cannot be overlooked in devising and designing any public health-related strategies, measures and policies.
Although a higher rate of incidence and deaths have been widely observed in the socially disadvantaged groups, especially in countries with severe COVID-19 outbreaks, this phenomenon seems to be less discussed and less covered by media in Hong Kong, where the disease incidence is relatively low when compared with other countries around the world. Before the resurgence of local cases in early July, local spread of COVID-19 was sporadic and most cases were imported. In the earlier days of the pandemic, most cases were primarily imported by travelers and return-students studying overseas, leading to a minor surge between mid-March and mid-April of 874 new cases. Most of these cases during Spring were people who could afford to travel and study abroad, and thus tended to be more well-off. Therefore, some would say the expected social gradient in health impact did not seem to exist in Hong Kong, but may I remind you that, it is only the case when we focus on COVID-19-specific incidence and mortality alone. But can we really deduce from this that COVID-19-related health inequality does not exist in Hong Kong? According to the Social Determinants of Health Framework mentioned earlier, the obvious answer is “No, of course not.” And here’s why…
In addition to the direct disease burden, the COVID-19 outbreak and its associated containment measures (such as economic lockdown, mandatory social distancing, and change of work arrangements) could have unequal wider socioeconomic impacts on the general population, especially in regions with pervasive existing social inequalities. Given the limited resources and capacity of the socioeconomically disadvantaged to respond to emergency and adverse events, their general health and well-being are likely to be unduly and inordinately affected by the abrupt changes in their daily economic and social conditions, like job loss and insecurity, brought about by the COVID-19 outbreak and the corresponding containment and mitigation measures of which the main purpose was supposedly disease prevention and health protection at the first place. As such, focusing only on COVID-19 incidence or mortality as the outcomes of concern to address health inequalities may leave out important aspects of life that contributes significantly to people’s health. Recently, my research team and I collaborated with Sir Michael Marmot in a Hong Kong study, and found that the poor people in Hong Kong fared worse in every aspects of life than their richer counterparts in terms of economic activity, personal protective equipment, personal hygiene practice, as well as well-being and health after the COVID-19 outbreak. We also found that part of the observed health inequality can be attributed to the pandemic and its related containment measures via people’s concerns over their own and their families’ livelihood and economic activity. In other words, health inequalities were contributed by the pandemic even in a city where incidence is relatively low through other social determinants of health that directly concerned the livelihood and economic activity of the people. So in this study, we confirmed that focusing only on the incident and death cases as the outcomes of concern to address health inequalities is like a story half-told, and would severely truncate and distort the reality.
Truth be told, health inequality does not only appear after the pandemic outbreak of COVID-19, it is a pre-existing condition in countries and regions around the world, including Hong Kong. My research over the years have consistently shown that people in lower socioeconomic position tend to have worse physical and mental health status. Nevertheless, precisely because health inequality is nothing new, there are always voices in our society trying to dismiss the problem, arguing that it is only natural to have wealth inequality in any capitalistic society. However, in reckoning with health inequalities, we need to go beyond just figuring out the disparities or differences in health status between the poor and the rich, and we need to raise an ethically relevant question: are these inequalities, disparities and differences remediable? Can they be fixed? Can we do something about them? If they are remediable, and we can do something about them but we haven’t, then we’d say these inequalities are ultimately unjust and unfair. In other words, a society that prides itself in pursuing justice must, and I say must, strive to address and reduce these unfair health inequalities. Borrowing the words from famed sociologist Judith Butler, “the virus alone does not discriminate,” but “social and economic inequality will make sure that it does.” With COVID-19, we learn that it is not only the individuals who are sick, but our society. And it’s time we do something about it.
Thank you very much!//
Please join me in congratulating the incoming executive committee of AMSAHK and giving them the best wishes for their future endeavor!
Roger Chung, PhD
Assistant Professor, CUHK JC School of Public Health and Primary Care, @CUHK Medicine, The Chinese University of Hong Kong 香港中文大學 - CUHK
Associate Director, CUHK Institute of Health Equity
primarily中文 在 Chet Lam 林一峰 Facebook 的精選貼文
One Song a Day - Italian Story 意大利的故事. Chinese translation and song link below.
