關於 young living china ，我們在網路上蒐集到這些相關的討論、資訊與評價

1. Giới thiệu trung thu bằng tiếng Anh:

The Mid-Autumn Festival is an important traditional holiday in my country. Mid-Autumn festival is celebrated not only in Vietnam but also in some other parts of Asia as well, such as China, Japan or Korea. And it is often celebrated on the 15th day of the 8th month of the lunar calendar with full moon at night.

In the past, on this day the moon was brightest and roundest which represented the family reunion or gatherings. Therefore, families and friends often came together or harvested crops for the festival.

Nowadays, Mid Autumn Festival is mainly for young children in Vietnam to enjoy the best time of the year. But not only can children celebrate this day but also adults can, adults who wish to have a chance to remind their their childhood and feel young again.

During this exciting Autumn festival, making masks and lanterns is probably one of many activities that take place. A lot of groups of young Vietnamese have created unique and trendy lanterns yet can still preserve the traditional beauty.

So this reminds me back to the time when I was a little kid and living in the countryside where I could contemplate the most oriental feature of this festival, which is the dragon dancing.

Our little alley was teeming with different teams of dragon dancers. Dragon dancers dance to every household in their village, it is like “treat or trick” in western culture, they will not stop until you give them some lucky money.

And when speaking of Mid-Autumn, we can’t help but to mention the Moon cake. The round shape of the moon cake signifies completeness and reunion of families. Making and sharing mooncake is probably one of the hallmark traditions of this festival. But nowadays, in modern time, making mooncakes has given way to the more popular custom of giving mooncakes to family members.

So I have just introduced to you guys one of the most important and fascinating festival in Vietnam and it is Mid-Autumn festival.

