「地獄空」攝影集即將在八月中元節前出版,由知名設計師與攝影家黃子欽設計,內附在下二位高徒精美繪製符咒、心經版畫書籤、愣嚴咒牌、尊勝咒語...等,感恩十方大德助印,希望疫情退散,平安喜樂,後記如下:
野放台灣五十餘年,貪狼獨坐,三方四正殺破狼格局,少年多舛,白手起家,隨展覽雲遊四海,如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返,遂設幻影堂自詡堂主,一日三省「凡所有相皆是虛妄」,常宅於暗房沖片放大通宵、鍾情黑白世界之單純,彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘,了悟人生一瞬、眨眼即逝,雖非仙人,亦無道骨,初聞離垢地生清淨心,但離華嚴「不動地」尚遠,待修持也。
2017年盛暑拍畢《巨神連線》,心律不整差點心肌梗塞向閻羅王報到,意識死神隨伺在側,人生苦短,如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒……總不得解,蒙釋迦摩尼佛開示飆淚三晝夜,聞佛法數載始知自我渺如塵埃,甚感慚愧。閒暇乃參訪名寺古剎,禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘,台灣宮廟千奇百怪、宗派錯綜複雜(佛教、道教、一貫道、天主教、基督教、齋教、回教&大同教、儒教鑾堂、天帝教&天德教、慈惠堂&勝安宮、軒轅教、道院、理教、萬國道德會、會靈山……)、神棍橫行(依人不依法、偶像崇拜、斂財、邪淫),因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜,但地獄造景稀少,後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人,各寺造景巧妙、耐人尋味,意境乖張溢於言表,造型扭曲非常人所能塑也,然匠心獨運、自成一格,專研西方藝術數十載方知真誠樸拙最美,絲毫不輸喬托(Giotto di Bondone,1267~1337)乃至米開朗基羅(Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564)矣。
創立於1986年的石門金剛宮風景優美可眺望北濱,雖主祀四面佛,儒釋道眾神尊也不含糊,可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像,安太歲自不在話下,甲子太歲爺雙眼長出手掌印象甚深,1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍,行走暗黑通道觸動感應機關,只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地,十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台,粉嫩色彩搭配卡漫風格,尤為造型簡直恐怖到可愛透頂,該廟主祀森羅殿閻羅天子包拯(包青天),陽世冤屈者可至此參拜祭解,求破懸案者眾,逢中元普渡皆以紙紮船渡亡魂至彼岸,全台唯一閻羅天子巨像籌備中,四周環繞墓地,適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮(1971)地府則是首座電動地府,規模精小但驚嚇度破表,略顯破敗但五光十色仍蠻凶悍,出自已故台南大道長金登富之作,而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外,乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面,尊尊栩栩如生,續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道,造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」(阿彌陀佛、觀世音菩薩、大勢至菩薩巨像)旁設靜態十殿閻羅(1970年代初),雖略為陳舊然韻味猶存,續往上行可抵「證菩提道-釋迦如來應化事迹」雕塑園區,一攬世尊畢生精華。如來年邁時,琉璃國王為報長期被釋迦族輕蔑之傲慢心,世尊雖三次單獨伽跌坐 阻擋大軍進攻之路,但因緣果報無法逆轉,昔日婢女所生王子瞋恨無以復加,還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘遭屠殺,遂以缽盛救度五百族人,最終卻化為血水,佛言神通廣大仍不敵千百劫業力,因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐,目犍連遂展神通救渡,但所食尚未入口皆化為赤火,佛陀囑咐農曆七月十五日僧眾解安居自恣日,於盆中設甘露美食供養十方僧眾,因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會 」皆為消業障、斷塵垢之超渡儀軌,既渡亡魂也自懺悔。
台南麻豆代天府規模宏大、造型豔麗,不但可遊十八層地獄尚可逛天堂(1979年興建,1983年開放),燈光絢爛、聲響駭人,獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」,至ㄧ殿泰廣王照「孽鏡台」現造惡原形,睹抱柱、火床等小地獄。二殿楚江王開「陰查簿 」判案定奪,觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截……等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄……兼遊「四生(胎、卵、濕、化)回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼……等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石……小地獄。六殿卞城王別稱「大叫喚大地獄」,轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭……等小地獄。七殿泰山王為「熱惱大地獄」,窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮……等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤……等小地獄。九殿平等王直轄十八層「阿鼻大地獄」,直透地心、內中陰森、不見五指、滿溢地漿,皆為極犯,另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍……等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」(查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司)後至「孟婆亭」飲「醧忘湯」忘盡前塵往事,依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺(紫河車)」入六道輪迴轉生投胎。據《十八泥犁經》記載,人過世後七七四十九天為「中陰生」,經閻羅王審判善惡業力判定去留或懲罰百千萬劫,犯五逆重罪則墮入「無間地獄(阿鼻地獄)」永劫不復。地藏王乃幽冥教主,統轄十殿閻羅,逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。
人類居於五趣(阿修羅、人、傍生、餓鬼、地獄)雜居地五濁惡世之堪忍世界,犯十惡業(殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴)者必墮三趣惡道。如何出「三界」(欲界、色界、無色界)二十八天?凡人無此意識,別說能破「十二因緣」(無明、行、識、名色、六入、觸、受、愛、取、有、生、老死)還滅門,更別想斷除「四聖諦」(苦、集、滅、道)集地八十一品見惑與八十八使思惑(五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑),了悟「五蘊」(色、受、想、行、識)本空、「十二入」(眼、耳、鼻、舌、意、色、聲、香、味、觸、法)空、「十八界」空,破俱生我執與分別我執、法執甚至空執,生十一處「善心所」(信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害),降二十六處「惡心所」(貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知),須知善根斷盡則陷永劫輪迴、無垠轉世之苦。
地獄可能空滅嗎?若地獄空乏人間多鬼怪,地獄淨空世間何嘗非淨土?若能證空性何處現地獄?
地獄曠古來便廣泛流傳各部族間,老死生滅為自然運行之基礎、宇宙意識之核心,然今文明昌盛如咱城邦並非慾望消弭之所,惡性所及實無可根除,礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層,乃遁於壓抑、束己情懷,暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄,心多妄念,妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間,會靈於曠野密林以增性靈乃出世高人修煉之舉,我等凡人擅闖宛如迪士尼般之人造地獄,三魂七魄尚不足以出竅,驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧,豈不謬哉?
