The meaning of re-provoking 721 | Lee Yee
LIHKG forum started a thread titled “Congratulations to the Hong Kong Police Force (HKPF) for Raising Global Awareness Again for the Jul. 21 incident (721).” There were continuous comments on the thread that linked to international media reports on the HKPF’s various deliberate misrepresentations. Many social media were also swept by a flood of all the videos previously published since 721: live broadcasts, subsequent comprehensive reports including Hong Kong Connection’s “721 Yuen Long Nightmare” which had 8.32 million views in just over five months since the clip was published, and “Truth of 721” which had over 1.3 million views since its upload last month. The large amount of visual media trending on social media is the explosion of citizens actions to challenge the copious amount of lies.
The biggest effect of HKPF re-provoking 721 is to let those Hongkongers, especially foreigners, whose memories of the incident have faded, to remember it again. How can people believe the fabricated lies when they once again witness the scenes and listen to the people who lived through it recount the experience? In that case, what is the purpose of reviving people’s memory? Surely it is not because the trust score of Carrie Lam’s regime is not low enough?
Hong Kong has realized the words of the Russian author and dissident, Aleksandr Isayevich Solzhenitsyn, of whom I once quoted: “We know they are lying. They know they are lying. They also know that we know they are lying. We also know that they know that we know they are lying. But they are still lying.”
A reader asked me the source of this quotation but I could not find it. It was only based on the Internet, nevertheless it is fantastic. Solzhenitsyn had written so many articles on deception and the authoritarian regime so it is possible that he had said it just once during a conversation. Another Russian writer, Elena Gorokhova, said something similar in a book published in 2010: “The rules are simple: they deceive us, we know they are lying, they know that we know they are lying, but they keep on lying to us, and we keep on pretending to believe them.” The significance of re-provoking 721 is spelled out in these two passages.
Why are they still lying when they know that we know that they are lying? This is because, under the tyranny of totalitarianism, the fabrication of lies is not to make the people believe but to make one’s case sound plausible when justifying with the superior. 721 was a defining moment in the timeline of the anti-Extradition Law Amendment Bill (anti-ELAB) movement that reversed the perception of the people of Hong Kong and the international community towards the HKPF and HKSAR government. In other words, after the incident, the image of the HKPF tumbled from the protector of the people to a tool of tyranny. Therefore, the distortion of facts is not for the people to believe but to let their “own people” including their superiors to “pretend to believe” so as to maintain the “legitimacy pretense.”
Another implication of re-provoking this incident is that the behavior of lying even when knowingly they cannot deceive proves the existing regime is a true tyranny.
Solzhenitsyn said, “Tyranny finds its only refuge in falsehood and falsehood in tyranny finds its only support.” “Tyranny must be interwoven with falsehood. Between them, they have the closest and deepest natural union.” Because of this intimate natural bonding, in the presence of deceptions regardless of whether people will believe it or not, it is tantamount to proclaiming the existence of tyranny.
The significance of re-provoking this incident is threefold. It also illustrates the greatest crisis in Hong Kong. It is not those in power and the pro-Beijing camp pretending to believe in the distorted facts, but that the increasing number of Hongkongers willing to tolerate the lies and also pretending that the stag is a horse. The Czech dissident writer and former President of Czechoslovakia, Václav Havel said that when people “have to acquiesce, endure and drift along with the lies, then every person can only survive in lies. People do not need to accept lies, it is enough that they endure a life of living in and with lies. In this way, people validate, perfect, create and become this system.”
The Chinese have “become this system.” Hongkongers must not only protect the truth, but also be wary of themselves and the people around them to not pretend to believe in lies and not participate in distorting facts for personal gain. Solzhenitsyn said, “If we are fearful even to detach from the participation of lying, then we are worthless and hopeless.” The sarcasm of Russian writer, Alexander Sergeyevich Pushkin, is most applicable to us: “Why give animals freedom? Their fate is to be bound by chains and flogged with whips, generation after generation!”
Hongkongers must take heed of this heart-wrenching remark!
同時也有7部Youtube影片,追蹤數超過15萬的網紅Gina music,也在其Youtube影片中提到,Don't forget to turn on the bell icon for future uploads 🔔✔️ 追蹤Gina music社群挖掘更多音樂🌹 instagram👉https://www.instagram.com/gina_yujia_liu/ facebook👉 http...
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Thoughts on adulthood friendship.