2. Một số từ vựng theo chủ đề này:

- Mid-Autumn Festival /mɪd/ /ˈɔː.təm/ /ˈfes.tɪ.vəl/: Tết Trung Thu

- Full-moon Festival /fʊl/ /muːn/ /ˈfes.tɪ.vəl/: Tết Trung Thu

- Children’s festival /ˈtʃɪl.drənz ˈfes.tɪ.vəl/: Tết thiếu nhi

- Lunar calendar /ˈluː.nər/ /ˈkæl.ən.dər/: Âm lịch

- The Moon Lady /ðə/ /muːn/ /ˈleɪ.di/ : Chị Hằng

- The Moon Boy /ðə/ /muːn/ /bɔɪ/: Chú Cuội

- The man in the Moon /ðə/ /mæn/ /ɪn/ /ðə/ /muːn/: Chú Cuội

- The Moon Palace /ðə/ /muːn/: Cung trăng

- Jade Rabbit / Moon Rabbit / Rabbit in the Moon: Thỏ ngọc

- Oriental feature /ˈɔː.ri.ənt//ˈfiː.tʃər/: Nét phương đông

- Banyan tree /ˈbæn.jæn/ /triː/ : Cây đa

- Moon sighting / to gaze at the moon / to admire the moon: Ngắm trăng

- Lantern /ˈlæn.tən/: Đèn lồng

- Star-shaped lantern: Đèn ông sao

- Carp-shaped lantern: Đèn cá chép

- Mask /mɑːsk/: Mặt nạ

- Light lanterns: Thắp đèn

- Lantern parade: Rước đèn

- Platform/ˈplæt.fɔːm/: Mâm cỗ

- Mooncake /ˈmuːn.keɪk/: Bánh trung thu

- Lion dance: Múa sư tử / múa lân

- Dragon dance: Múa rồng

- Bustling/ˈbʌs.lɪŋ/: Náo nhiệt

- Yet vibrant /jet/ /ˈvaɪ.brənt/ : Rực rỡ

- Paper votive offerings /ˈpeɪ.pər//ˈvəʊ.tɪv//ˈɒf.ər.ɪŋz/: Hàng mã

- Family reunion /ˈfæm.əl.i//ˌriːˈjuː.njən/: Gia đình sum họp

- Gatherings/ˈɡæð.ər.ɪŋz/: Tụ họp, sum vầy

- Take place: Diễn ra

- Vivid/ˈvɪv.ɪd/: Nhiều màu

- Contemplate /ˈkɒn.təm.pleɪt/: Thưởng ngoạn

- Teeming with /ˈtiː.mɪŋ/ /wɪð/: Ngập tràn

- Signify /ˈsɪɡ.nɪ.faɪ/: Tượng trung cho

3. Chúc bạn mùa Trung thu 2021 này có những kỷ niệm tuyệt vời, vui vẻ và nhớ mãi <3

100 PHIM CHÂU Á XUẤT SẮC

1. Tokyo Story (Ozu Yasujiro, 1953) – Japan
2. Rashomon (Kurosawa Akira, 1950) – Japan
3. In the Mood for Love (Wong Kar Wai, 2000) – Hong Kong
4. The Apu Trilogy (Satyajit Ray) – India
5. A City of Sadness (Hou Hsiao-hsien, 1989) – Taiwan
6. Seven Samurai (Kurosawa Akira, 1954) – Japan
7. A Brighter Summer Day (Edward Yang, 1991) – Taiwan
8. Spring in a Small Town (Fei Mu, 1948) – China
9. Still Life (Jia Zhang Ke, 2006) – China
10. The Housemaid (Kim Ki-young, 1960) – Korea
11. Close Up (Abbas Kiarostami, 1990) – Iran
12. A One and a Two (Edward Yang, 2000) – China
13. Spring, Summer, Fall, Winter… and Spring (Kim Ki-duk, 2003) – Korea
14. Oldboy (Park Chan-Wook, 2003) – Korea
15. Late Spring (Ozu Yasujiro, 1949) – Japan
16. A Taste of Cherry (Abbas Kiarostami, 1998) – Iran
17. Uncle Boonmee Who Can Recall His Past Lives (Apichatpng Weerasethakul, 2010) – Thailand
18. Ugetsu Monogatari (Mizoguchi Kenji, 1953) – Japan
19. The Music Room (Satyajit Ray, 1958) – India
20. The Cloud-capped Star (Ritwik Ghatak, 1960) – India
21.Where is the Friend’s Home (Abbas Kiarostami, 1987) – Iran
22. Raise the Red Lantern (Zhang Yimou, 1991) – China
23. Sopyonje (Im Kwon Taek, 1993) – Korea
24. Crouching Tiger Hidden Dragon (Ang Lee, 2000) – Taiwan
25. Spirited Away (Miyazaki Hayao, 2001) – Japan
26. Tropical Malady (Apichatpong Weerasethakul, 2004) – Thailand
27. Mother (Bong Joon-ho, 2008) – Korea
28. Poetry (Lee Chang-dong, 2010) – Korea
29. A Separation (Asghar Farhadi, 2011) – Iran
30. A Touch of Zen (King Hu, 1969) – Taiwan
31. Manila in the Claws of Light (Lino Brocka, 1975) – Philippines
32. Mandala (In Kwon Taek, 1981) – Korea
33. A Moment of Innocence (Mohsen Makhmalbaf, 1981) – Iran
34. Happy Together (Wong Kar Wai, 1997) – Hong Kong
35. The River (Tsai Ming-Liang, 1997) – Taiwan
