關於 modern and contemporary art and design ，我們在網路上蒐集到這些相關的討論、資訊與評價

爸媽暑假不崩潰：善用網路資源帶學子探索世界❤

週日愉快～

自疫情管制三級以來，已經超過了一個月，相較於剛開始的手忙腳亂，我相信無論是學生家長、學生自己還有教學第一線的教師，也逐漸適應了疫情之下的課堂任務。六月已經過了一半，即將到來的暑假，學校老師們可以暫時喘口氣，但是家長如我...，就開始頭痛起來。

預先準備豐富網路資源，過個充實的線上內容暑假！👍

不敢讓小朋友在外面走跳，又不想要讓小朋友整個暑假沈迷電動遊戲，我想，正是時候利用他們逐漸上手的線上教育媒介，把目前 #優質的網路教育資源 引入學習之中。以下簡單舉幾個例子，希望各位可以多多利用，規劃課表，讓小朋友過一個有趣的暑假～

👉推薦一 : ＃Coursera：在電腦前選修國內外知名大學課程
https://reurl.cc/Nr00z9
適合年齡層：國高中以上
特點：
1. 所有課程濃縮在4-8週進度內，適合暑期探索
2. 課程難度以大眾取向調整，先修大學課程不是夢！
3. 知名大學製作，以英德法日中文授課，外語學習知識更有挑戰。
推薦課程：Modern and Contemporary Art and Design (By MoMA), Game theory(by Stanford & UBC), 頑想學概率（台灣大學）

👉推薦二: ＃TED-Ed中文化課程：用動畫學習各種複雜的抽象知識
https://reurl.cc/pg66qZ
適合年齡層：所有年紀
特點：
1. 一支影片5分鐘左右，可以透過字幕與中文對照練習英文聽力。
2. 內容包羅萬象

👉推薦三: ＃國立自然科學博物館：不出門一樣可以學習科學新知
https://reurl.cc/kZXaNL
適合年齡層：所有年紀
1. 線上特展、導覽影音一應俱全。
2. 不用開車去台中，線上就可以學習科學知識。
3. 網站整合各種科學資源，可以作為入口網站。

以上三樣只是網路世界的優質資源舉例，不曉得各位有沒有任何願意分享的學習網站呢？歡迎r留言分享呦～

👉歡迎加入我的臉書社團 🤡 新竹同學慧，一起討論防疫大小事！

- Luyện đọc và tìm kiếm từ mới nào cả nhà!
Đề Cambridge IELTS 14 Test 2 - passage 2:
BACK TO THE FUTURE OF SKYSCRAPER DESIGN

Answers to the problem of excessive electricity use by skyscrapers and large public buildings can be found in ingenious but forgotten architectural designs of the 19th and early-20th centuries

A. The Recovery of Natural Environments in Architecture by Professor Alan Short is the culmination of 30 years of research and award-winning green building design by Short and colleagues in Architecture, Engineering, Applied Maths and Earth Sciences at the University of Cambridge.
'The crisis in building design is already here,' said Short. 'Policy makers think you can solve energy and building problems with gadgets. You can't. As global temperatures continue to rise, we are going to continue to squander more and more energy on keeping our buildings mechanically cool until we have run out of capacity.'

B. Short is calling for a sweeping reinvention of how skyscrapers and major public buildings are designed - to end the reliance on sealed buildings which exist solely via the 'life support' system of vast air conditioning units.
Instead, he shows it is entirely possible to accommodate natural ventilation and cooling in large buildings by looking into the past, before the widespread introduction of air conditioning systems, which were 'relentlessly and aggressively marketed' by their inventors.

C. Short points out that to make most contemporary buildings habitable, they have to be sealed and air conditioned. The energy use and carbon emissions this generates is spectacular and largely unnecessary. Buildings in the West account for 40-50% of electricity usage, generating substantial carbon emissions, and the rest of the world is catching up at a frightening rate. Short regards glass, steel and air-conditioned skyscrapers as symbols of status, rather than practical ways of meeting our requirements.

D. Short's book highlights a developing and sophisticated art and science of ventilating buildings through the 19th and earlier-20th centuries, including the design of ingeniously ventilated hospitals. Of particular interest were those built to the designs of John Shaw Billings, including the first Johns Hopkins Hospital in the US city of Baltimore (1873-1889).
'We spent three years digitally modelling Billings' final designs,' says Short. 'We put pathogens• in the airstreams, modelled for someone with tuberculosis (TB) coughing in the wards and we found the ventilation systems in the room would have kept other patients safe from harm.