•
A simple love letter kind of song, I wrote primarily in English in northern Italy, everything was simple and direct. It was during a wedding party I went to in a little mountain town called Barga, where I would take short excursions everyday, taking public transport here and there, watching the world go by while collecting words that floated in the air. It might appear to be too plain and simple, but why not?
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Italian Story
(Chet Lam)
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From the Florence sun to the Venice moon
On and on I travel
Without you, the road is too long
Time is too slow
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The sunflowers long for the light of the day
Reaching for something that’s so far away
To the sun they grow
To the only one they know
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Save some sunshine, I ask the angels
For someone waiting home
I've tasted Lucca, I've savoured Rome
But I'd trade my freedom
For you and me to be close
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You are the water of my river
You are the sun in my cathedral
You are the youth of my fountain
You are the knight of my castle
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Questions are written in the stars
Answers are hidden on the road
Stories are the first victory of my quest
You are the last piece of my puzzle
•
我常用三種語言創作,什麼時候國語,什麼時候粵語,什麼時候英文,完全取決於我創作時即時想到的是那一種語言;這首歌在意大利北部的山城小鎮Barga用英語創作,先有文字,後有旋律;有些文字跟意思,換作中文就會顯得怪怪的,相反亦然;《意大利的故事》一切都來得很直接,生命已經怎樣也不夠長,可能有時就是需要這麽直接。
•
意大利的故事
(曲詞:林一峰)
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從佛羅倫斯的太陽
到威尼斯的月亮
我一路前行
沒有你 路太長 時間太慢
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太陽花盼望著日光
希望觸到遙遠的東西
只向著太陽生長
那是它們唯一知道的方向
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我向我的天使祈禱
保守在等著誰回家的人
我嚐過路卡 我呫過羅馬
但我願以我的自由
換取我們能一起
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你是我河流裡的水
你是我教堂裡的陽光
你是我泉源的生命力
你是我城堡裡的騎士
問題寫在夜星之間
答案隱藏在路途中
故事是我征途上第一份禮物
你是我故事裡最後一塊拼圖
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#一日一首林一歌 #林一峰 #chetlam #travekogue #travelogue4escape
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https://instabio.cc/ChetLamItalianStory
primarily中文 在 Elaine Hau Youtube 的最佳解答
中文字幕請打開[字幕](右下方):)
如果仍然看不到中文字幕,請轉到“設置”(右下方),然後轉到“字幕”,然後“自動翻譯”,然後點擊“中文”
Please turn on [CC] for English subtitles :)
If you still can't see English subtitles, then go to "Settings", then "Subtitles/CC", then "English"
中文字幕请打开[字幕] (右下方) :)
如果仍然看不到中文字幕,请转到“设置”(右下方),然后转到“字幕”,然后"自动翻译",然后点击“中文”
Elaine Hau has been a part of the luxury fashion and beauty industry for many years. Her passion for all things beauty and fashion has led to her popular YouTube channel which promotes the luxury lifestyle. Her content primarily includes shopping hauls, unboxings and reviews of many brand name products in both industries. Elaine has been a handbag collector for many years. All of her handbags are “like new” since she has only used them a few times for content on her social media pages and special events. She loves to have the latest handbags because they complement her fashion style. Elaine also likes to stay up to date with the latest fashion trends. With her growing collection of luxury handbags just sitting in her closet at home, she has decided to share her collection with all of you. She has found a way to combine her passion for handbags and her interest in business. Elaine is committed to providing you with the best experience, from ordering online, to when your handbag arrives and when you’re ready to return.
Elaine has a bachelor’s degree in Business Administration from the University of Alaska Anchorage and an MBA from Pepperdine University. She is currently pursuing a Master’s in Digital Media Design from Harvard University. Originally from Hong Kong, Elaine now resides in Los Angeles, CA.
Ever wanted a luxury handbag for a special occasion, event or outing? Handbags can be expensive and a big commitment to purchase. Or maybe your closet just doesn’t have the same amount of space it used to? What if there was a way to have the perfect handbag for a fraction of the cost or just save some extra space in your closet. That’s where we come in! Luxury Fashion Rentals offers you the option to rent the luxury handbag of your choice for as long as you’d like without having to purchase it outright. Now you will have the flexibility to enjoy the perfect handbag on your time!
