Happy Malaysia Day! So much emotions to unpack today while I reveal these pieces. These three new artworks were created from soil gathered from East and West Malaysia.
I've been working on this project since Nov 2020, when Alvin Teoh, son of Malaysian war veteran, Major Andrew, contacted me asking if I’d want to create artworks to be shown in a documentary about Malaysian war veterans. One of my missions as an artist is to tell stories, especially meaningful ones about history, culture and heritage, so of course I said yes.
From the start, we knew that soil would be the main material to symbolise land that was fought for. Admittedly, there was a lot I didn't know about that the war and the vets - about the pain and reality of war, how it affected their families and lives, and their deep love for the country. I got to meet two vets in person before lockdown, and the rest I met through Zoom. I was also deeply touched by how there were so many Malaysians of various backgrounds who fought for our country - of all races, beliefs, backgrounds, and of Malaysians from East and West Malaysia. Swipe to see a sneaky screenshot I took of them.
As a Sabahan (East Malaysian), I hope these artworks and this documentary will also present East Malaysians as an equal to the West. That is the symbolism of gathering soil from both East and West Malaysia. The documentary will be shown tonight on Astro at 9pm (GMT + 8 ) on Channel 100. Happy Malaysia Day. ❤
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Project credits:
Artist: Red Hong Yi
Fabricator: Huak Huak (Chuah Chong Yong, Foo Chee wee, Cheong Siew wei, Arman Simanjuntak)
Red’s art team: Chee Chung Leong (project lead), Waichun Yan, Esmond Sit, Kaiyi Wong, Kashinie Subramaniam, Shir Yee Sun, Shen Phang Lim, HuiQi Chan.
Videography: Chong Kern Wei
Photography: Aaron Wong, Annice Lyn
Production by Naga DDB and Mojo Films.
Apprentices supported under the @cendanamalaysia Apprenticeship Programme in Collaboration with Studio Red Hong Yi
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同時也有26部Youtube影片,追蹤數超過485的網紅三東瑠璃,也在其Youtube影片中提到,fragment Dance:Ruri Mito Instagram https://www.instagram.com/ruri310/ Matou / Session Online Theater / Saturday 23 May 2020 / Title: Matou Chore...
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art history of the day 在 Dior Facebook 的最佳貼文
The skyline of Chengdu, China, is lit up to announce the latest edition of the 'Christian Dior: Designer of Dreams' exhibition on.dior.com/designer-of-dreams, running at the city's Museum of Contemporary Art (MOCA) until September 7, 2021. This marks the fourth location for the blockbuster show, which bowed at Paris's Musée des Arts Décoratifs in 2017, and which explores the entire history of the House, from Monsieur Dior's childhood through the New Look collection that changed fashion in one fell swoop and right up to the present day.
art history of the day 在 人造人電子金牌九安 Facebook 的最讚貼文
<脫口秀小訣竅中英翻譯-靈感篇>
文長注意!
之前小歐在脫口秀社團po了外國佛心大神脫口秀演員Gary Gulman,在twitter上連載的366個脫口秀小訣竅。
小妹就認領了靈感篇來翻譯。以下為22個小訣竅的中英文對照,若有翻的不盡理想的地方,請留言詳述,我會再看怎麼修改。原文和網誌版會放在留言處,方便大家查看。
---
Ideas
靈感
Tip No. 41: You know those quirky little things you do and think? Collect them in a file or on paper. Even if you’re a storyteller, you can use these as details to add depth and distinction to your jokes.
你了解自己做或想的古怪小事嗎? 把他們記錄在紙上或檔案夾裡。即使你是講故事的人,也可以將這些內容作為細節,以增加笑話的深度和特色。
GARY'S FAVORITES
Gary(原作者)的最愛
Tip No. 45: Don’t Hoard Jokes
Don’t worry about “burning” material on a special or album. Hoarding jokes may signal to your brain that you’re out of ideas. “You can’t use up creativity. The more you use, the more you have.” — Maya Angelou.
不要囤積笑話。不要怕在演出或專場用光自己累積的材料。囤積笑話會對你的大腦發出信號,暗示你已經沒有想法。如同Maya Angelou所說:”你無法耗盡創意。 你使用的越多,你擁有的就越多。”
Gary’s thoughts on Tip No. 45: This attitude has been crucial to an unprecedented streak of creativity over the last two years. I’ve written four hours of material, which is almost as much as I wrote in my first 23 years of comedy. Most important has been my health, this idea may be second.