36. Blissfully Yours (Apichatong Weerasethakul, 2002) – Thailand
37. Awaara (Raj Kapoor, 1951) – India
38. Floating Clouds (Naruse Mikio, 1955) – Japan
39. Pyaasa (Guru Dutt, 1957) – India
40. The Lonely Wife (Satyajit Ray, 1964) – India
41. The Cow (Dariush Mehrjui, 1969) – Iran
42. Red Sorghum (Zhang Yimou, 1987) – China
43. Days of Being Wild (Wong Kar Wai, 1990) – Hong Kong
44. Farewell My Concubine (Chen Kaige, 1993) – China
45. Vive l’amour (Tsai Ming Liang, 1994) – Taiwan
46. The Adopted Son (Aktan Abdykalykov, 1998) – Kyrgyzstan
47. Peppermint Candy (Lee Chang-dong, 1999) – Korea
48. I Was Born, But… (Ozu Yasujiro, 1932) – Japan
49. The Story of the last Chrysanthemums (Mizoguchi Kenji, 1939) – Japan
50. Living [Ikiru] (Kurosawa Akira, 1952) – Japan
51. Sansho The Bailiff (Mizoguchi Kenji, 1954) – Japan
52. The House is Black (Forough Farrokhzad, 1963) – Iran
53. Woman in the Dunes (Teshigahara Hiroshi, 1964) – Japan
54. Scattered Clouds (Naruse Mikio, 1967) – Japan
55. Daughter in Law (Khodzhakuli Narliyev, 1972) – Turkmenistan
56. Dersu Uzala (Kurosawa Akira, 1975) – Japan
57. In the Realm of the Senses (Oshima Nagisa, 1976) – Japan
58. A time to live and a time to die (Hou Hsiao-hsien, 1985) – Taiwan
59. Through the Olive Trees (Abbas Kiarostami, 1994) – Iran
60. Children of Heaven (Majid Majidi, 1997) – Iran
61. Osama (Siddiq Barmak, 2003) – Afghanistan
62. West of Tracks (Wang Bing, 2003) – China
63. Paradise Now (Hany Abu Assad, 2005) – Palestine
64. Mukhsin (Yasmin Ahmad, 2006) – Malaysia
65. Secret Sunshine (Lee Chang-dong, 2007) – Korea
66. The Goddess (Wu Yonggang, 1934) – China
67. Humanity and Paper Balloons (Yamanaka Sadao, 1937) – Japan
68. Street Angels (Yuan Mizhi, 1937) – China
69. The Life of Oharu (Mizoguchi Kenji, 1952) – Japan
70. Mother India (Mehboob Khan, 1957) – India
71. Floating Weeds (Ozu Yasujiro, 1958) – Japan
72. Good Morning (Ozu Yasujiro, 1959) – Japan
73. Paper Flowers (Guru Dutt, 1959) – India
74. The Naked Island (Shindo Kaneto, 1960) – Japan
75. Intentions of Murder (Imamura Shohei, 1964) – Japan
76. A Man Vanishes (Imamura Shohei, 1967) – Japan
77. Holiday (Lee Man-hee, 1968) – Korea
78. The Cruel Sea (Khaled Al Siddiq, 1972) – Kuwait
79. Insiang (Lino Brocka, 1976) – Philippines
80. Vengeance Is Mine (Imamura Shohei, 1979) – Japan
81. Batch ’81 (Mike de Leon, 1982) – Philipines
82. Taipei Story (Edward Yang, 1984) – Taiwan
83. The Runner (Amir Naderi, 1985) – Iran
84. My Neighbor Totoro (Miyazaki Hayao, 1988) – Japan
85. Ju Dou (Zhang Yimou, 1990) – China
86. Life, and Nothing More (and Life Goes on…) (Abbas Kiarostami, 1992) – Iran
87. The Puppetmaster (Hou Hsiao-hsien, 1993) – Taiwan
88. Chungking express (Wong Kar Wai, 1994) – Hong Kong
89. The Scent Of Green Papaya (Tran Anh Hung, 1994) – Vietnam, France
90. Gabbeh (Mohsen Makhmalbaf, 1995) – Iran
91. The White Balloon (Jafar Panahi, 1995) – Iran
92. The Day a Pig Fell into The Well ( Hong Sangsoo, 1996) – Korea
93. Hana-bi (Kitaro Takeshi, 1997) – Japan
94. Flowers of Shanghai (Hou Hsiao-hsien, 1998) – Taiwan
95. Chunhyang (Im Kwon Taek, 1999) – Korea
96. The Color of Paradise (Majid Majidi, 1999) – Iran
97. The Poet (Garin Nugroho, 1999) – Iran
98. Blackboards (Samira Makhmalbaf, 2000) – Iran
99. The Circle (Jafar Panahi, 2000) – Iran
100. The Day I became a Woman (Marzieh Meshkini, 2000) – Iran