E. 'We discovered that 19th-century hospital wards could generate up to 24 air changes an hour-that's similar to the performance of a modern-day, computer-controlled operating theatre. We believe you could build wards based on these principles now.
Single rooms are not appropriate for all patients. Communal wards appropriate for certain patients - older people with dementia, for example - would work just as well in today's hospitals, at a fraction of the energy cost.'
Professor Short contends the mindset and skill-sets behind these designs have been completely lost, lamenting the disappearance of expertly designed theatres, opera houses, and other buildings where up to half the volume of the building was given over to ensuring everyone got fresh air.

F. Much of the ingenuity present in 19th-century hospital and building design was driven by a panicked public clamouring for buildings that could protect against what was thought to be the lethal threat of miasmas - toxic air that spread disease. Miasmas were feared as the principal agents of disease and epidemics for centuries, and were used to explain the spread of infection from the Middle Ages right through to the cholera outbreaks in London and Paris during the 1850s. Foul air, rather than germs, was believed to be the main driver of 'hospital fever', leading to disease and frequent death. The prosperous steered clear of hospitals.
While miasma theory has been long since disproved, Short has for the last 30 years advocated a return to some of the building design principles produced in its wake.

G. Today, huge amounts of a building's space and construction cost are given over to air conditioning. 'But I have designed and built a series of buildings over the past three decades which have tried to reinvent some of these ideas and then measure what happens. 'To go forward into our new low-energy, low-carbon future, we would be well advised to look back at design before our high-energy, high-carbon present appeared. What is surprising is what a rich legacy we have abandoned.'

H. Successful examples of Short's approach include the Queen's Building at De Montfort University in Leicester. Containing as many as 2,000 staff and students, the entire building is naturally ventilated, passively cooled and naturally lit, including the two largest auditoria, each seating more than 150 people. The award-winning building uses a fraction of the electricity of comparable buildings in the UK.
Short contends that glass skyscrapers in London and around the world will become a liability over the next 20 or 30 years if climate modelling predictions and energy price rises come to pass as expected.

I. He is convinced that sufficiently cooled skyscrapers using the natural environment can be produced in almost any climate. He and his team have worked on hybrid buildings in the harsh climates of Beijing and Chicago - built with natural ventilation assisted by back-up air conditioning - which, surprisingly perhaps, can be switched off more than half the time on milder days and during the spring and autumn.
“My book is a recipe book which looks at the past, how we got to where we are now, and how we might reimagine the cities, offices and homes of the future. There are compelling reasons to do this. The Department of Health says new hospitals should be naturally ventilated, but they are not. Maybe it’s time we changed our outlook.”

TỪ VỰNG CHÚ Ý:

Excessive (adj)/ɪkˈsesɪv/: quá mức
Skyscraper (n)/ˈskaɪskreɪpə(r)/: nhà trọc trời
Ingenious (adj)/ɪnˈdʒiːniəs/: khéo léo
Culmination (n) /ˌkʌlmɪˈneɪʃn/: điểm cao nhất
Crisis (n)/ˈkraɪsɪs/: khủng hoảng
Gadget (n)/ˈɡædʒɪt/: công cụ
Squander (v)/ˈskwɒndə(r)/: lãng phí
Reliance (n)/rɪˈlaɪəns/: sự tín nhiệm
Vast (adj)/vɑːst/: rộng lớn
Accommodate (v)/əˈkɒmədeɪt/: cung cấp
Ventilation (n)/ˌventɪˈleɪʃn/: sự thông gió
Habitable (adj)/ˈhæbɪtəbl/: có thể ở được
Spectacular (adj)/spekˈtækjələ(r)/: ngoạn mục, đẹp mắt
Account for /əˈkaʊnt//fə(r)/ : chiếm
Substantial (adj)/səbˈstænʃl/: đáng kể
Frightening (adj)/ˈfraɪtnɪŋ/: kinh khủng
Sophisticated (adj)/səˈfɪstɪkeɪtɪd/: phức tạp
Pathogen (n)/ˈpæθədʒən/: mầm bệnh
Tuberculosis (n)/tjuːˌbɜːkjuˈləʊsɪs/: bệnh lao
Communal (adj)/kəˈmjuːnl/: công cộng
Dementia (n)/dɪˈmenʃə/: chứng mất trí
Fraction (n)/ˈfrækʃn/: phần nhỏ
Lament (v)/ləˈment/: xót xa
Panicked (adj): hoảng loạn
Lethal (adj)/ˈliːθl/: gây chết người
Threat (n)/θret/: mối nguy
Miasmas (n)/miˈæzmə/: khí độc
Infection (n) /ɪnˈfekt/: sự nhiễm trùng
Cholera (n)/ˈkɒl.ər.ə/: dịch tả
Outbreak (n)/ˈaʊt.breɪk/: sự bùng nổ
Disprove (v)/dɪˈspruːv/: bác bỏ
Advocate (v)/ˈæd.və.keɪt/: ủng hộ
Auditoria (n)/ˌɔːdɪˈtɔːriə/ : thính phòng
Comparable (adj)/ˈkɒm.pər.ə.bəl/: có thể so sánh được
Contend (v) /kənˈtend/: cho rằng
Liability (n)/ˌlaɪ.əˈbɪl.ə.ti/: nghĩa vụ pháp lý
Convince (v) /kənˈvɪns/: Thuyết phục
Assist (v) /əˈsɪst/: để giúp đỡ