Gary對此建議的想法: 在過去兩年中,這種態度對我的前所未有的創造力,有著至關重要的影響。我已經寫了四個小時的素材,這幾乎與我前23年的喜劇寫作一樣多。最重要的是我的健康,這個想法則排名第二位。
Tip No. 62: Look for inspiration everywhere. Paintings, music, poetry, rap, novels, nonfiction, short stories, theater, philosophy, etc. can all provide a spark for creativity. Cross-pollinate your work with broad influences and watch your creativity grow.
在各處尋找靈感。繪畫、音樂、詩歌、饒舌、小說、非小說、短篇故事、戲劇、哲學..等,都可以為創造力提供火花。以廣泛的影響力對你的工作進行異花授粉(原文:cross pollination,藉由風或昆蟲從別的花獲得繁衍的花粉),並觀察你的創造力增長。
Tip No. 63: Write it all down while the coffee is still telling you you’re mighty. Reread after you’ve turned back into Dr. Banner (yes he’s a genius, but not as self-confident in that condition). That buzz is so valuable but needs editing.
在咖啡發揮效果告訴你”你超棒”的時期,把所有想法寫下來。當你回復成原本的自我 (原文: Dr. Banner,也就是尚未變身成綠巨人浩克的班納博士,是個缺乏自信的天才)時,重讀一次剛才的寫作。思緒激昂(原文:buzz,也有微醺、很鏘的意思)很珍貴,但需要編輯。
GARY'S FAVORITES
Gary(原作者)的最愛
Tip No. 90: After a Good Set, Brainstorm
You just had a great set. Instead of celebrating, use that hour or so after when the synapses are still firing and your confidence is soaring to voice record or write down the ideas that pop up during that especially fertile creative time.
如果你剛完成一場精采的表演,不用太早慶祝,要在大腦突觸仍在觸發、信心爆發、靈感特別豐腴的創作時間裡,把突然出現的想法錄音或寫下,再多花一個小時左右的時間繼續創作吧。
Gary’s thoughts on Tip No. 90: Huge help in making jokes that work longer and coming up with tangents and inspired ideas.
Gary對此建議的想法: 這建議在創作笑話的過程中提供巨大幫助,並提供變化和啟發性的想法。
Tip No. 92: Notice where you do your best thinking. The shower? Running? Listening to music? Not listening to music? Driving? Walking? Make sure to put yourself in the places where you’re doing your best thinking as frequently as possible.
你有注意過你在哪個’場景最能好好思考嗎。沐浴時?跑步時?聽音樂時?不聽音樂時?開車時?走路時?請盡量把自己放在最適合思考的場域。
Tip No. 132: I think you can limit frustration and discouragement by writing just a page on a new premise before trying it out onstage. See if there’s anything there before you spend a day on a new joke. But if you’re truly excited by the new idea, keep going!
我認為你可以在上台試笑話之前,先寫一頁的新前提,這可以限制你的挫敗感和沮喪感。在你花一整天開發新笑話之前,先研究前提是否可挖掘。但是,如果你真心對這個新點子感到興奮,那就放手去做吧!
Tip No. 143: Listen to strangers’ conversations. (I tell myself it’s not impolite if they’re being super-loud.) I got “How Dottie is that?” when a supercilious woman named Jodi bragged “How Jodi is that?” “So Jodi,” her friend replied.
偷聽陌生人的對談(我都告訴自己偷聽並不是沒禮貌的行徑,是他們講話太大聲了)。我有一次聽到一個名叫Jodi的膚淺女人吹噓"How Jodi is that?",她朋友回覆:"So Jodi",我因此想出了我的 “How Dottie is that?” 笑話。
Tip No. 157: Need new joke ideas? Be sensitive. If you’re uncomfortable with that word, use “irritable” (or grow up). A lot of good comedy comes from reaction to injustice or discomfort large and small, which requires being hypersensitive to those feelings.
需要新的笑話創意嗎?保持敏感。如果你對這個詞不滿意,請使用“煩躁”(或成長)。 許多優秀喜劇源自於對不平等或不適的大大小小的反應,產生這些感覺都需要保持敏感。
Tip No. 217: “All art is autobiographical. The pearl is the oyster’s autobiography.” — Federico Fellini. Purposefully mine your personal history for your act. Your life is a wellspring. Dig deep.