#whatever

台灣最大公約數 – 反共去統不反中
The True Common Denominator of Taiwan

我察覺到一個新的台灣共識（最大公約數）正在成形，而且已經接近完成。雖然許多人還沒意識到這點，也還有一些人尚處在無感、或雖然有感但心理上拒絕的階段。

I sensed a New Taiwan Consensus is forming and near completion, although many are still not fully aware of it, some at the psychological stage of ignoring it and some even in total denial .

這新共識可以用三個原素的一句話來總結：反共、去統、不反中國平民。三元素環環相扣，構成了一個具有主旋律的直白命題：那些已經把台灣視為自己家鄉的人，已經把台灣當成一個與他方無涉的主體。

This New Consensus can be summarized in one expression with three parallel elements: opposing communism, de-unification and neutralness toward Chinese civilians. These three elements constitute an organic whole with a common theme that simply says, people who took Taiwan as their home deemed themselves as one distinct entity .

為了讓人們充分理解這三元素的意義，需要做一些進一步闡釋。我們這就開始。

I understand some elaboration may be needed to allow the three elements to be fully appreciated, especially the third one. Let me begin.

1. 反共。台灣其實並沒有那麼反對自由的社會主義；事實上，台灣社會本身在日常生活型態中就含有明顯的自由社會主義的痕跡。但是，台灣絕不會容忍社會主義精神脫序到共產主義的地步。若然，那種社會主義就是敵人，沒有討論的餘地。台灣海峽彼岸的中國共產黨（CCP），就屬於這一類。

1. Opposing Communism – Taiwan is not that much against liberal socialism. In fact,there is a rather obvious strain of it already existing in its social life. However, Taiwan would not tolerate socialism when carried away to the extent of communism, and would take it as enemy. Period. Chinese Communist Party (CCP) on the other end of the Strait falls into this category.

2. 去統。在台灣，不但老一輩了解中共天天掛在嘴邊玩弄的「統一」，只不過是其用來維持政權、控制已經被洗過腦平民的一種虛偽口號，而年輕一輩只會以荒謬視之。因而，此處並沒有用過去的「反統」一詞，而是用「去統」，表示了一種將「統一」概念徹底由腦中去除的意思。就像「大掃除」的意思一樣，老早就該扔掉的東西就把它扔掉。

2. De-Unification – Not only do the older generations realize that the jingling of
“unification” of the CCP is just a bogus slogan for upholding its regime’s control
over the brain-washed civilians, the young generation of Taiwan simply finds the
slogan ridiculous. Therefore, rather than using the term “anti-Unification” as people used to do in the past, I think “De-Unification” – the unshackling of the very idea of unification, as one can relate with the word “de-clutter”- is a better suited term.

3. 不反中，指的是對中國平民保持中性的態度。過去三年間，包括我自己以及國際輿論，已經破除了那個存在已久的迷思 – 中共CCP就等同中國。情況根本不是這樣的。中共不等同中國，更不用說等同中國人民了。中共是一個具有9千8百萬黨員的巨大政黨，但那只是住在那塊土地上的14億人當中的7%。

3. Neutralness towards Chinese Civilians – In the past three years, people in Taiwan including myself, as well as the international community, have debunked the long-existed myth that CCP Is China. No, far from it. CCP is NOT equivalent to China, let alone the Chinese people. CCP is a huge party of 98 million members and that accounts for only 7% of the 1.4 billion Chinese people living on that landmass.

簡單的算數就可以呈現真相。對任何國家，如果僅佔7%的人口可以在政治上完全控制100%的人口，唯一的可能就是實施殘酷暴力或通過暴力改變人的頭腦。

Simple math would tell the truth. In any nation, when 7% of the population politically controls 100% of the population, it would be an impossibility unless by brutal violence or total brain coercion.

中國平民本身就是受害者。其他的國家，不應該膝蓋反應式的把受害者視為天生就是邪惡的。因此，無論在心態上還是現實地緣政治考慮下，台灣社會都應該把「必反」這詞留給共產黨而不是受害的平民。

Therefore, considering the Chinese civilians are victims themselves, people from other parts of the world should not act in a knee-jerk way towards the ordinary, victimized Chinese Civilians as if they are born evil. Either under a proper mindset or the practicality associated with geopolitics, Taiwanese society should and is starting to understand this point. “Anti-“ is an attitude reserved for CCP and not intrinsically for the ordinary and mostly victimized civilians.

這才是台灣的最大公約數。然而，為了選票的政治人物及民調機構拖累了台灣。每年每月的民調都在問早已失效的問題：你偏藍還是偏綠？你贊成獨立還是統一？

Putting together the above three Elements, thus there is the New Taiwan Consensus. What’s falling behind and dragging Taiwan’s feet, are the ballot-hungry politicians and the various outdated polling agencies. They do so many so-called popular surveys every year, sometimes monthly. And they stick to the long invalid way of setting up their survey questions: Are you favoring Green (DPP) or Blue(KMT)? Are you pro-independent or Pro-unification?

這種自我設限或自我審查的問法，使得其他國家以為台灣是個分裂社會。

This kind of self-confined or self-censored surveys leave other nations the impression that Taiwan is a split society, Green or Blue, Independence or unification etc.

台灣這種導致外人認為台灣是個分裂國家的作法，實在愚蠢。如果問的問題對，台灣是沒有分裂的。例如，如果將「你贊不贊成獨立」改為「你反共不反共」，結果肯定是98%以上。

It’s such a foolish thing to do for Taiwan itself misleading outsiders into deeming Taiwan as a split country. There is absolutely no split should the right questions be asked in the surveys. For example, had the question been changed from “Are you pro-independence or anti-independence” into “Are you pro-communism or anti-communism”，then the result would have been a clear-cut 98% or even 99.5% towards “anti”.