Các bạn cùng tham khảo nhé!

One of my favourite temple in Chiang Rai because of the intricate detail and so many spots to take photos.. I feel that this temple kind of underrated in comparison to the famous White Temple.. but if you have chance to visit this temple you won’t regret.. Not like White Temple where you need to pay entrance fee, this temple is free!⁣
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📍 Wat Rong Suea Ten (Blue Temple)⁣
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The Blue Temple (Wat Rong Suea Ten) is the newest temple on the scene in Chiang Rai. Located just a few kilometers from Chiang Rai city in the district of Rimkok, it was completed in 2016.⁣
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The Blue Temple is smaller than its counterparts – the White temple and Black House. Nevertheless it’s just as striking, painted in an eye-catching blue with overlays of gold embellishments. The centerpiece inside the great hall, is a huge statue of a White Buddha in sitting position surrounded by contemporary Buddhist art in a modern style. It’s psychedelic design bears a striking resemblance to the White Temple and Black House, because it was built by the student of Mr. Chalermchai Kositpipat (the famous Thai artist who built the White Temple).⁣
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The name ‘Rong Suea Ten’ in Thai, translates as ‘house of the dancing tiger’ because historically, the area surrounding the temple, was full of wildlife, in particular tigers who leapt into the nearby Mae Kok river.⁣
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I would recommend to visit this temple early morning, more serene and you can enjoy the beauty of this place and the main prayer hall where you can hear the chants and the monks tidying up the altar..⁣
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#Thailandinsider #ExploreThailand #VisitThailand #Thailandvacation #thailandtravels #amazingthailand #discoveringThailand #WatRongSueaTen #BlueTemple #ChiangRai #Thailand #LostInThailand

展期: 2020/8/21-2020/11/8
地點: 新竹241藝術空間
Date: August 21~November 8, 2020
Venue: Hsinchu 241 Art Space

本展以古今對照詮釋動物在形態、歷史、生態的流轉，並連結到當代生活，從藝術x科技x自然的連結打開認識「藝獸」的新視野。
This exhibition juxtaposes the ancient and modern to explore the changes in the form, history, and ecology of animals, and proceeds to link these to contemporary life using art, technology, and nature, thereby creating a new perspective by which viewers can appreciate artistic beasts.

「藝想獸譜─故宮x新竹241新媒體藝術展」將首度展演故宮的「數位獸譜」，不但以新媒體藝術翻轉院藏書畫中的動物，本次更首度邀請新竹市立動物園的動物成員，一同打造古今x虛實的數位獸園。
This exhibition, Bestiarum Vocabulum: NPM x Hsinchu 241 New Media Art Exhibition, marks the debut of the “Digital Bestiary” created by the National Palace Museum, which employs new media art to provide a fresh perspective on the animals depicted in the painted scrolls of the Museum collections. In addition, this exhibition has also invited the Hsinchu Zoo for a first-time collaboration on a digital zoo that combines ancient, modern, real, and imaginary elements.