Have you ever lost any friendship that you thought would be unbreakable? Well, I have. And what scared me even more is that I'll be losing more friends as I grow older.
But, is that really a bad thing?
When I told my mom about this, she was not surprised at all. "School-day friendships are always the best, but might not last for long because none of you guys will stay the same. Your personalities evolve as you go through new life experiences, new hardships and successes, and are exposed to new things."
Recently, I had a quick conversation with this guy on his birthday. We used to be in a closed group of friends back when we were in college, literally doing everything, everyday, together. We supported each other through thick and thin, for that I always felt grateful having them in my life. However, as soon as we graduated, we barely talk anymore, though we all made promise to keep in touch.
It is, of course, very sad.
But then I come to know what it feels like, talking to an old friend. Since he still keeps in mind the image of my old self and I still keep his, we started to see how differently we've changed, which was very fascinating. At the end, I told him, "this is much better than talking everyday without seeing no change in each other, meaning that we've not grown up at all."
Truth is, losing friends is completely natural and even good in some aspects. While some friends drift away, others stay firmly by your side. As we grow older, our time for socializing will simply shrink and we tend to stay connected with those who really understand us.
Maybe, at some point in this busy life, having a it's-been-a-while talk is already such a blessing.
drift meaning 在 漂流出口 Outlet Drift Facebook 的精選貼文
明天又將毀滅自我,毀滅是終極之美
《當江山成為事實 藝改就是義務》江山藝改所成立一週年派對
《When Jiang Shan is a Fact, Yi Gai is a Duty》Jiang Shan Yi Gai Suo 1st Anniversary Party
時間 Time/
2014/05/17(六) 15:00 ~ 22:00
地點 Venue/
江山藝改所 (新竹市江山街17-4號/城隍廟旁/江山街13.15號巷縫中)
Jiang Shan Yi Gai Suo (No.17-4, Jiang Shan St., Hsinchu City/near Cheng Huang Temple/in the alley between No.13 & 15, Jiang Shan St.)
票價 Admission/
預售票 Advance $300 (發售至5/16 23:59前)
現場票 At Door $400
@ 購票方式 How to buy tickets:
1. 於本所營業時間現場購票 Pay cash at JSYGS during open time.
2. FB傳訊預約 Send a message to our Facebook page.
3. 來電預約 Call 03-5266456 during open time.
交通方式/
●大眾運輸
火車站出口出來,沿著左前方林森路直走約100公尺,於左手邊「台灣銀行」前搭乘大遠百免費接駁車,在第三個停靠站(中山路北門街口)下車,往前直走約50公尺右轉仁德街(地標為貢茶),直走約50公尺左轉江山街,找到13號及15號之間的防火巷,進入巷子約15公尺右手邊即為本空間正門。
●步行
火車站出口出來,沿著左前方林森路直走,看到右手邊的「南門醫院」後右轉復興路並直走東門街,看到城隍廟前廣場往正前方找到仁德街(地標為貢茶),進入仁德街直走約50公尺左轉江山街,找到13號及15號之間的防火巷,進入巷子約15公尺右手邊即為本空間正門。(約15~20分鐘)
●地圖 Map
中文版:
https://www.facebook.com/photo.php?fbid=418695844895096&set=a.418695798228434.1073741838.401184409979573&type=3&theater
English version:
https://www.facebook.com/photo.php?fbid=420338138064200&set=a.418695798228434.1073741838.401184409979573&type=3&theater
///////////////////////////////////////////////////////////////
演出順序 Lineup/
15:00~15:50 Betty Apple 鄭宜蘋
16:00~16:50 再見!奈央! Goodbye Nao
17:00~17:50 理化兄弟 Physical Chemical Brother
18:00~18:50 漂流出口 Outlet Drift