若問「你是反中國共產黨還是反中國老百姓」，前者不會低於80%，後者不會高於20%。

Now, try this further question: “Are you anti-Chinese Communist Party, or anti-Chinese common people”, my guess is the former gets at least 80% and the latter gets 20% at most.

第三個問題：「你願不願意被共產黨統治」，保證結果是99.9%的「不願意」。
The third question: “Would you be willing to live under the Communist Rule”? That would guarantee a resounding NO answer of 99.9%.

這就是新台灣共識、社會的最大公約數，應該向世界大聲、清楚、不含糊的說出來。

This is exactly how the New Taiwan Consensus looks like – the true common denominator among a seemingly divided Taiwan. And the New Taiwan Consensus should be articulated to the rest of the world, no vagueness, no grey area and unambiguously.

不信的話，可以用上述問題做幾次民調。而且我保證，在不久的將來，所有民主國家都會端出類似「台灣共識」的政策原則。

For any surveyor or politician who still has doubts about this New Taiwan Consensus, he or she can just conduct new surveys with questions suggested as above. And, I myself am convinced, in a not-so-distant future, all democratic countries on the planet would issue national policies based on guidelines similar to the New Taiwan Consensus, for the goodness of their respective countries.

所以，台灣為什麼不這樣做呢？這可是台灣展示世界政治領導力的機會啊！

So, Hey, Taiwan! Why not put a thrust on this Taiwan Consensus to the world by publicizing it unambiguously and show some political leadership, just for once?

後記：以雙語向全球發聲，將是我接下致力的方向。所使用的這兩種文字，涵蓋了35億人口，接近地球的一半人數。這個行動，將以 「前哨預策」網站 為核心基地，其他的社交媒體，只要有傳播力道，都會被用為衛星來做整體運作。

個人的思考、判斷不一定對，您也不見得同意，但是，我保證這平台中的每一句話都是獨立的、出自內心的。而今天的台灣，乃至於世界，最缺的就是突破傳統成見、不受黨派左右、同時又知錯能改的獨立思考力量。不知您是否同意？

「前哨預策」平台將分為三步走：內容平台 – 互動平台 – 行動平台。剛誕生的它，當前還只是個內容平台，但達到一定數量的會員支持後，將加入各種新媒體形式，與會員就重要議題互動，並以「達成不同意見之間的最大公約數」為目標。一旦在會員內部形成「最大公約數」後，就構成了行動的基礎。至於行動的形式，也由願意推動或參與的會員決定。

此平台婉拒任何政黨、政府的贊助，只接受個人會員或企業會員的贊助；所有收入及贊助，均將用於「讓台灣更好」的事務上，以及推動、發揮台灣作為東亞及世界的「關鍵少數」的槓桿角色，為人類下一波文明做出量力而為的貢獻。

我只能說，十年來的不斷保持獨立，希望能換得您對「不受任何政黨、政府左右」這一點點價值的認同。

范疇
謹上

於台灣
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♡HELP ME TRANSLATE MY VIDEOS 觀眾朋友有時間可以幫我加字幕, 非常感激!☺
http://www.youtube.com/timedtext_cs_panel?tab=2&c=UCvGEK5_U-kLgO6-AMDPeTUQ

♡WATCH MORE VIDEOS (PLAYLISTS)
VLOGS ► http://bit.ly/EmiVlogs
WORKOUTS ► http://bit.ly/WorkoutWthEmi
BEGINNER WORKOUTS ► http://bit.ly/BeginnerWorkoutsWithEmi
FITNESS & DIET TIPS ► http://bit.ly/FitnessDietTipsWithEmi
EAT (FOOD VLOGS!) ► http://bit.ly/EatWithEmi
TRAVEL ► http://bit.ly/TravelWithEmi
RECIPES ► http://bit.ly/CookWithEmi
FUN CHALLENGES ► http://bit.ly/ChallengesWithEmi
MAKE UP & FASHION ► http://bit.ly/MakeUpFashionWithEmi
廣東話片 Videos in Cantonese ► http://bit.ly/CantoneseVideosEmi
有中文字幕的片 With Chinese Subtitles ► http://bit.ly/ChineseSubtitlesEmi

♡INTRO SONG: Aarre - When We Were Young (ft. Reece Lemonius)