‘An English-speaking Mao Zedong’|Lee Yee
In mid-November, a friend of mine, a youngster, texted me: “He’s really stingy.” I replied: “It’s OK! Even though we have been holding different views for years, he has been putting up with my audacity.”
Since we met because of June 4 at a dinner with other pro-democracy movement figures, we have been acquainted with each other for more than 30 years, during which we had frequent dealings and contact with one another for a number of years. Asked by him about how much money was needed for running a magazine, I, the operator of The 90s, a business with small capital, told him to put in ten times of mine for a weekly publication. In the end, he invested a hundred times of it in running the most influential magazine that cornered the market in town. Later on, he founded a newspaper which also changed the media ecology in Hong Kong, initiating an unprecedented market setting all at once.
Inspired by the democracy movement in Beijing to switch to another line of work, he surely did it for his compassion for China. I used to have it myself, and it stayed strong until June 4, after which I merely hoped for the indigenous values of Hong Kong to be preserved. In light of the Handover being imperative under the circumstances, to get the democratization of Hong Kong moving seemed to be the only way out, though I reckoned the chance of success was slender as well.
In terms of our beliefs in freedom, democracy and the rule of law, there hasn’t been much difference between us. As to our outlooks on the prospect of democracy of China and Hong Kong, I have always been pessimistic while he has always taken the opposite view. It is understandable because pessimism is never an obstacle to my writing while it is to an operation of such a big media business.
In 2005, I was invited by him to become a writer-turned-editor in charge of the opinion page. He promised me back then he would never meddle in my editorial orientation. As I recommended on purpose a commentator who had fallen foul of the paper, he consented without hesitation. It’s a shame that I was finally turned down by that commentator.
From being an editor to being fired nine years later, from writing editorials to writing a column, I have been disagreeing with him on a number of issues over the last decade: localists versus pro-Greater China camp, freedom of discussion about independence, evaluation of the youths and the valiant, support for or criticisms of the pan-democratic alliance, “conspiracy theories” in all previous elections… But as my boss, he has been putting up with me, delivering to me his opposite viewpoints through somebody else. And he never hampered me from publishing articles I showed him in advance that bluntly criticized him.
With his compassion for Greater China, opening up of China was definitely appealing to him. As far as I know, China did try quite a number of times to take him in in its united front work. There was an occasion that one of his good friends met him in Taiwan, saying to him that he was invited by the Chinese Communist Party(CCP) to pay a visit to China, that he was to be allowed to run newspapers there about everything – entertainments, sports and the society, except for politics, and that in view of the growing economy of China, he would earn a big fortune. No sooner had he finished listening to it than he called the security guards to send the guest off. Later, he explained to me why he did it so abruptly instead of euphemizing. He said he was actually afraid of not being able to resist the enticement, and that he would abstain from the principle of distancing himself from the power. Listening to the story about his being aware he would get feeble, I admired him in all sincerity.
At whiles I just think he displeased the CCP not because of his words and deeds, but the fact that he couldn’t tell good from bad. Who couldn’t be bought off? Not least he’s just a businessman. That was just so riling!
When the publication began in Taiwan, I was told that according to the tacit business regulation in Taiwan, kickbacks had to be given to those who were empowered to do ad placements from the clients’ side. Yet the boss disapproved of it, which made things difficult for the staff in the advertising department. I asked him why he couldn’t bend the rule a little. He said as we kept laying bare under-the-table deals among politicians and businessmen, it was hard to justify ourselves if we also engaged in the same dirty deals. He is really somebody who insists on complying with laws, attaches importance to rules and ethics. Whenever I think of such a person being imprisoned, I feel sorrowful about him and the society.
It has been more than a year since last time I got in touch with him that he gave me a call asking me to stop writing my memoir for a few days to talk about the anti-extradition movement in my column in March last year. That was the only time he has ever suggested a writing topic for me. I agreed for I was going to do the same thing.
The youngsters in touch with me have always been discontent with him and his paper because of a lot of events over more than a decade, but I have always told them to take a look at a bigger picture. He is said to be an English-speaking Mao Zedong in the newsroom. Maybe it’s true. Mao’s merits and demerits aside, his manifest stubbornness and insane words and deeds showed he was somebody that would achieve something big. Winston Churchill was also an eccentric and moody person, but he did a marvelous feat against all odds. It seems Trump belongs to the same category, so does he.
同時也有1部Youtube影片,追蹤數超過28萬的網紅BEAUTYQQ,也在其Youtube影片中提到,There are thousands of newborn babies everyday. Stories to be told in many corners around the world. My name is Queenie Chan, my dad was a Shanghaine...
