// London Fashion Week //
銅管、鼓、DJ、長笛,Jazz, Funk, Glitch, Future Beat
這不只是一場服裝秀。
ApuJan詹朴 AW2020 catwalk show.
Hundreds hours of working on new music with horn section and drum set plus Flute and DJ. Then we brought that on the stage of London Fashion Week. I love it so much for how it turned out!!
It's more than just an fashion show 😎
Big up to my QuestionMark squad and thanks all of you for coming down.
Brand/ ApuJan詹朴
Music Director/ DJ QuestionMark
Arrangement, Composition/ Adam McLoughlin
Trumpet/ Jack Banjo Courtney
Tenor saxophone/ Adam McLoughlin
Alto Saxophone/ Sophie Watson
Drum/ Jeremy Paul
同時也有10000部Youtube影片,追蹤數超過2,910的網紅コバにゃんチャンネル,也在其Youtube影片中提到,...
「working jazz saxophone」的推薦目錄:
- 關於working jazz saxophone 在 DJ QuestionMark Facebook 的最佳貼文
- 關於working jazz saxophone 在 Sonic Deadhorse Facebook 的精選貼文
- 關於working jazz saxophone 在 WinnieHO 何芸妮 Facebook 的最佳貼文
- 關於working jazz saxophone 在 コバにゃんチャンネル Youtube 的最佳貼文
- 關於working jazz saxophone 在 大象中醫 Youtube 的最佳貼文
- 關於working jazz saxophone 在 大象中醫 Youtube 的最佳貼文
- 關於working jazz saxophone 在 Work Jazz • Smooth Jazz Saxophone Instrumental Music for ... 的評價
- 關於working jazz saxophone 在 Work Jazz • Best Smooth Jazz Saxophone for Work and Study 的評價
- 關於working jazz saxophone 在 Smooth Jazz Music For Study, Work, Relaxation - YouTube 的評價
- 關於working jazz saxophone 在 Chill Out Jazz hiphop & Jazz Saxophone - Background Music 的評價
- 關於working jazz saxophone 在 Upbeat Smooth Jazz Saxophone Instrumentals Music for Work ... 的評價
- 關於working jazz saxophone 在 "Back To Work" Jazz | Smooth Jazz Saxophone Instrumental ... 的評價
- 關於working jazz saxophone 在 Uplifting & Relaxing Jazz Music for Work, Study, Play - YouTube 的評價
- 關於working jazz saxophone 在 New York Jazz • Jazz Saxophone Instrumental Music • Jazz 的評價
- 關於working jazz saxophone 在 Relaxing Jazz Saxophone Music for Studying, Sleep, Reading ... 的評價
- 關於working jazz saxophone 在 Jazz For Work 12 HOURS Smooth Jazz Instrumental for ... 的評價
- 關於working jazz saxophone 在 Smooth Jazz • Smooth Jazz Saxophone Instrumental Music for ... 的評價
- 關於working jazz saxophone 在 Motown Jazz • Smooth Jazz Saxophone Instrumental Music ... 的評價
- 關於working jazz saxophone 在 爵士工坊薩克斯風專賣店 - Facebook 的評價
working jazz saxophone 在 Sonic Deadhorse Facebook 的精選貼文
【Non-Confined Space 非/密閉空間】首張專輯《Flow, Gesture, and Spaces》Bandcamp已經上架,附上英文版的介紹。
Between the spheres of free improvisation, jazz, trap, and musique concrète, lies Non-Confined Space. The name of this Taipei-based duo – saxophone polyglot Minyen Hsieh and audiovisual electronica experimentalist Ge-Chun Cheng (aka Sonic Deadhorse) – aptly describes their approach to exploring the fertile space they find themselves in. Drawing inspiration from their differing musical approaches and worlds, plus energy from the lively Taiwanese music scene, Non-Confined Space is a bold and future-facing hybrid. Cheng deploys piles of samples alongside Hsieh’s versatile saxophone, resculpting the results into a sublime and boldly experimental debut album of beats and processed improvisations unlike anything you’ve heard before.
Taking its title from a philosophical textbook about free-jazz, Flow, Gesture, and Spaces is a revelatory introduction to the duo, mixing the utterly free improvisations of their live shows (exemplified with spontaneous straight-to-tape takes on two of the album’s ten tracks) with an approach to studio composition inspired by the philosophy of improvisation. Basic outlines – often borrowing chord movements from the likes of Coltrane and Wayne Shorter, or pulling beats from Cheng’s huge library – would be cut loose in studio sessions, later augmented by psychedelic post-production. Utilizing methodology from the eponymous book, Flow, Gesture, and Spaces is nonetheless based on “simple elements” as the duo put it, “rhythm, intervals, timbre, and energy.