病毒肆虐年半有餘,全球確診者逼近一億八千萬,枉死者近四百萬,堪比戰爭規模,望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空,唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。
姚瑞中寫於2021年端午節
Postscript
I have been living recklessly in Taiwan for more than fifty years. According to Zi Wei Dou Shu (Purple Star Astrology), Tan Lang is the sole star in my house of Self. This star, which represents xxx, forms an equilateral triangle with that star Qi Sha and Po Jun on the square chart and constitutes a Sha Po Lang pattern. The pattern indicates a kind of turbulence and change, a life of wandering with ups and downs and it tells a lot about my life. After my ill-fated youth, I started from scratch and traveled around the world with exhibitions that I participated. Like a flaneur, I wandered around ruins, nature, and temples with every type of film camera obliviously. Thus, I founded the Hall of Illusion and claimed to be the master of the hall. Several times a day, I pondered a quote from the Diamond Sutra, “Everything with form is unreal.” In addition, I usually stayed in the darkroom developing film and enlarging those negatives overnight. However, I treasured the simplicity of the black and white world. The earthly, gaudy, garish, phony and pleasing qualities within colored photos make the images even more realistic than the real world. It is not my cup of tea, so I seldom took colored photos. In Confucian thought, the age of fifty marks the stage knowing the mandate of Heaven. I am now at my fifties and realize how ephemeral human life is. However, I am not an immortal, nor having sagelike characteristics. I just learned that the stage of stainless (the second bhūmi) and develop a pure mind that is free from doubt and defilement. However, I’m still far from the immovable state and need to practice.
In the summer of 2017, after filming the work Incarnation, I experienced a severe heart rhythm problem which almost triggered myocardial infarction and could have killed me. Consequently, I realized that death was waiting for me and the life is too short to figure out how I can liberate myself from the cycle of Birth and Death. I couldn’t comprehend how to be free from all afflictions and worries and how to avoid delusive ideas. I wept for three days and nights after being enlightened by Shakyamuni Buddha. Up to the moment, I felt ashamed that I failed to realize that the self is as insignificant as dust after these years learning and practicing Buddhism. Since then, I have visited famous temples and monasteries in my spare time, worshiping Buddha, Bodhisattvas, arhats, and all the deities and immortals. Taiwan’s temples are myriad with a enormous number of sects, including Buddhism, Taoism, Yiguandao, Catholicism, Christianity, Chinese religions of fasting, Islam& Baháʼí Faith, Confucianism, Tiandiism& Tian-De Teachings, Xiwangmu cult, Yellow Emperor Sect, Precosmic Salvationism, Liism, World Wide Ethical Society, séance cult, etc. Some people even claim that they can mediate communication between the deities or spirits of the dead with human beings, having their believer rely on themselves instead of the orthodox dharma or dogma and pay excessive respect and admiration for the mediums or objects, accumulating wealth through such an unfair means or even harassing their believer sexually. Due to Taiwan’s historical changes, social turbulence, political struggles, and ideological issues, Buddhism and Taoism are somehow mixed. However, there are few emphases on the concept of the hell. As I took photographs of Yama of each court, judges, wardens of the underworld, jailers, General Fan and Hsieh (the ghost escorts) and all sinners, I found few temples cleverly created hellish scenes that are intriguing, exaggerating, and extraordinary. However, the creations are unparalleled unique. I have been studying Western arts for decades and then I came to realize that simplicity makes the most beautiful works of art. These hellish scenes can even compete with works of Giotto di Bondone (1267-1337) and Michelangelo Di lodovico Buonarroti Simoni (1475-1564).
Jingang Temple Shimen District, founded in 1986, overlooks the beautiful North shore. Although the temple is mainly dedicated to Phra Phrom (the Thai representation of Mahabrahma), spirits of Confucianism, Buddhism, and Taoism can also be founded in the temple. The worshipper can go cross the Seven Star bridge to relieve bad luck, walk along the five hundred arhat statues and knock on the gong to affirm one’s Buddha nature. Furthermore, the worshipper can also prostrate themself before Asia’s largest statue of Buddha in Nirvana (the Reclining Buddha statue) and pacify the Taoist Tai Sui deity of the year. I was impressed by the Jia-Zi Tai Sui General that a pair of palms grow out of his eyes. In 1994, the biō-kong (the person taking charge of the temporal affairs of a temple) received a divine inspiration from Yama (the King of Hell) that he had to build a sacred hall in the shape of a divine dragon, with the interior designed according to the World of Ultimate Bliss and the Underworld. When the visitor walks in the dark hallway, they will see the tortured people (dioramas, of course) scrunching their faces and crying bitterly and loudly in excessive grief as the visitor triggers the mechanism. One will even find them in the midst of flesh, body liquid and blood, mutilated limbs, and rotten corpses. While each of the ten Yamas are focusing on their own duties, showing their sacred dignity that collect visitors’ attention. The Baogong Temple in Linkou District, New Taipei City exclusively features colorful depiction of hellish scenes in relief in Taiwan. With its pastel shades and cartoon-like style, the relief is both grotesque and adorable at the same time. This temple is dedicated to Bao Zhen (also known as Justice Bao) representing the incarnation of Yama. Living people who have been treated unjustly can come worshipping Bao Gong and receive exorcism. Therefore, many people come here for seeking to solve unsolved cases. In Zhongyuan Festival (the ghost festival), the temple will burn the Zhizha (paper craft) boat to ferry the ghosts to the other shore, which is the shore of enlightenment. The only giant statue of Yama in Taiwan is still in the making. The temple is surrounded by a cemetery, suitable for meditating on the loathsomeness and impurity. Nantian Temple (1971), located next to the Eight Trigram Mountains Buddha in Changhua, features the first animatronic underworld. Despite the small size, the animatronic underworld is intensely shocking. Though it’s slightly worn, the colorful dioramas are still brutally ferocious. The creator was the late venerable Dao Zhang (Taoist priest) Jing Deng-fu while the origin of animatronic deities can be traced back to the 1960s Beigang Chaotian Temple. On the contrary, the Whiteman Toothpaste Tourism Factory in Shuishang Township, Chiayi, features ten Yamas with individual booth. The place is unexpectedly clean and polished yet keeps a simple and modest tone. Then, the Dragon Pagoda of the Dragon and Tiger Pagodas at Lotus Lake in Zuoying, Kaohsiung, holds the only relief of hellish scenes made of Kochin ceramic. All the figures are vivid and life-like. If one goes further into the pagoda, they will see a relief tunnel of the thirty-three incarnations of the white-robed form of Guanyin (Avalokiteśvara) on a white lotus, with a lovely and interesting design. Another Hall of Yama is built in the 1970s next to the entrance of Dagangshan Chaofeng Temple, located in the Alian District of Kaohsiung. Visitors will also see three statues of the Three Holy Ones of the Western Pureland (Amitābha, Avalokiteśvara, Mahāsthāmaprāpta) which assemble at a lotus pond. Although the hellish scene looks somewhat antiquated, you may still find its previous charm. If one goes further, they will reach the sculptural garden of “Attaining the Bodhi Way: the Incarnation of Sakyamuni Buddha,” where the visitor can see the essence of Bhagavato’s (meaning the Blessed one, one of the common epithets for Buddha) life. When Tathāgata (another epithet for Buddha) was old, the king of Kosala wanted to avenge the arrogance of the tribe of Shakyas who had long despised him, regarding him as a son of a maiden. Although Buddha has sat in lotus position alone three times to stop the army from attacking his tribe. However, one can never reverse the cause and following karma. The prince born of a maiden was so furious that he eventually destroyed his homeland. Maudgalyāyana (one of the Buddha’s closest disciples), who is said to have had supernatural abilities that surpassed the other disciples, could not bear to see the slaughter of innocent people. Thus, he saved five hundred people of his tribe with a pātra (an eating utensil of Buddhist monks). Unfortunately, everything he did was in vain, those who were saved eventually turned into a puddle of blood. The Buddha said that the supernatural abilities cannot surpass the power of karma. The cause and effect work all the time. When Maudgalyāyana’s mother fell into the path of hungry ghost, he used his supernatural abilities to save his mother from hunger. However, all the food turned into fire before being fed to his mother. Later, the Buddha commanded the monks to put nectar and dishes in a basin on the 15th day of the seventh month in the lunar calendar for the monks from all directions to free his mother from reincarnation. In later times, the Ullambana Dharma Service, the Compassionate Samadhi Water Repentance, and the Yoga Collection for Feeding the Searing Mouths Dharma Service are rituals to eliminate karmic hindrance and to cease to worldly delusions. Through such practices, one can free the dead as well as confess their repentance.