19:00~19:50 黑狼/黃大旺龍捲風 Blackwolf Tornado
20:00~20:50 KbN 凱比鳥
21:00~22:00 Vice City + VJ Carl_Westman
///////////////////////////////////////////////////////////////
表演者簡介 About The Performers/
Betty Apple 鄭宜蘋
1986年生於台灣嘉義,現於台北創作。身上流著聲音藝術家與電子樂創作者的新數位混種基因。受臥室電子樂與次文化影響甚深,往來舞曲與噪音之間毫無阻礙。台北藝術大學戲劇系主修表演,2008年畢業後開始使用個人電腦創作臥房電子樂,2010年進入台北藝術大學新媒體藝術研究所研究媒體藝術;作品內容多半為聲音與行為表演的現場藝術,探究身體操作聲音的新形態,擅長利用自身的身體語彙提出身體政治的精神意識形態。嘗試讓次文化精神與藝術思維混種的實驗。
曾跨界參與聲音藝術,電子樂表演,劇場音樂設計。為2012年電子樂推廣團體「耕聲人」主辦人之一,於當年九月促成台灣第一張以臥室電子樂反核人共同發起的「i love nuclear」的反核電音合輯,為台灣新生代聲音藝術搖籃的「失聲祭」2013年駐祭藝術家。更被國際前衛藝術雜誌「white fungus」多次邀請,與國際知名電子聲響藝術家Merzbow、EVOL、Zbigniew Karkowski、Scott Afford、王福瑞、Samin Son同台演出。
Betty Apple is a composer, DJ, and sound and performance artist. Apple has made an impact in Taipei with visceral noise/performance art pieces using synthesizers, field recordings and amplified vibrators. In 2013, Apple was the artist in residence at Lacking Sound Festival. In addition to her own performances, she curated a series of events exploring notions of sound in relation to femininity. Apple is at the forefront of a new wave of Taiwanese artists who are beginning to fuse their work with political activism. The anti-nuclear movement has grown exponentially in Taiwan over the past few years, in particular, since the meltdown at Fukushima, and Apple is among those who have organized events and produced music to support it.
http://www.bettyapple.com/
再見!奈央! Goodbye Nao
Goodbye!Nao!是一支不需要樂團簡介的樂隊
它在每個人心中都有不同具像 不斷被詮釋 解剖 試圖理解
表演起因 素材 精神或意義 無法歸類
他們所期待重視 僅是他們的姿態 能給觀眾的觸發
觀者 表演者 沉浸渾沌一氣的哲意場景
唯有踏入 才有機會透徹
非搖滾 後搖滾 工業噪音 行動聲響藝術 範籌
如鋼鐵 如流雲 如詩般的善意
全都 全都 回到自身感應衝擊
當然如果 你相信以上全都是放屁
那你大概也向他們靠攏了一點 (by babywhite)
「正如他們所聲明的,他們的音樂不過是無意識的囈語以及突如其來的悲傷」- Taipei Times
「後卡通手槍時代的樂團」-破報
「春天吶喊狀況多 樂手調音不順摔吉他」- 東森新聞
「為什麼你們的現場表演跟CD不一樣?」- 眾多友人
「我從來沒有聽懂再見奈央過,對,一次也沒有。」- freakeels(PTT 後搖滾版版主)
「Roo!」- 德州樂團The Octopus Project
「髒三樂團上海巡演,台灣樂團暖場,吉他手演出脫衣秀」- 東森新聞
「或许"傻逼"才是更合适他们的标签吧」、「我觉得他们实在是太烂了,烂到我搜肠刮肚也找不出任何正面的评论可以奉献给他们。」- 大陸網友
2005年10月 「再見!奈央!」首次在台北地下樂團最重要的舞台 THE WALL LIVE HOUSE 演出並受到PTT後現代搖滾版POST ROCK 版主的讚賞
2006年「再見!奈央!」成立首演之後即受邀參加台北市立美術館 <疆界>藝術展開幕-噪動之夜
Goodbye! Nao! needs no introduction. This band can be dissected and understood in many ways because how and what they play can’t be categorized. The only thing they anticipate is the energy and creativity they bring to the audience during performance.
網站:
http://www.indievox.com/goodbyenao
http://www.myspace.com/goodbyenao
理化兄弟 Physical Chemical Brother
獨立音樂圈版本:
電子皮、搖滾骨、數位魂 - 當8-BIT(8位元音樂)從遊戲中獨立出來,這已經不只是獨立音樂,更是獨立電子 - 翻玩古早任天堂電玩影像以及音樂的理化兄弟,將場景轉移到舞廳,創作風格橫跨Electro,Techno,Drum and bass,甚至到Dubstepush buttons。
狹義藝術圈版本:
當年差點組樂隊的無名氏兄弟,始終遙遙無期,於失散多年後在一場奇異的廟會相遇,各自吞了一顆濟公搓揉的腋下仙丹,各自幻化成DJ與VJ,理化兄弟於是誕生。目前的團員編制為創作型DJ :林昭宇 與半創作型VJ:黃真。目前有點專注於研究 8-bit 樂音,也稱為chiptune或是 Gameboy music。我們試圖運用現代科技來翻玩並探討當時曾經是頂風的影音技術,場域則從個人電玩機台到派對,再轉換進入表演空間進行與不同觀眾的對話。
Physical Chemical Brother sampling 8 bit sounds and graphic from Nintendo games, creating tracks who's style ranges from Electronic, Techno, DNB to Dubstep. Then places the mix on the dancefloor
where it becomes not just indie music but electro indie.