As a pairing, Non-Confined Space seem to come from polar opposite ends of the spectrum, musically. Performing professionally since the age of 19, Minyen Hsieh first picked up the saxophone back in high school, going on to study with local jazz musicians, and eventually studying the instrument at Koninklijk Conservatorium in Brussels. He’s since made a vast array of music, from traditional swing to the loosened bop of his debut solo album Firry Path, and collaborations with pianist Shih-Yang Lee and legendary Japanese free-drummer Sabu Toyozumi. Non-Confined Space is Hsieh’s first deep foray into the art of electronic processing.
Ge-Chun Cheng’s primary solo project since 2007 has been Sonic Deadhorse. A sample-hungry outfit blending the “indulgence of the 70s, melancholy of the 80s, nihilism of the 90s, and isolation of the new century”, the project has produced a wide-range of sounds from post-Flying Lotus fusion beats to wild live performances of a club-influenced mix of post-rock, dubstep, and chiptune (documented on a 2016 live set for Boiler Room). Working as something of a one-man band has left autodidact Cheng well prepared to not only match the classically trained Hsieh, but to push his partner into wild new directions. “I can always get organic feedback and responses from Minyen,” explains Cheng. “It makes me want to put more elements and processing into the music, and to change style more often.”
Since first meeting at a jam session in Taipei City, Non-Confined Spaces have evolved into an improv outfit for the 21st century, as indebted to Aphex Twin and Squarepusher as they are to Archie Shepp and Sun Ra. The road to Flow, Gesture, and Spaces has seen the duo play for dance performances, visual exhibitions, and even live-painting. Their own live shows also include various interactive and audiovisual elements, consistently focusing in on those three core elements checked in the album’s title. Non-Confined Spaces is a project far from tied down, flirting with bass-heavy tropicalia on ‘Serotonin Cell’, psychedelic post-Madlib hip-hop on ‘Melodic Gesture’, and noisy electrified free jazz on ‘Entropy’. The latter is one of two live takes featuring drummer Weichung Lin and keyboardist YuYing Hsu – allies from the Taiwan scene – capturing the explosive spontaneity and uncannily wonky sounds of this unique duo reconstructing samples live on the spot. Flow, Gesture, and Spaces is a true journey into the heart of the unknown.
Tristan Bath
working jazz saxophone 在 WinnieHO 何芸妮 Facebook 的最佳貼文
今年的元宵节,我有他们 🌸
祝大家 月圆人团圆 ㊗️
Here is our latest little video!! Happy Chinese New Year!! This 元宵节, we bring you a snippet of what's to come in the TSS music factory; a slice of our music-making life that is rolled in with lots of laughters, silly antics, comradeship, traveling, (eating!!) and merry-making - essentially a life lived through music and friendship.
Made with love, this video is for all of you today: our friends, fans and families. This is a snippet of our rendition of 月亮代表我的心, expect the full song release very soon :)
Deep gratitude to William Ang for painstakingly working through late nights to complete this piece of work. Footages from our various friends and colleagues - thank you AJ Popshuvit, 黑市 · Black Curio (Kar Leong) for sharing your videos with us.
And the production team:
Video: William Ang
Vocal producer: Isabell Jia Jia
Mixing & Mastering Engineer : Billy Ong @ Bosh Production Studio
Vocal recording Engineer: Ng Wei Keat @ Bosh Production Studio
Music recording Engineer: Alex Ls Tan @ StarMount Studio
Music arranger: Tay Cher Siang
Vocal arranger: Isabell Jia Jia
The Shanghai Sisters: Janet Lee, WinnieHO 何芸妮, May Mow 媚毛
Band: WVC - Malaysian Jazz Ensemble
Piano: Tay Cher Siang
Saxophone: Julian Chan
Bass: AJ Popshuvit
Drums: Kj Wong
We cherish the friends and colleagues who have become part of our close-knit TSS kampong in the past years, our camaraderie shown through in this video. Here's to many more journeys together while we spread joy of music!
(Watch this space for updates on our next release of songs and shows!!)
#theshanghaisisters #tss #shanghaisisters #wvcjazz #video #trio #月亮代表我的心 #元宵节 #CNY2019
working jazz saxophone 在 Work Jazz • Smooth Jazz Saxophone Instrumental Music for ... 的推薦與評價
... <看更多>