Rent with Us: https://luxuryfashionrentals.com/
**這不是一個贊助的視頻,我用我自己的錢購買的。
**This video is not sponsored. I purchased the items with my own money.
**这不是一个赞助的视频,我用我自己的钱购买的。
感謝您的收看!
Thank you for watching!!
感谢您的收看!
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primarily中文 在 ajin Youtube 的最佳貼文
哈囉~我是阿津,歡迎來觀看我的遊戲實況直播影片( ´ω`)
pc origin 戰地風雲4 戰地風雲 四 單人戰役劇情 Battlefield 4 動作射擊戰爭多人連線
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● 定時收看最新影片,請按這裡訂閱頻道 http://goo.gl/K2pnd
● 各種生活動態都會貼在FB粉絲頁 http://www.facebook.com/tttd3
● twitch直播台 http://zh-tw.twitch.tv/kamiyu666
● 副頻道 http://www.youtube.com/user/kamiyu665
● 影片清單在此 https://www.youtube.com/playlist?list=PLEzqZq_wDhpezQs-H7JMXa5OviidIX6v-
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對影片有任何意見或建議,可以直接留言或寄信給我,如果覺得實況好看的話就點個喜歡表示一下你的支持吧(°∀°)
劇情攻略結局
遊戲描繪了一場近未來的軍事政變,玩家將扮演瑞克,深入中、美、俄三國之中的一場浩大政治陰謀並探求最後的和平希望。在全新的多人模式中,玩家也同樣可選擇美軍、俄軍和中國軍隊三陣營之一,並在大量風格迥異、規模不一的地圖上展開作戰。
Unlike the Campaign of its predecessor, Battlefield 4's Campaign primarily follows chronological order, and permanently casts the player as Recker. In the beginning, set in Baku, Azerbaijan, Tombstone Fire Team—consisting of Recker, Dunn, Irish, and Pac—escapes the city, with vital intelligence in hand and Russian special forces in hot pursuit.The squad winds up trapped in a civilian's car when it plunges into the sea. Dunn, trapped between the seats and critically wounded gives Recker his revolver and orders him to shoot out the windshield.Reluctantly, Recker shoots the window, and Dunn drowns as the others escape.As Tombstone swims to the surface, the player hears their commanding officer, Captain Garrison, talking over the phone about the intel: that Admiral Chang is planning a military coup d'état, and if he succeeds, he will gain full Russian support, confirming an earlier report from an asset in China.Tombstone returns to the USS Valkyrie, an amphibious assault carrier en route to China's eastern coast.[23] On board, Garrison informs them of the assassination of Chinese presidential candidate Jin Jié, and that Chang convinced the Chinese that the United States was responsible.
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primarily中文 在 ajin Youtube 的最讚貼文
哈囉~我是阿津,歡迎來觀看我的遊戲實況直播影片( ´ω`)
pc steam 史丹利的寓言 The Stanley Parable 冒險探索解謎故事劇情
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● 定時收看最新影片,請按這裡訂閱頻道 http://goo.gl/K2pnd
● 各種生活動態都會貼在FB粉絲頁 http://www.facebook.com/tttd3
● twitch直播台 http://zh-tw.twitch.tv/kamiyu666
● 副頻道 http://www.youtube.com/user/kamiyu665
● 影片清單在此 https://www.youtube.com/playlist?feature=edit_ok&list=PLEzqZq_wDhpfn5cltzB-lUfRJPnLpw7Dg
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對影片有任何意見或建議,可以直接留言或寄信給我,如果覺得實況好看的話就點個喜歡表示一下你的支持吧(°∀°)
劇情攻略結局
你的名字叫做史丹利,你是這家公司的427號員工,你照著指示做著簡單並重複的工作,一如往常的過著每一天、每一個月、每一年,你很快樂。
直到某天,工作的指示不見了,接下來你該做些什麼?
The game is presented to the player from the first-person perspective. The player can move around and perform interactions with certain elements of the environment, such as pressing buttons or opening doors, but has no other controls.
The story is primarily presented to the player via the voiceover of the game's narrator, who explains that the protagonist Stanley works in an office building, tasked to monitor data coming on a computer screen and press buttons appropriately without question. One day that screen goes blank. Stanley, unsure what to do, starts to explore the building and finds it devoid of people.
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primarily中文 在 Lec01 中文口語語法與教學第一週課程 - YouTube 的推薦與評價
... <看更多>