漂流出口 Outlet Drift
三位台東阿美族青年是來自比西里岸部落的碧海兄妹與都蘭部落的林肯。自父母親那一代許多族人為了生存來到了城市打拼,在文明社會的環境成長之下我們早已習慣了現代音樂與前衛音樂。因為興趣結識下我們一起玩音樂,模仿過很多影響自己的偉大藝術家。
對於環境和原住民族群的生活感受之下,尋找著自我的價值;不斷的徬徨、自省、振奮、墮落之下,對喜歡文學的巫尚,初期創作理念甚至出於唐代落魄詩人詩集。像是一句「冠蓋滿京華,斯人獨憔悴」的現象:雖然到我長大才認同自己的身分,但也很慶幸的回到家鄉看到了原住民本身非常特別的文化與音樂,也知道用我的感受來創造音樂的衝擊力。
發展出堅定的鼓聲,跳躍的低音,迷幻的吉他音效,現場像來到陰森的山林,雲霧繚繞,一位小男孩往前跑,在森林裡吶喊。這是朝著結合台灣原住民傳統小調,噪音民謠實驗樂隊,漂流出口。
Three aboriginal Taiwanese youths from Taitung jam together in the big city, united by their shared love of modern and avant-garde music.
Once lost in the value of life under influence of environment and being in a part of aboriginal groups, he’s finally found his identity in his culture through music and hoping to make an impact with his emotions through music.
Firm drums, bouncing bass and psychedelic guitar sound as if a little boy running and screaming in a creepy, foggy woods. This is a band blending traditional aboriginal Taiwanese tunes with experimental noises.
黑狼龍捲風(黃大旺) Blackwolf Tornado (Dawang Yingfan Huang)
「先天性表演者」黑狼(黃大旺)企圖延續表演生命的另一種挑戰。
It is yet another challenging attempt to continue the performing life of congenital artist Blackwolf Dawang Huang.
KbN 凱比鳥
以添加搖滾元素的實驗電子聲響著稱。成軍超過十年的他們,長期以來一直默默地為更多的聲音可能性,實現各種不同的創意發揮與改造。
Adding rock’n’roll elements to experimental electronic sounds in over ten years, they’ve been looking for and creating endless possibility of sounds.
專輯:
KbN - Before 2005 CD&DVD (2006)
19992005 (Orange Disk, 2013)
合輯 :
I Forgot Everything(2002)
蘿蔔一代 (小白兔唱片, 2003)
沈默的約定 (默契音樂, 2003)
2002貢寮海洋音樂季紀念專輯(角頭音樂, 2003)
FC5-118(台北之音, 2005)
Da Party(一瞬之光制作所, 2008)
The Message(Agnes b, 2010)
電擊夜市(Fun Music, 2011)
來做一張地下社會合輯(Underworld, 2012)
電影/短片配樂:
最好的時光(侯孝賢)2005坎城影展入圍
愛莉絲的鏡子(姚宏易)2005南特影展入圍
美人胚子(王梅蓉/駱巧梅)28屆金穗獎最佳劇情動畫
牛奶人(蘇話雅)31屆金穗獎最佳實驗片
漫畫配樂:
音速愛情(夏紹虞)2007
裝置:
Dance Floor@台北關渡美術館 2008
繪畫:
我們終於有一做島嶼(陳敬元)2010
網站:
http://kbn.tw/
http://soundcloud.com/funkbnice
http://k-b-n.blogspot.com/
http://www.myspace.com/funkbnice
Vice City
2009年開始舉辦派對,2010年起陸續與友人成立太初有舞、耕聲人、電音反核陣線等電子音樂文化推廣組織。
Vice City特別喜愛同時具有寬廣時間感、空間感,加上豐富身體感的音樂,有點像冥想、瑜珈,能夠帶來解放與覺知的神奇能量。
喜歡結合看似相互衝突的音樂元素,諸如大自然聲響、傳統部落樂器與吟唱、現代工業城市等都是她的靈感與採樣來源。
Vice City loves music that has broad sense of time and space, and rich physical sense that can bring liberation and magical energy of awareness that often comes with meditation or yoga. Any elements that seem conflicted such as natural sounds, traditional tribal music instruments and singing and modern industrial city are her sources of inspiration.