Madou Daitian Temple is a magnificent and colorful temple in Tainan. Not only can the worshippers visit the eighteen levels of Hell but also the Heaven (it was built in 1979 and inaugurated in 1983) here. The lighting and sound effects are stunning and frightening. When walking alone in the space, one may feel like taking a Guan Luo Yin trip (a Taoist necromancy which leads people’s spirits to hell and communicate with the dead ones) to visit the underworld prison. Before arriving the first court of the underworld, the visitor will walk through the Mountain of Heart Summit, the Pure Heart Pond, the Frontier between the Living and the Dead Realms, the Soul Registry Hall, the Portico of Demons, the Center for Complementary Teaching of Canonical Books, the Citadel of Premature Death, and the Bridge of Vanity. When one arrives at the first court, they will see King Chin-guang, who is in charge of the court, using the Mirror of Retribution to show the earthly form of evil creatures and also witness the sub-hell of Pillar-Holding and Fire Bed, etc. At the second court, King Chu-jiang collates the register of sins the souls of the dead have committed to impose the punishments. Here, you will see the sub-hell of Excrement and Urine, Hungry Ghost, Burning Dance Floor, Ice, Pus and Blood, Whipping, Tongue-Raking, Sword Blade, Stomach-Piercing, Chopping, etc. Next, the dead at the third court, ruled by King Song-di, will receive the punishments including inversion tortures, face-skinning with steel and copper knife, eye-wrenching, pounding, blood-sucking, rib-piercing, roasting, tendon-taking, being eaten by maggots. The visitor can pay a visit to the Palace of Soul-Resuscitation for the Four Forms of Creatures (birth from an egg, birth from a womb, birth from moisture, and birth by transformation). King Wu-guan is in charge of the fourth court. There are sixteen sub-hells at the fourth court including Waist Chop, Tongue Removal, Boiling Pond, Mouth-stabbing, Skin-peeling, Sword Tree, Burning Wheels and Cart, Eye-shooting, etc. Next, at the fifth court, sinful souls are allowed to ascend the Tower of Hometown-Viewing to take a final look of their family. The visitor will witness sub-hells of Knee-striking, Heart-slicing, Blade Mountain, Flying Swords and Burning Stones, etc. The King of Bian City takes charge of the sixth court, which is also known as the “Great Hell of Screaming,” with sub-hells including Fire Cattle, Tiger-Biting, Kidney-Eating, Mouth-Poking, Throat-Nailing, Iron Mill, Decapitation, etc. The King of Tai-shan is in charge of the seventh court, the “Great Hell of Heat and Fire.” The sixteen sub-hells at this court include Finger-Searing, Bowel-Hauling, Stone-Bearing, Boiling Oil, Tongue-Removal and Cheek-Piercing, etc. Next, the King Du-shi is in charge of the eighth court, the “Great Hell of Intense Fire and Heat,” and the sub-hells including Fire Dogs, Molten Iron, Iron Snakes, Dismemberment, Steel Spikes, Burning-Marrow, Iron Ball, Scale, etc. The ninth court is ruled by the King Ping-deng. It is known as the biggest court, Avici Hell (the Hell of Incessant Suffering), which if the lowest level of the hell realm and the interior is gloomily and terrifyingly dark. Those who committed the most serious evil deed will be sent to the Avici Hell. Sub-hells such as Poisonous Snake, Brain-Removal, Crow-Gnawing, Raining Needles, Wasps and Scorpions are included at this court. After arriving the tenth court, ruled by the Great King of the Reincarnation Palace, one can visit the “Observatory of Life on earth” and the “eight bureaus of the Reincarnation Palace” (including the Bureau of Judicial Control, the Bureau of Good-Actions, the Bureau of Bad-Actions, the Bureau of Debts, Gratitude, and Vengeance, the Bureau of Longevity and Destiny, the Bureau of Familial Ties, the Bureau of the Reincarnated, and the Bureau of Birth). The sinful one will be sent to the Pavilion of Mengpo and made to drink the Soup of Forgetfulness to forget all past affairs. According to the sinful one’s merits of previous life, they will go across one of the six bridges (gold, silver, jade, stone, wood, bamboo) to the “Reincarnation-Wheel (Wheel on the Crimson River).” Finally, one is able to reborn in the six realms. According to the Aṣṭadaśa nāraka sutra ( the Eighteen Hells Sutra), after one passes away, they will enter an intermediate and transitional state between death and rebirth, known as antarābhava in Sanskrit, for forty-nine days. The being will be evaluated by Yama, who will decide if one should get reborn or get punished at the hell. Those who committed the Five Grave Offenses (killing one’s father, killing one’s mother, killing an Arhat, shedding the blood of a Buddha, and creating a schism within the community of Buddhist monks and nun who practice for attaining enlightenment.) will be sent to the Avici Hell and stay there eternally. Kṣitigarbha is the Lord of the Nether World, ruling the ten court of Hell. The lord will set up the “Hall of Teaching” at each court to salvage those sinful ones who still obtain few merits at the offering rituals.