Federico Fellini說過:“所有藝術都是自傳。珍珠是牡蠣的自傳。”有目的得挖掘你的個人經歷,以作為你的演出。你的生活是靈感之源。請深入挖掘。
Tip No. 241: Many of your favorite writers include the same themes/subjects/objects/interests repeatedly in their work. Don’t be afraid to return again and again to your passions and obsessions to explore and expound.
你最愛的許多作家,都會在他們的作品裡重複探討相同的主題/目標/對象/興趣。不要害怕在你的熱情和沉迷之處,一次又一次得重複探索和闡述。
Tip No. 285: Explore unusual angles in a joke. Example: Examine things from the POV of a child or an Expert. My man Jimmy P and I still laugh over his “Martian response to high school football practice: Why are the hard-heads (players) taking orders from the small soft-heads (coach)?”
在笑話中探索不尋常的觀點。例如:從孩子或專家的視角觀看事物。我和我的兄弟Jimmy P仍會為他的笑話大笑:“火星人對高中足球訓練的反應:為什麼硬頭(球員)會從小型軟頭(教練)那裡得到命令?”
Tip No. 297: One of the miracles of comedy is that you can get redemption for suffering, small and large, by making something funny with it. When you are ready, try to write something funny about your mistakes, setbacks, or even tragedies.
喜劇的奇蹟之一是,藉由使事情變得有趣,你可以從大大小小的苦難中得到救贖。 當你準備就緒時,請嘗試寫一些有關你的錯誤、挫折甚至悲劇的有趣訊息。
Tip No. 298: Skim your life for the unusual events and activities that you can’t believe you were a part of or that people can’t believe you were a part of. Then write about it! Back row No. 93 MULLET:
No. 93後衛MULLET: “瀏覽你一生經歷過的、你或別人不敢相信你參與其中的奇特事件和活動。然後把它寫下來吧!“
Tip No. 310: When it comes to solving the puzzles that are our jokes, draw on every area of knowledge, expertise, and talent. It’s so gratifying to use a fact, a lesson, or a memory from elementary school, high school, or elsewhere to fill in the joke.
在解決我們玩笑的難關時,請利用各個領域的常識、專業知識和才能。用小學、高中或其他地方的事實、課業或回憶來充實笑話,會非常令人滿足。
Tip No. 311: Some of your best ideas will come to you in the shower. There’s science behind why it happens. Get a shower notepad if you have trouble remembering your ideas. Don’t listen to music. Listen to your thoughts. Ruminate on tonight’s set or a new joke.
洗澡時,你可能想到一些最好的點子。這現象的發生原因有科學依據。如果你難以記住自己的想法,請準備淋浴記事本。不要聽音樂。聽你的想法。用今晚的場景或一個新的笑話來反思。
Tip No. 313: Try teaching or informing the audience about something through some of your jokes. We love to learn while being entertained and vice versa. You have knowledge? Put it in your act! Just make sure it’s funny.
試試看通過講笑話來教導或告知聽眾新知識吧。我們喜歡在娛樂的同時學習,反之亦然。你有新知識嗎?把它放在你的演出!只要確保它很有趣就行。
Tip No. 327: Going home for Thanksgiving? Take copious notes! Your family is unique. Being reminded of the dynamics and adding new memories will be great resources for your act. “Family isn’t a word. It’s a sentence.”
逢年過節你會回家和家人團聚嗎?做大量筆記!你的家人是獨一無二的。記住動態場景並添加新的記憶,這會是你表演的寶貴資源。“家庭不是一個詞。 而是一個句子。”
Tip No. 331: There are great stories from our lives that we’re not able to translate into stand-up. Don’t throw them out. Collect those stories in a file for radio and TV and other interview situations.
我們生活中有許多很棒的故事,但我們無法將其轉化為脫口秀。可是不要把它們丟掉。要將這些故事收集在資料夾裡,以後在進行廣播和電視或採訪時可能用的到。
Tip No. 340: Volunteer! Especially if you don’t have a day job. There are so many opportunities to help. You will do good and have something new to write about. In NYC we have New York Cares. One year we decorated an elementary school for Halloween.