Soundcloud: https://soundcloud.com/vicecitybeats
FB: https://www.facebook.com/vicecity2013
VJ Carl Westman
長期旅居台灣的南非籍藝術家Carl Westman,創作遍及繪畫、平面設計、VJ影像、電子舞曲、噪音等形式,他的音樂就如同其視覺作品,在幾何線條與大量交疊的色彩中,既繁複又簡單,充滿了一股迷幻中帶著深邃黑暗的氛圍,反映他對生命、宇宙之意義與可能性的探索。
Long term resident of Taiwan, South African artist Carl Westman's type of creation includes painting, graphic design, VJ, electronic music and noise. Similar to his visual work by overlapping geometric shapes and colors, his music is both complex and simple in a deep and dark psychedelic atmosphere, reflecting his exploration in the meaning of life and universe.
網站:http://wooyapa.deviantart.com/prints/
FB: https://www.facebook.com/WooYapa
drift meaning 在 Gina music Youtube 的精選貼文
Don't forget to turn on the bell icon for future uploads 🔔✔️
追蹤Gina music社群挖掘更多音樂🌹
instagram👉https://www.instagram.com/gina_yujia_liu/
facebook👉 https://www.facebook.com/Ginamusicland
spotify 歌單👉https://open.spotify.com/playlist/2EfPjFfdqN8NzUwj1XNoZC
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Donate and support my channel (PayPal) 👉https://paypal.me/ginamusic?locale.x=zh_TW
🌸本影片與 Jupita 合作宣傳🌸
想讓更多人認識你的聲音嗎?歡迎投稿😎
Submit your music 👉ginamusictaiwan@gmail.com
For business inquiries about copyright issues, photos and song submissions,
please contact👉 https://www.facebook.com/Ginamusicland
___________________________________________________
Social Media:
▶ Download / Stream link :https://jupitamusic.com/dreaming/
👑Jupita:
https://open.spotify.com/user/vv71z589v9g3fxnuurmlp4lrk
https://www.youtube.com/channel/UCiV5_x7hvgwDU39VY3BkXIg
https://www.instagram.com/jupitamusic/
👑7clouds:
https://open.spotify.com/artist/4v0DzcX64x4vNKJEIJ2Q1R?si=IIm5am3LQUWsHt1moykdRQ
https://www.instagram.com/7clouds.music/
----------------------------------------------------------
Lyrics:
Fly Away
To the sky
Shining bright
Like a sunshine
Dreaming high
Like the stars
Dancing through
With the cloud
And everyday
We search a meaning
Every cloud has silver lining
As long as you are still, breathing
Don’t waste your time
Keep fighting
Even if you drift and fall
Look the mountain, still stand tall
Believe yourself and keep on running
Don’t look back
Stay Dreaming
#7clouds #Dreaming #Lyrics #chill #輕電音
drift meaning 在 Bingyen 郑斌彦 Youtube 的精選貼文
XUE HUA PIAO PIAO 郑斌彦- 一剪梅 Cover Music Video 原唱:费玉清
#雪花飘飘 #xuehuapiaopiao #费玉清 #tiktok #brotheregg #蛋哥
Yi Jian Mei (xue hua piao piao bei feng xiao xiao) · Yu-Ching Fe
作词:娃娃
作曲:陈怡
真情像草原广阔
层层风雨不能阻隔
总有云开 日出时候
万丈阳光照亮你我
真情像梅花开遍
冷冷冰雪不能掩没
就在最冷 枝头绽放
看见春天走向你我
雪花飘飘北风啸啸
天地一片苍茫
一剪寒梅 傲立雪中
只为伊人飘香
爱我所爱无怨无悔
此情长留 心间
What does “Xue Hua Piao Piao” Really Mean?