Human beings live the Sahā world (sahāloka in Sanskrit, meaning “endurance of suffering,” a concept of mundane world in Mahāyāna Buddhism) where they share with other reincarnations (including beings of the hells, of the preta, and of malevolent nature spirits) with five turbidities (the Kalpa turbidity, the view turbidity, the affliction turbidity, the living beings turbidity, and the life turbidity). Those who commit the ten evil deeds (killing, stealing, adultery, lying, using immoral language, slandering, equivocating, coveting, anger, and false views) must fall into the three evil paths (animals, preta, and hell). However, how can one escape from the three realms/ twenty-eight heavens (including the six heavens of the desire realm, the eighteen heavens of the form realm, and the four heavens of the formless realm)? Worldly people who don’t have such an awareness cannot leave the cycle of the twelve nidanas (meaning causes or motivations), let alone eliminate the eighty-one afflictions (that have been produced due to misunderstanding regarding reality) and the eighty-eight illusions (including five afflictions of advanced practitioners, also known as five views: view of self, extreme view, evil view, view of attachment to views, and view of morality; and five unintelligent temptations: desire, anger, stupidity, arrogance, and doubt) of thought within the three realms and four Arya satyas (noble truths, including suffering, arising, ending, and path). They cannot realize that the essence of the five skandhas (referring to aggregates of clinging, including the matter of form, sensation, recognition, mental formation, and consciousness) , the twelve ayatana (meaning sense base, including six internal bases: eye, ear, nose, tongue, body, and mind and six external bases: visible objects, sound, odor, taste, touch, and mental objects), and the eighteen dhātavah (meaning compositional elements of human existence, including six consciousness, six faculties, and their objects) are the emptiness and the void. Furthermore, they cannot dispel the two reasons for clinging to the idea of the self and the attachment to elemental constructs and even believe in the two (false) tenets that that karma and nirvana are not real and that the ego and phenomena are real. As a consequence, they fail to develop the eleven wholesome mental factors (faith, energy, conscience, being ashamed, non-attachment, non-aggression, non-delusion, calmness, equanimity, conscientiousness, and non-injuriousness) and cease the sixteen unwholesome mental factors (desire, greed, anger, delusion, arrogance, doubt, wrong view, wrath, enmity, hypocrisy, vexation, jealousy, parsimony, deceit, flattery, harming, ambitiousness, stupidity, lacking of faith, idleness, being unrestrained, forgetting, distraction, non-discernment, ). One must bear in mind that once all our virtuous roots are discontinued, they will be trapped in the never-ending reincarnation and the suffering of infinite continuity.
Is it possible that the hell will be empty one day? If the beings in hell will become extinct while evil spirits inhabit the mundane world, the world could be considered as a pure land. If we could witness the nature of the void, then hell will exist no more.
Since ancient times, the concept of hell has been widely spread among all tribes. Aging, death, beginning, and end are the basis of nature and the core of cosmic consciousness. However, the prosperous civilization as our island is not a place where desire can be eliminated. It’s impossible to eradicate evil nature. Since fetters brought by the constitution, the state, the law, society, the military, corporations, schools, families, and groups are not less than the eighteen levels of hell, the mortals repress themselves, bury their feelings. Day after day, greed, anger, stupidity, arrogance, doubt, and resentment are stacking. However, since the six dust (visible objects, sound, odor, taste, touch, and mental objects) has not yet been extinguished, people in the mundane world are still full of delusions. The demons, devils, evil spirits, and the wondering dead exist in the wilderness, while only advanced practitioners with transcendent would attempt to make contact with the dead in the wasteland and forest. Worldly people like us trespass in Disneyland-like man-made hell. It is absurd and ridiculous that the hellish scenes cannot stop us from perpetrating evil deeds, but the horrific and cruel scenes yet satisfy our self-righteous shame.