如果你沒有正職工作,當志工吧!你會有很多機會能幫助別人。你會做得很好,並有新的事情能寫。在紐約,我們設有紐約關懷中心。今年我們為萬聖節裝飾了一所小學。
Tip No. 358: I have recently started audio recording all notes sessions (for projects), and next time I pitch jokes with a friend I will record that too. It’s very helpful. You will be surprised at what you forgot when you listen back. Ask permission first.
我最近開始錄製所有筆記會話(用於專案)的錄音檔,並且下次我與朋友開玩笑時,我也會錄音。這非常有幫助。當你回聽時,你會驚訝於你忘記了什麼。但錄音前請先徵得許可。
Tip No. 360: Spending holidays with kids? Pay attention to them. Listen to them. Take note and embrace their curiosity and enthusiasm within your writing. (Also avoid the “kids these days” writing. It’s lazy.) Merry Christmas from your second favorite long-haired Jew.
和孩子一起度假嗎?注意觀察他們。聽他們說話。寫下你觀察到的東西並注意,並在寫作中懷抱孩子們的好奇心和熱情。(不要流水帳的寫“現在的小屁孩都如何如何”。這很懶。)你第二喜歡的長髮猶太叔叔在此祝你聖誕快樂(註,原作Gary是猶太人)。
art history of the day 在 三東瑠璃 Youtube 的最佳解答
fragment
Dance:Ruri Mito
Instagram https://www.instagram.com/ruri310/
Matou / Session Online Theater / Saturday 23 May 2020 /
Title: Matou
Choreography / Dance : Ruri Mito
Music: Yuta Kumachi
Lighting: Akiyo Kushida
Costume: Tomoko Inamura
Premiere: October, 2015 (Session House, Tokyo, Japan)
Supported by EU-Japan Fest Japan Committee,
The Saison Foundation, Session House
🔒https://youtu.be/Xqge8S3y6aQ
-Matou’s Review-
▶︎Review(Dance House / AsiaTOPA 2019)
https://www.smh.com.au/culture/dance/dancer-shows-the-flexibility-to-astonish-20200216-p5418q.html
▶︎Review(Taiwan Dance Platform 2018)
https://taiwandanceplatform.tw/en/writings/ruri-mito-matou/
▶︎Review(Gdansk Solo Dance Contest 2017)
https://www.gdansk.pl/wiadomosci/japonka-ruri-mito-wygrala-konkurs-solo-dance-contest-konczy-sie-gft-w-zaku,a,80459
-History-
2019/02 Asia TOPA in Melbourne, Australia
2018/11 Taiwan Dance Platform in Kaohsiung, Taiwan
2018/10 Kuandu Arts Festival in Taipei, Taiwan
2018/09 d-souko, Tokyo, Japan
2018/07 M1 CONTACT Contemporary Dance Festival in Singapore. Won the MASDANZA prize.
2018/05 HOKURIKU DANCE FESTIVAL III in 21st Century Museum of Contemporary Art, Kanazawa
2017/11 Odoru.Akita International Dance Festival 2017, Akita, Japan. Won the first Tatsumi Hijikata Memorial Award.
2017/10 ONE DANCE WEEK in Plovdiv, Bulgaria
2017/10 AURA international dance festival in Kaunas, Lithuania
2017/06 SOLO DANCE CONTEST in Gdansk Dance Festival 2017 held in Gdansk, Poland. Won the first prize.
2017/05 Rencontres Choreographiques International de Seine Saint - Denis in Paris, France
2017/05 Gaala performances in Pori, Finland.
2016/10 L1 danceFest 2016 in Budapest, Hungary
2016/05 CÁDIZ EN DANZA in Cadiz, Spain
2015/10 Premiere at Session House, Tokyo, Japan
#セッションオンライン劇場 #keepgoingTOGETHER #Contemporarydance
MATOU
It has direct meanings like “to wear, put on, tangle, roll up,” and it is often used figuratively.
I put on my body.
I can not see all of my body for a lifetime.
Tissues make up my body are kept being renewed, and they will vanish someday.
The body without contents will not remain, and where the contents without the body go?
Will they keep remaining?
Like Snakes and cicadas, most parts of their outer layer of the skin slough off at once and become new.
Although what is left is not a dead body, it still has a perfect shape of the animal and it has no life. Is it an evidence of its life? Is there an evidence of my life?
‘Matou’ also sounds like “willing to wait” in Japanese.
I’m waiting for my death.
‘Tsukimatou’ means “to haunt.”