xue hua piao piao meaning
zhēn qíng xiàng cǎo yuán guǎng kuò
True love like the grassland so wide
céng céng fēng yǔ bú néng zǔ gé
Unaffected by layers of wind and rain
zǒng yǒu yún kāi rì chū shí hòu
There will be a time when the clouds open and sun shines
wàn zhàng yáng guāng zhào yaò nǐ wǒ
A thousand sunbeams fall onto us
zhēn qíng xiàng méi huā kāi guò
True love like plum blossoms blooming
lěng lěng bīng xuě bú néng yǎn mò
Unhindered by the cold icy snow
jiù zài zuì lěng
At the coldest hour
zhī tóu zhàn fàng
Its branches burst into a bloom
kàn jiàn chūn tiān zǒu xiàng nǐ wǒ
In sight, spring approaches you and me
xuě huā piāo piāo běi fēng xiào xiào
Snow petals drifting; the north wind whistles
tiān dì yí piàn cāng máng
The world ever a boundless
yì jiǎn hán méi
A spray of winter Plum Blossoms
ào lì xuě zhōng
Stands proudly in the snow
zhī wèi yī rén piāo xiāng
Only for that person its fragrance drift
ài wǒ suǒ ài wú yuàn wú huǐ
My love is without complains and regrets
cǐ qíng chǎng liú
This feeling forever present...
xīn jiān
In my heart
[verse 2]
xuě huā piāo piāo běi fēng xiào xiào
Snow petals drifting; the north wind whistles
tiān dì yí piàn cāng máng
The world ever a boundless
yì jiǎn hán méi
A spray of winter Plum Blossoms
ào lì xuě zhōng
Stands proudly in the snow
zhī wèi yī rén piāo xiāng
Only for that person its fragrance drift
ài wǒ suǒ ài wú yuàn wú huǐ
My love is without complains and regrets
cǐ qíng chǎng liú
This feeling forever present...
xīn jiān
In my heart
拍摄地点:布城中马友谊园 Putrajaya China-Malaysia Friendship Garden
翻唱:郑斌彦
摄影:郑斌彦
化妆:阿穴特
混音:陈韦汐
记得按频道订阅按钮右边的小铃铛,这样才不会错过每部影片哦!
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【Bingyen郑斌彦简介】
“马来西亚男孩”郑斌彦是马来西亚网络红人, 毕业于中国传媒大学导演系。他曾经在八度空间、NTV7和《星洲日报》从事幕后工作。虽然在这些大媒体公司上班让他拥有稳定的收入,但他心中一直有更远大的梦想,所以每当放工后他都会拍摄影片,经营自己的YouTube频道。2018年,郑斌彦为了追求更有价值和疯狂的人生,决定辞去记者工作,成立个人工作室BINGYEN STUDIO。如今郑斌彦不仅仅是一名Youtuber,同时也是一名YouTube讲师,知名创作歌手和影片制作人。
-YouTube讲师,为企业和大专院校开设YouTube影片制作课程。曾接受988、One FM、Ai FM、星洲日报、东方日报、中国报等媒体的专访。
-知名创作歌手,改编和创作歌曲点击率突破百万。作品有《马来西亚男孩》《单身狗过年》《撩你》《好》《写给阿嬷的歌》等。
-影片制作人,除了经营自己的频道,也为企业制作商业广告,曾合作的品牌包括Eco world、Lake City KL North、U Mobile、Astro、8TV、尊孔独中、白沙罗华小、我来也等等。
【BINGYEN STUDIO】
BINGYEN STUDIO由网络红人郑斌彦成立。BINGYEN STUDIO的理念是协助更多人实现自己的梦想和传递正能量,提供视频、照片、音乐和课程四大服务。
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drift meaning 在 Chilli Lucas - 智利仔 Youtube 的最佳貼文
Hey guys, just felt like singing this song. It is really nice . Wish you all the best guys.
Lyrics meaning:
Today I saw snow drifting through the cold night
With the cold, my heart and mind drift off to faraway places
Trying to catch up in the wind and rain,
In the fog you can't tell the shadows apart
Vast sky wide ocean, you and I,
Who would change? (Who wouldn’t change?)
Many times I've faced the cold shoulder and ridicule
Never have I gave up my heart’s hopes and ideals
A moment of absentmindedness,
There’s also the feeling of loss
Without realization, it faded,
The love in my heart (Who understands me?)
**Forgive me this life of uninhibited love and indulgence of freedom
Although I'm still afraid that one day I might fall, oh no
Abandon your hopes and ideals, anyone also can do
I’m not afraid if someday there’s only you and me
Still I am free, still I am independent. Always loudly singing my song, Traveling thousands of miles
Abandon your hopes and ideals, anyone also can do
I’m not afraid if someday there’s only you and me
drift meaning 在 Meaning of drift - YouTube 的推薦與評價
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