The pandemic has been boiling over for more than a year and a half. The number of infected patients worldwide is nearly a hundred and eighty million, and the death toll has risen to four million, which is equivalent to a war crisis. I hope that we can all be compassionate, give peace to the dead, treat all sentient beings well and equally. The hell is innately empty; however, deluded and misleading thoughts would give rise to all jealousy and hatred and then manifest the hell before us. This book merely serves as a memorandum of conscience for dictators of the world’s new cold war, supporters of unrestrained warfare, dark web hackers, and those who are cunning and contemptuous and maltreat others when knowing they have problems.
June 2021,
Yao Jui-chung
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疫情爆發以來,藝術家能做的事不多,平常就閉關在家其實挺習慣,但是總想為社會做些事、幫上忙,想了半天安撫人心也許還行吧!於是另一本「地獄空」將趕在中元普渡八月初出版上市,由典藏出版社社長發心首肯出版,設計名家黃子欽操刀,附贈很多符咒給大家趨吉避凶。諸惡莫作,眾善奉行,疫情消退,平安喜樂。附上後記給大家解封後參訪這些宮廟,觀照自己的心所。全文如下:
野放台灣五十餘年,貪狼獨坐,三方四正殺破狼格局,少年多舛,白手起家,隨展覽雲遊四海,如閒雲野鶴常持各類底片機流連廢墟、山川、宮廟忘返,遂設幻影堂自詡堂主,一日三省「凡所有相皆是虛妄」,常宅於暗房沖片放大通宵、鐘情黑白世界之單純,彩色照片俗世繽紛花俏做作甜美甚至比現實更現實故少拍也。知天命之年有餘,了悟人生一瞬、眨眼即逝,雖非仙人,亦無道骨,初聞離垢地生清淨心,但離華嚴「不動地」尚遠,待修持也。
2017年盛暑拍畢「巨神連線」,心律不整差點心肌梗塞向閻羅王報到,意識死神隨伺在側,人生苦短,如何了生脫死、盡斷煩惱、無所罣礙、遠離顛倒…總不得解,蒙釋迦摩尼佛開示飆淚三晝夜,聞佛法數載始知自我渺如塵埃,甚感慚愧。閒暇乃參訪名寺古剎,禮敬焚香佛陀菩薩羅漢諸神天仙王爺媽娘,台灣宮廟千奇百怪、宗派錯綜複雜(佛教、道教、一貫道、天主教、基督教、齋教、回教&大同教、儒教鸞堂、天帝教&天德教、慈惠堂&勝安宮、軒轅教、道院、理教、萬國道德會、會靈山…)、神棍橫行(依人不依法、偶像崇拜、斂財、邪淫),因歷史變遷、社會動盪、政治鬥爭、意識形態等因素導致佛道混雜,但地獄造景稀少,後專注拍攝各殿閻王、判官、陰司、獄卒、七爺、八爺乃至一切罪人,各寺造景巧妙、耐人尋味,意境乖張溢於言表,造型扭曲非常人所能塑也,然匠心獨運、自成一格,專研西方藝術數十載方知真誠樸拙最美,絲毫不輸喬托(Giotto di Bondone,1267~1337)乃至米開郎基羅(Michelangelo Di lodovico Buonarroti Simoni 1475 ~ 1564)矣。
創立於1986年的石門金剛宮風景優美可眺望北濱,雖主祀四面佛,儒釋道眾神尊也不含糊,可過七星橋解厄、繞行五百黝黑羅漢敲鑼印心、跪拜亞洲最大臥佛涅槃像,安太歲自不在話下,甲子太歲爺雙眼長出手掌印象甚深,1994年經閻羅王指示廟公建造一條肚內設極樂世界及陰曹地府之神龍,行走暗黑通道觸動感應機關,只見面容猙獰受刑者呼天搶地喊冤、身邊盡是血肉糢糊殘肢敗屍腦漿塗地,十殿閻羅各司其職、威儀攝人。新北市林口區青嶺湖北文紫祥宮包公廟則以壁面彩塑地獄浮雕獨步全台,粉嫩色彩搭配卡漫風格,尤為造型簡直恐怖到可愛透頂,該廟主祀森羅殿閻羅天子包拯(包青天),陽世冤屈者可至此參拜祭解,求破懸案者眾,逢中元普渡皆以紙紮船渡亡魂至彼岸,全台唯一閻羅天子巨像籌備中,四周環繞墓地,適合修不淨觀也。台灣首尊彰化八卦山大佛旁南天宮(1971)地府則是首座電動地府,規模精小但驚嚇度破表,略顯破敗但五光十色仍蠻凶悍,出自已故台南大道長金登富之作,而電動神明起始可追溯至1960年代北港朝天宮。倒是嘉義水上鄉白人牙膏觀光工廠「戴相府」、「將軍府」設置十殿地府出乎意料之外,乾淨亮麗、ㄧ殿ㄧ間、簡單樸實。由高雄蓮潭龍虎塔龍口入內可見全臺唯一交趾陶地獄牆面,尊尊栩栩如生,續入龍身乃進聞聲救苦白衣觀音大士三十三化身浮雕隧道,造型設色甚為古錐。高雄大岡山超峰寺入口處「西方三聖蓮池海會」(阿彌陀佛、觀世音菩薩、大勢至菩薩巨像)旁設靜態十殿閻羅(1970年代初),雖略為陳舊然韻味猶存,續往上行可抵「證菩提道-釋迦如來應化事迹」雕塑園區,一攬世尊畢生精華。如來年邁時,琉璃國王為報長期被釋迦族輕蔑之傲慢心,世尊雖三次單獨伽跌坐阻擋大軍進攻之路,但因緣果報無法逆轉,昔日婢女所生王子瞋恨無以復加,還是滅了祖國。自持神通第一目犍連不忍無辜百姓慘糟屠殺,遂以缽盛救度五百族人,最終卻化為血水,佛言神通廣大仍不敵千百劫業力,因緣果報屢試不爽。其母死後墜入餓鬼道飢餓難耐,目犍連遂展神通救渡,但所食尚未入口皆化為赤火,佛陀囑咐農曆七月十五日僧眾解安居自恣日,於盆中設甘露美食供養十方僧眾,因此超度亡母。後世「盂蘭盆法會」乃至「水懺法會」、「瑜珈焰口法會」皆為消業障、斷塵垢之超渡儀軌,既渡亡魂也自懺悔。
台南麻豆代天府規模宏大、造型豔麗,不但可遊十八層地獄尚可逛天堂(1979年興建,1983年開放),燈光絢爛、聲響駭人,獨自漫步宛如觀落陰、地獄走一回。先過「心頭山」、入「清心池」、進「陰陽界」、抵「交簿廳」、達「鬼門關」、遊「補經所」、探「枉死城」、行「奈何橋」,至ㄧ殿泰廣王照「孽鏡台」現造惡原形,睹抱柱、火床等小地獄。二殿楚江王開「陰查簿」判案定奪,觀糞尿泥、餓鬼、舞池、寒冰、膿血、鞭韃、舌犁、劍葉、戟腹拋接、砧截…等小地獄。三殿宋帝王刑罰為倒吊、銅鐵刮臉、挖眼、搗樁、倒烤、吸血、穿肋、抽筋、蛆蛀等小地獄…兼遊「四生(胎、卵、濕、化)回魂府」。四殿五官王掌管腰斬、拔舌、沸湯、刺嘴、剝皮、箭樹、車崩、射眼…等十六小地獄。隨五殿森羅王豋「望鄉臺」回眸親人最終眼後觀擊膝、誅心、刀山、飛刀火石…小地獄。六殿卞城王別稱「大叫喚大地獄」,轄火牛、虎啖、噬腎、鉗嘴含鍼、釘喉、磨摧、砍頭…等小地獄。七殿泰山王為「熱惱大地獄」,窺烙手指、抽腸、頂石蹲身、油釜滾烹、割舌穿腮…等十六小地獄。八殿都市王掌管「大熱惱大地獄」兼火狗、鐵汁、鐵蛇、鋸劈斷肢、釘板、灸脊、鐵丸、磅秤…等小地獄。九殿平等王直轄十八層「阿鼻大地獄」,直透地心、內中陰森、不見五指、滿溢地漿,皆為極犯,另轄紫赤毒蛇鑽孔、夾頂、鐵鴉、針雨、蜂蠍…等小地獄。至十殿輪轉王上「觀生臺」、「轉劫所八司」(查驗司 、稽善司 、考過司 、恩怨司 、壽命司 、支配司、掌劫司 、授生司)後至「孟婆亭」飲「醧忘湯」忘盡前塵往事,依前世功德過金、銀、玉、石、木、竹六種橋樑至「轉輪臺(紫河車)」入六道輪迴轉生投胎。據「十八泥犁經」記載,人過世後七七四十九天為「中陰生」,經閻羅王審判善惡業力判定去留或懲罰百千萬劫,犯五逆重罪則墮入「無間地獄(阿鼻地獄)」永劫不復。地藏王乃幽冥教主,統轄十殿閻羅,逢三曹普渡便在各殿設「講道所」超度尚存善根之鬼魂。
人類居於五趣(阿修羅、人、傍生、餓鬼、地獄)雜居地五濁惡世之堪忍世界,犯十惡業(殺生、偷盜、邪淫、妄語、兩舌、惡口、綺語、貪慾、嗔恚、愚痴)者必墮三趣惡道。如何出「三界」(欲界、色界、無色界)二十八天?凡人無此意識,別說能破「十二因緣」(無明、行、識、名色、六入、觸、受、愛、取、有、生、老死)還滅門,更別想斷除「四聖諦」(苦、集、滅、道)集地八十一品見惑與八十八使思惑(五利使-身見、邊見、邪見、見取見、戒禁取見、五鈍使-貪、瞋、癡、慢、疑),了悟「五蘊」(色、受、想、行、識)本空、「十二入」(眼、耳、鼻、舌、意、色、聲、香、味、觸、法)空、「十八界」空,破俱生我執與分別我執、法執甚至空執,生十一處「善心所」(信、精進、慚、愧、無貪、無瞋、無痴、輕安、不放逸、行捨、不害),降二十六處「惡心所」(貪、瞋、癡、慢、疑、惡見、忿、恨、覆、惱、嫉、慳、誑、諂、害、憍、無慚、無愧、掉舉、惛沉、不信、懈怠、放逸、失念、散亂、不正知),須知善根斷盡則陷永劫輪迴、無垠轉世之苦。
地獄可能空滅嗎?若地獄空乏人間多鬼怪,地獄淨空世間何嘗非淨土?若能證空性何處現地獄?