It always haunt me and don’t go. My body haunt me until the day I die.
‘Soumatou’ revolving lantern
An expression describes an occurrence that many visions appear in one’s mind as shadow cast by a revolving lantern. It happens when people have a brush with death and past memories come and go randomly and quickly.
‘Mattou’ means “to complete.”
I completed my life.
art history of the day 在 National Palace Museum國立故宮博物院 Youtube 的最佳解答
2020 國際博物館日主題為多元性與包容性,國立故宮博物院期待接軌國際、擴大文化交流,透過深度旅遊台灣的方式,一起愛上在台灣的生活與文化吧!
走入環境清幽外雙溪的國立故宮博物院, 就像走入了中華文化千年時光隧道, 接受著源遠流長華夏文明的洗禮。 從帝王到全民收藏共有近70萬件珍品, 有許多我們耳熟能詳的文物,更有許多少見的珍藏。 想要欣賞最完整的中華文史珍寶,來故宮準沒錯。
走入氣候宜人的南台灣嘉義,踏進於2015年落成的故宮南部院區,在嶄新設計的建築風格之下,融合中華、印度及波斯三個古文明,並運用了傳統書法中, 濃墨、飛白以及渲染三種筆法, 分別代表不同方位的空間,也象徵著書法豐富的文化底蘊。 亞洲三大古文明,在歷史長河中匯聚交流,衍生出燦爛多元的亞洲藝術文化。 一生必造訪的博物館,你準備造訪了嗎?
更多資訊請洽:故宮好客A True Taiwanese Welcome https://www.npmtw.com/
Following the concept of International Museum Day 2020: "Museums for Equality: Diversity and Inclusion", National Palace Museum is looking forward to connecting international tourism through in-depth local travel. Let's fall in love with Taiwan!
Walking into the Northern Branch of the National Palace Museum is like stepping back in time and entering imperial China. With a collection of almost 700,000 artifacts, artworks and exhibits, prepare to immerse yourself in thousands of years of Chinese history and culture.
The Southern Branch of the National Palace Museum opened in Chiayi at the end of 2015. The building's exquisite design incorporates Chinese, Indian, and Persian elements, as well as traditional types of calligraphy and painting techniques. The exhibits cover three major ancient Asian civilizations as well as a diverse range of Asian art culture.
art history of the day 在 Kento Bento Youtube 的最佳貼文
*Special Earth Day Discount: Get Nebula & CuriosityStream for 41% off! https://curiositystream.com/kentobento (includes my Nebula Exclusive show)
Bonus Video: The South Korean Bank Heist FOLLOW-UP: https://youtu.be/_Re4r5s-4cA
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Other videos you may like:
The $1,000,000,000 North Korean Bank Heist: https://youtu.be/Usu9z0feHug
The Greatest Bank Heist in Chinese History: https://youtu.be/qW0uzPJEO10
The Incredible Japanese Prison Break: https://youtu.be/oI8trlbCbU8
The Mysterious Chinese Art Heists Across Europe: https://youtu.be/9LDVQYfeseo
The Greatest Bank Heist in Japanese History: https://youtu.be/gbeN-2ErxBw
Stock Media Footage:
Videoblocks: https://www.videoblocks.com
Music:
Epidemic Sound: http://epidemicsound.com
Channel Description:
Animated documentary-style videos on extraordinary Asian events.
Credits:
Kento Bento — Researcher, writer, narrator, audio editor, video editor, motion graphics & art director
Charlie Rodriguez — Illustrator
Isambard Dexter — Research assistant
Jose Gamez — SFX editor
Nina Bento — Cheerleader
Video Title: The Bizarre South Korean Bank Heist
"Daejeon, South Korea, 2019 — 140 kilometers south of Seoul. The bank robber was getting ready to enter the bank. He was well-prepared, composed, and not at all afraid of being caught. You see, he had been planning the heist for a while, and had become quite familiar with the bank’s habits and procedures. He had done the math and knew it would take police just four minutes to arrive at the scene once alerted. This, of course, wasn’t ideal — a potential four minute window seemed risky — but if all were to go according to plan the reward would be worth it; he would be set for life. As part of his preparation, he had procured a very specific weapon (a kind of knife) from a trusty vendor which, really, he had no intention of using. With the threat alone being sufficient enough, this was merely for show. And so, after months of planning, it was time. He headed through the doorway into the bank. The heist was on..."
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