本展將透過「按圖索獸」、「藝獸誕生」、「藝想生態」三大主軸，探索故宮的動物圖像從古代的卷軸冊頁轉譯至當代的投影布幕，從畫筆變換至新媒體所累積的形態萬千，如何與當代視角連結，成為藝想天開的「獸譜」。「按圖索獸」以〈坤輿全圖〉為揭幕，一窺清宮對歐洲自然史和動物史知識的傳播與演繹，展出「南懷仁的坤輿世界」擴增實境，以17世紀時代視角的「異獸」，開啟本展序幕；該區特別以新竹市立動物園中的「現代動物」與院藏動物圖像中的「歷史動物」展開創意互動對照。
Through three primary themes, “Finding Beasts with the Aid of Drawings,” “The Birth of Artistic Beasts,” and “Ecosystems of Artistic Imagination,” this exhibition explores the process of how animal drawings on ancient painted scrolls and albums are transferred to modern screens, and how new media can replace paintbrushes to generate myriad creative effects that integrate with modern perspectives to produce a bestiary of phenomenal artistic imagination. “Finding Beasts with the Aid of Drawings” opens with the Kunyu Quantu (Great Universal Map), offering a glimpse of how knowledge of European natural history and zoological history spread in the Qing Court and how this information was interpreted. The augmented reality work, The Universal World of Ferdinand Verbiest, is displayed here, and presents the 17th century view of rare beasts as an opening prelude to this exhibition. This section also includes a collaboration with the Hsinchu Zoo to provide a creative interactive comparison of modern animals in the Zoo with the historical animals depicted in works from the Museum collections.

工作人員名單
國立故宮博物院 National Palace Museum
發行人 Issuer 院長 Director/吳密察Wu, Mi-Cha
專案指導Advisor
副院長 Deputy Director/余佩瑾 Yu, Pei-Chin
副院長 Deputy Director/黃永泰 Huang, Yung-Tai
策展團隊 Curatorial team
教育展資處 Department of Education, Exhibition and Information Services
處長 Chief Curator/ 徐孝德 Hsu, Hisao-Te
副處長 Deputy Chief Curator/ 謝俊科 Hsieh, Chun-Ko
科長 Section Chief/ 吳紹群 Wu, Shao-Chun
策展人Curator/賴志婷Lai, Chih-Ting
網站事務 Website Administrator/黃瀞萩、黃郁涵、陳曜瑋Huang Ching-Chiu, Huang Yu-Han
設計與施作 Design & Construction
西米創意設計有限公司Cmie Design

鳴謝 Acknowledgements
新竹市政府 Hsinchu City Government

‘The master of All’ by Pearypie in collaboration with @Shiseido’
-The master of Art-
From the great wave Katsushika Hokusai ? to kabuki to Tea making, origami, calligraphy, anime, video games, architecture, contemporary art to martial arts and so many more! Japan is so rich in so many art forms. And yet they still continue to make more and more, from tradition to modern. Art is everywhere around us, a lot of museums and exhibitions to visit. Meaningful, humble, educational, inspirational and full of philosophies- stories of living better life.
For this video- INKS- the new shiseido makeup comes out with lots of new liners for us to play around with, ranging from white, red, blue to dark brown and black. I’m using purple and brown to create a soft Smokey eye look for almost everyday purposes. You can wear this look for many occasions. Art is simple but yet sophisticated :)

Other mini videos are coming within this few days!!
Thanks guys! I know I have not produced a lot of videos these days and I really hope you guys enjoy my new direction :))

Shiseido x Pearypie with New Shiseido Makeup
ภายใต้คอนเซ็ปต์ The Master of All
Makeup, art director and creative director: @pearypie
Pearypie team :
Pawitra Horpaithoon
Pimonwan Kongchoosak
Viji Khositanond
Pichyapa Senthong
Models:
Noottara Bhumiwat
Tanyatorn lohasiri
Pattiya Watchara-Amnouy
Nungira Siripiyapokin
Hair stylist: Thanon songsil
Director : Jeto Panithi Nawasmittawong
Producer : Suttana Keyuraphan
Assistant Director : Sinapha Onsiri Peeranat Rungchawannont
Editor : Jeto Panithi Nawasmittawong Sinapha Onsiri
DOP : Drew Strobridge
Colorist : Chalit Sawangpol
PM : Nattavonge Kaewbuasai
Project Manager : Puk Chanchanok
Coordinator : Panitta Trang
Music by Yaak Lab
Lighting design : @Go Ueda
#888creations #T8C #BeautyReimagined #ShiseidoThailand
#pearypiemakeup #pearypiemakeuptutorial