地獄曠古來便廣泛流傳各部族間,老死生滅為自然運行之基礎、宇宙意識之核心,然今文明昌盛如咱城邦並非慾望消弭之所,惡性所及實無可根除,礙於憲法國家法律社會軍隊企業公司學校家庭團體之層層束縛不亞於十八層,乃遁於壓抑、束己情懷,暗埋心底、日久貪嗔痴慢疑怨噌會疊穢。而六塵未熄,心多妄念,妖魔鬼怪魑魅魍魎孤魂閃靈出沒於荒郊乃至人間,會靈於曠野密林以增性靈乃出世高人修煉之舉,我等凡人擅闖宛如迪士尼般之人造地獄,三魂七魄尚不足以出竅,驚邪恐怖淒厲猙獰倒滿足了自以為是的慚愧,豈不謬哉?
病毒肆虐年半有餘,全球確診者逼近一億八千萬,枉死者近四百萬,堪比戰爭規模,望眾生發慈悲心、令往生者安息、善待其他物種、平等有情眾生。地獄本空,唯妄念生起一切羨慕嫉妒恨而地獄現前。盡以此書作為世界新冷戰獨裁者、超限戰者、暗網駭客、陰險狡猾冷嘲熱諷落井下石者之良知備忘錄矣。
姚瑞中寫於2021年端午節
士 林 紙 廠 文 創 園區 在 中衛產業行腳 Facebook 的最佳解答
今天是聖誕節🎄 經濟部工業局今天也在新平溪煤礦博物園區舉辦「#109年度創意生活產業表揚授證暨分享交流活動」🎉🎉🎉
由工業局陳佩利主秘頒證給55家通過創意生活事業評選之業者,表揚並鼓勵企業厚植文化深度、導入體驗服務模式,促使企業以軟實力轉型升級💪💪💪
今年活動主題為「創意生活,產業觸動 YES! WE CONNECT!」,邀請東方線上蔡鴻賢執行長以消費者數據分析看市場趨勢,新平溪煤礦博物園區龔俊逸董事長分享跨域生態系合作與國際交流的經驗,最後由華山1914文化創意產業園區的陳建方營運長分享如何深入人心的經營方式。
期望創意生活業者齊聚一堂,透過深度學習、跨界串連合作,共創產業新價值✨✨✨
📹活動直播影片:https://fb.watch/2BgHllyL6h/
#經濟部工業局 #中衛中心 #創意生活產業協盟 #新平溪煤礦博物園區 #卓也小屋度假園區 #薰衣草森林新社店 #薰衣草森林尖石店 #好好 #OKME醫遊館 #長庚養生文化村 #汪汪地瓜園產業故事館 #花露農場 #台灣民窯藝術坊 #金車噶瑪蘭威士忌酒廠 #亞典菓子工場 #后里薩克斯風玩家館 #菌寶貝博物館 #三才靈芝農場 #原鄉緣紙傘文化村 #祥儀機器人夢工廠 #安平亞果遊艇城 #愛玩色創意館 #寶熊漁樂碼頭 #HUGOSUM和菓森林紅茶莊園 #台灣味噌釀造文化館 #金良興觀光磚廠 #趣活cheer for藍晒圖旗艦店
駁二 #吉而好文創觀光工廠 #奇美食品幸福工廠 #國立傳統藝術中心宜蘭傳藝園區 #樹合苑 #戲台咖 #宏洲磁磚創意生活館 #橘之鄉蜜餞形象館 #台灣優格餅乾學院 #陽明海洋文化藝術館 #池上飯包文化故事館 #九份茶坊 #君達休閒農場 #天一中藥生活化園區
士 林 紙 廠 文 創 園區 在 跟著領隊玩 Youtube 的最佳解答
朋友啊!2021熱銷電子鎖前五名出爐啦!有VOC/SAMSUNG/YALE/Dormakaba/COMMAX,再告訴你特色在哪裡,台中實體店在哪?電子鎖沒電怎麼辦?耐用嗎?防盜嗎?防水嗎?安全嗎?價格?我家適合哪種鎖呢?安裝費用?為什麼一直叫不停?有電子鎖免費體驗門市?不買都要看!
全文閱讀:https://taiwantour.info/electronic-locks/
~~~~~~~
朋友啊!電子鎖日新月異,
加上這幾年越來越多新款式和新品牌進台灣,
今年又有新款的SAMSUNG DP-609和Dormakaba DP-850上榜,
沒上榜的PHILIPS 飛利浦9300創下最貴定價,
定價45000元是最大特色,
你是不是也不知道該如何選擇了呢?
2021電子鎖前五名
VOC X9+PLUS ||中文名稱:無
Dormakaba DP-850 ||中文名稱:多瑪凱拔
SAMSUNG DP-609 ||中文名稱:三星
COMMAX 811 ||中文名稱:康邁世
YALE 7116A ||中文名稱:耶魯
#CP值最高 :#VOC X9+PLUS
X9+PLUS 最大特色就是內建遠端聯網, 可用App控制和產生與網路銀行相同之高規格的一次性動態密碼、緊急回報和區間性密碼,同價位之間沒有對手,價格親民高CP值, USB供電開鎖,OTP動態密碼, 半自動鎖夾沒電依然可以上鎖,最新半導體指紋辨識, 指紋+密碼+卡片+鑰匙+遠端聯網 功能組合:5合1, 唯一管理者模式可以開反鎖,
半自動模式(沒電依然可以上鎖)
歐規鎖匣型 適用家居大門、重型大門
虛位元密碼(總長不超過32位)
鑰匙開鎖機制(超B級鎖心)
可用MicroUSB 行動電源充電
管理者模式 (管理程序和開反鎖)
卡片可登入99張 管理者模式
七層電鍍 十年如新
分級制內鎖安紐設定
半導體FPC指紋辨識模組開門只需要0.3秒
安全旋鈕 防盜開設計
全視角高感度觸控數字OLED燈,無死角,任何角度都方便操作
高壓電擊迴路設計,防止竊賊使用高壓電擊試徒開門
節電高續航力,適用3號鹼性電池
建議售價$21000
#曝光度最高 : #SUMSUNG 609
2020年最新款三星電子鎖,型號DP609, 硬體規格如下,不過連網模組屬於加價購, 需額外再花4000~6000元才有連網功能, 推拉把手是特色之一,浮動換位密碼,防窺開門方式,
指紋開門方式,登記100枚指紋。
密碼開門方式,4~12位數字。
浮動換位密碼,防窺開門方式。
[卡片+密碼]:共100組容量。
訪客提示,智慧型門鈴功能。
大門關閉後3秒,鎖匣自動上鎖。
可選擇自動/手動上鎖的功能切換。
電子鎖電力不足10%時,低電量提示。
特殊設計減少滅靜電,提高指紋辨識效益。
內鎖睡眠安全機制,只能使用機械鑰匙進入。
節能省電模式,約可支援3600次/年開門次數。
入侵/破壞/高溫 警報功能:發出80分貝警報聲響。
支援Micro USB以行動電源或手機,外部臨時供電開門。
防止高壓電擊迴路設計,不用擔心電擊棒及特斯拉電圈。
歐規大鎖匣設計,防爆厚重門專用,適用於地震帶的台灣地區。
節能設計,鍵盤以手掌觸碰開啟,無需24小時待機,延長電池使用時間。
建議售價$23000
#韓國三大廠之一 : #COMMAX 811
COMMAX是三大上市公司之一, 在韓國是安防門禁第一大廠, 2017韓國消費者票選第一名品牌, 智慧安防市占率80%,只是進台灣時間比較晚,
韓國上市公司,智慧安防市占率80%
快捷安全超導體指紋辨識
與iPhone 相同的 3D Touch 密碼感測技術
梯形防震鎖舌
鋁合金鎖體
100%防盜設計
榮獲德國紅點、iF設計大獎
建議售價$20000
#歐洲百年品牌 : #Yale耶魯7116A升級版
百年耶魯 YALE-YDM 7116A, 升級款採用電容按壓式指紋模組, 可自由選擇使用耶魯原廠卡片、貼紙、悠遊卡或一卡通, 不過連網模組屬於加價購, 需額外再花4000~6000元才有連網功能, 指紋+密碼+卡片+鑰匙+藍芽 功能組合:5合1,
指紋辨識達 100 組
密碼4-10 位數字 / 100組
卡片達 100 張
電源1.5V 鹼性 AA電池 4 顆
備用緊急開啟方式,9V 緊急後備電源啟動電源
備用機械鑰匙2 把
顏色:古銅金色、霧面黑色
正面:68(W) × 340(H) × 40.18(D)
背面:72(W) × 344(H) × 36(D)
建議售價$23500(配件另計)
#德國百年品牌 : #Dormakaba DP-850
出名的原因是COSTCO有上架過, Dormakaba是來自德國百年品牌, 看慣了SAMSUNG系列,看這怪怪的~哈哈!
屬於上推拉鎖,可用手機App產生一次性密碼,但並非遠端控制,應急電源功能(TYPE-C接口及9V方形電池接口)
百年品牌,德國工藝
支援卡片100張,指紋100枚,密碼4組,手機藍牙,機械鑰匙
全程語音操作提示
內建無線遠端金鑰密碼分享功能
具雙重認證開啟功能(卡加密碼)
防止高頻高磁技術性開啟
防止高電壓破壞系統
按壓式半導體指紋讀頭,辨識速度小於0.5秒
緊急電源接電功(支援TYPE-C接頭及9v鹼性電池)
含免費到府安裝,可撥打服務專線預約安裝
無需調方向的推拉門鎖,内外開全適用
全自動馬達鎖體, 提升安保
支持指纹,卡片,密碼,機械鑰匙,藍牙或遙控器(選配)開門
藍牙官方安全認證
高清白光数字键盤
全程語音提示
一握開啟,超级便捷
防止高電壓系统破壞開門
高温報警功能
音量等级設置以及可選静音功能
應急電源功能(TYPE-C接口及9V方形電池接口)
自有加密系统,防止竊賊闖入
機械鑰匙開啟功能
卡片 ◆指紋 ◆密碼 ◆機械鑰匙 ◆藍牙 ◆無線遠端金鑰密碼六合一
建議售價$28000
更多內容:https://taiwantour.info/electronic-locks/
~~~~~~~
全台電子鎖聯合體驗中心地址
📍台北市士林區通河東街一段136巷13之1號
📍新北市中和區秀朗路三段175巷15弄3號
📍新北市新莊區思源路192巷37號1樓
📍桃園市桃園區春日路896號
📍新竹縣竹北市嘉興路277巷13號
📍台中市北屯區舊社里碧柳一巷26號
📍台中市南屯區文心南三路590號
📍台南市東區崇善路1095號
📍高雄市鼓山區延平街64-2號
體驗專線:0800-000-420 (店面採預約制)
~~~~~~~
跟著領隊Sky玩
網站:https://taiwantour.info
Youtube頻道:http://www.youtube.com/c/Skyinfo
IG:https://www.instagram.com/huang0415/
士 林 紙 廠 文 創 園區 在 hulan Youtube 的最佳解答
紙廠華麗轉身 體驗匿藏於紙中的想像進化!
乘載著百年製紙興衰的中興紙廠,經由宜蘭縣政府接手再造為「中興文化創意園區」,開啟了老廠房重生運用的契機,也讓原始純粹的倉庫轉化為文創場域,展開一段關於紙的進化故事!呼應著這股新生的力量,宜蘭縣文化局特別於6月30日至8月12日在園區有料倉庫舉辦《紙的進化論》特展,讓民眾打開眼、耳、手、腳、心,全面感受紙的進化之旅。
當光灑落於紙 漫遊紙的知識
「紙的進化就是想像的進化!」《紙的進化論》三大主題區結合了知識、藝術創意與想像力,讓民眾透過「身體」體驗不同以往的非典型特展。展區「紙的知識考Paper Knowledge」打破時間軸敘事,邀請三位藝術家從紙漿原料演繹進化為藝術想像創作,藉由紙林迷宮,讓民眾在迷路的同時也巧遇紙的知識,遊歷關於紙的發展、材質演進與各種想像,帶出知識學習的趣味。
紙張創意大發現 藝術設計競技場
呼應過往倉庫堆疊紙原料的歷史背景,「紙的創意學 Paper Creativity」以新聞紙、鈔票紙、水彩紙、宣紙及瓦楞紙為素材,透過藝術家Zimoun、Tim Budden、張徐展、長谷川洋介(Hasegawa Yousuke)及吳秉聖的想像力,紙張化為空間裝置、錄像影音裝置與摺紙創作。尤其瑞士聲音裝置藝術家Zimoun運用瓦楞紙材打造建築形式般的聲音雕塑,將180個不斷敲擊紙箱表面的軟球,發出微小、迴盪於倉庫的敲打聲,讓民眾感受紙張與空間互動的奇妙感知張力。
想像自由翱翔 催化無限可能
「紙的自由式 Paper Frees Your Mind」則由鳳嬌催化室秉持著跨界催化為核心,打造出作品《紙林紙海》,大量運用田中央的種籽紙、展現石磨特性的蜂巢紙、以機能紙抄技術表現的薄纖紙等各式特殊紙,展現紙意想不到的機能,民眾可穿梭於從天而降的紙瀑,暢遊更迭起伏的紙浪,體驗其充滿想像的視覺、與特殊紙開發實踐的獨特觸感,探索感受紙的自由式。
親子工作坊 實作感知動員
除三大展區外,展期間規劃六大主題活動工作坊,有適合爺孫攜手探索的中興紙廠紋理的剪紙課程、最受親子歡迎的DIY七彩風車、回收紙製燈籠、摺紙衛星,以及文青專屬的瑜伽畫畫、Retro Jam報紙印製,透過手感體驗啟發創意。
「關於紙,你的認識有多少?」超乎日常所孰悉的觀展體驗、擴增對於紙的想像,一場關於紙張進化的夏日之旅《紙的進化論》即將於宜蘭啟航。
更多詳情請點我
https://www.facebook.com/EvolutionofPaper/
士 林 紙 廠 文 創 園區 在 hulan Youtube 的最佳貼文
紙廠華麗轉身 體驗匿藏於紙中的想像進化!
乘載著百年製紙興衰的中興紙廠,經由宜蘭縣政府接手再造為「中興文化創意園區」,開啟了老廠房重生運用的契機,也讓原始純粹的倉庫轉化為文創場域,展開一段關於紙的進化故事!呼應著這股新生的力量,宜蘭縣文化局特別於6月30日至8月12日在園區有料倉庫舉辦《紙的進化論》特展,讓民眾打開眼、耳、手、腳、心,全面感受紙的進化之旅。
當光灑落於紙 漫遊紙的知識
「紙的進化就是想像的進化!」《紙的進化論》三大主題區結合了知識、藝術創意與想像力,讓民眾透過「身體」體驗不同以往的非典型特展。展區「紙的知識考Paper Knowledge」打破時間軸敘事,邀請三位藝術家從紙漿原料演繹進化為藝術想像創作,藉由紙林迷宮,讓民眾在迷路的同時也巧遇紙的知識,遊歷關於紙的發展、材質演進與各種想像,帶出知識學習的趣味。
紙張創意大發現 藝術設計競技場
呼應過往倉庫堆疊紙原料的歷史背景,「紙的創意學 Paper Creativity」以新聞紙、鈔票紙、水彩紙、宣紙及瓦楞紙為素材,透過藝術家Zimoun、Tim Budden、張徐展、長谷川洋介(Hasegawa Yousuke)及吳秉聖的想像力,紙張化為空間裝置、錄像影音裝置與摺紙創作。尤其瑞士聲音裝置藝術家Zimoun運用瓦楞紙材打造建築形式般的聲音雕塑,將180個不斷敲擊紙箱表面的軟球,發出微小、迴盪於倉庫的敲打聲,讓民眾感受紙張與空間互動的奇妙感知張力。
想像自由翱翔 催化無限可能
「紙的自由式 Paper Frees Your Mind」則由鳳嬌催化室秉持著跨界催化為核心,打造出作品《紙林紙海》,大量運用田中央的種籽紙、展現石磨特性的蜂巢紙、以機能紙抄技術表現的薄纖紙等各式特殊紙,展現紙意想不到的機能,民眾可穿梭於從天而降的紙瀑,暢遊更迭起伏的紙浪,體驗其充滿想像的視覺、與特殊紙開發實踐的獨特觸感,探索感受紙的自由式。
親子工作坊 實作感知動員
除三大展區外,展期間規劃六大主題活動工作坊,有適合爺孫攜手探索的中興紙廠紋理的剪紙課程、最受親子歡迎的DIY七彩風車、回收紙製燈籠、摺紙衛星,以及文青專屬的瑜伽畫畫、Retro Jam報紙印製,透過手感體驗啟發創意。
「關於紙,你的認識有多少?」超乎日常所孰悉的觀展體驗、擴增對於紙的想像,一場關於紙張進化的夏日之旅《紙的進化論》即將於宜蘭啟航。
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士 林 紙 廠 文 創 園區 在 2022.7.11 直擊百年歷史士林紙廠土地開發案之前期拆除工程 的推薦與評價
2022年7月11日中午,我在台北市 士林 區福德路的 士林紙廠 ,直擊這兒的土地 ... 文 資委員認為, 士林紙廠 始 創 於日治前期,是台北特別的產業廠區,具經濟 ... ... <看更多>
士 林 紙 廠 文 創 園區 在 中興文創園區介紹 :: 台灣觀光指南 的推薦與評價
2017年底才剛新開幕的中興文化創意園區,前身是走過半世紀歷史的中興舊紙廠,規模之大曾是全國最大造紙工廠,現在以中興文創園區重新出發後,搖身一變成為文青、網 ... ... <看更多>
士 林 紙 廠 文 創 園區 在 士林紙廠舊廠房活化將引進文創旅館業- 精華區BigShiLin - 批踢踢實業坊 的推薦與評價
看起來COSTCO是沒有希望進駐士林紙廠了
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(中央社記者郭美瑜台北六日電)台北市政府今天審查通過士林紙廠開發案;市府
都發局指出,士林紙廠擬透過老舊廠房活化,重新整修,做為紙博物館,讓民眾
體驗造紙工藝,另保留部分空間供市民使用;市府為鼓勵老舊社區活化,給予放
寬容積獎勵,士紙廠區也將引進國際飯店、辦公區、文創園區,可望帶動士林區觀光。
市府都市發展局指出,士林紙廠將透過留設約一萬六千六百平方公尺的廣場式開放
空間供市民利用,另將整修約一萬六千平方公尺的老舊廠房為文創園區,爭取容積獎勵。
都發局表示,士林紙廠開發案經市府審查符合「促進都市再生2010年台北好好看」
推動老舊社區開發政策,市府同意放寬樓地板面積獎勵;士紙將以獎勵容積,
開發旅館、辦公場所等。
都發局說,士林紙廠開發案包括擬將荒廢老舊廠房活化,規劃為紙博物館,讓民眾
體驗造紙工藝;士紙也將在廠區興建三十一層樓的國際旅館,未來可與故宮、
士林夜市臨時攤棚變身的台北藝術中心連成一氣,帶動士林區觀光。
士林紙廠開發案開發期程預計2010年五月開工,2013年底營運,其中,文創園區
預計2012年底可優先完工開放供台北市民使用。971006
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