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【桃花開在周杰倫】The Peach Blossom named Jay Chou(English writing below)
上星期的Youtube影片中,我談到周杰倫前世如何修到大桃花,以及桃花和個人財富的關係。
2019年9月11日2300H,久未發新歌的周杰倫推出新歌單曲《說好不哭》,兩天內就破一千萬的流量,刷下華語樂壇的新紀錄,而且在超過十個國家,包括美國、澳洲、韓國、德國、新馬港台等,都衝上了Youtube發燒影片第一名。
相比之下,蔡依林去年年尾推出睽違四年的新專輯,打破了傳統歌手唱情歌的套路,其中七首歌都有概念新穎、議論性極高的MV,但影片流量卻不敵這次「周五」的合作。
我不是蔡依林的歌迷,但她這次為專輯的付出真的讓我刮目相看 - 回顧蔡依林出道至今的「黑歷史」MV《怪美》,邀請吳君如一起拍向80、90年代香港電影致敬的MV《腦公》,邀小S拍的MV《紅衣女孩》,以及今年榮獲台灣金曲獎年度歌曲獎的《玫瑰少年》等等。
我個人很喜歡這首《玫瑰少年》。此歌以轟動一時的「葉永鋕事件」為背後故事:葉永鋕,台灣人,國中生,因不同的性別氣質而遭到同學霸凌,不敢在下課時間去上廁所。十五歲那年,葉永鋕在上課時,提前離開教室去上廁所,後來被發現傷重倒臥血泊中,送醫後不治死亡。(取之:维基百科)
而在今年五月,台灣成為第一個將同性婚姻合法化的亞洲國家,讓《玫瑰少年》更具有代表性。
再看看周杰倫這次的新歌《說好不哭》,如果你也覺得「周杰倫是我的青春」,這MV用的許多「情懷梗」,作詞人方文山,神秘來賓五月天阿信,必會讓你驚喜連連。
對我而言,這首歌延續著周氏情歌的曲風,MV拍法沒有突破,並沒有像蔡依林的專輯有那麽強大的創意和正面能量。
可是蔡依林這次別出心裁,影片流量和賺到的錢也不少,卻依然亞於周杰倫。
這一切的現象隱藏著過去世的因果。
據我根本上師聖尊蓮生活佛開示,周杰倫前世修密教的敬愛法,想必他持了天文數字的敬愛咒。他八字寫著,這一世的寫歌本領就是他修來的眾桃花投影。
這桃花非同凡響,改變了華語樂壇對流行歌的審美觀。這次《說好不哭》的MV流量、新歌銷量等,都名列前茅,新歌上線的24小時內,總銷量548.5萬張,售額1645.6萬元人民幣(S$3.2m)。
蔡依林全身都是重桃花相,但就算如此,她和幾個星期前出新歌《對的時間點》的林俊傑,也完全被周杰倫比下去。
一些聰明的Youtuber在《說好不哭》上線24小時內火速推出了自己的翻唱影片,鋼琴彈奏版,歌詞版等。這是很明智的作法,因為不用花錢就能夠沾個邊,借一借周杰倫的桃花來旺自己。如果周杰倫的八字及歌曲旺他們的八字,就會更有效。
網路搜索,加上娛樂新聞頻道的新聞報導,他們的頻道便會迅速增加訂閱和流量。
寫了這麼多,有三點要提醒大家:
1)有幸得到師尊灌頂的敬愛尊咕嚕咕咧佛母和愛染明王法的同門,請勤修此法。
有眾桃花,貴人顯著,做什麼事情真的會比較容易,賺錢也可以比別人快。我個人的修法領悟,如果抱著利益眾生的菩提心來修,效果會更不可思議。
2) 要賺錢,你速度要快。
錢如流水走很快不等人,你要懂得觀察局勢,學學那些Youtubers的掙錢速度及魄力。如果還是不會, 批八字看風水時,可請教你的師父如何迅速為自己增強桃花。
3)往對的方向,用對的方法努力,能改自己和別人的命
無論你八字中有沒有眾生緣,你要有錢,有敬愛的魅力,你都得努力地去結眾生緣,持續地去佈施,慢慢地去積累。因為再多的眾生緣,也會有用完的一天。
以上的歌手都是努力的典範,包括那些Youtubers。因為努力而產生的影響力,能引導他人改自己的運勢,你的功德可加倍。
不要一日一日地這樣荒廢青春,別把時間都給了家人,而吝於給他人。佈施要用心思,要不然,有一天福報見底時,你和你的家人就會出現資糧荒的現況了。
「聰明人將精力用於預防和積累,而蠢蛋則寄望於補救。」
..........................
In my Youtube video last week, I talked about how Jay Chou cultivated his great Peach Blossoms in his past life and the correlation between your personal wealth and your Peach Blossoms.
On 11 September 2019 2300H, Jay Chou released his much-awaited new song "Won't Cry". His MV crossed 10 millions views within 48 hours on Youtube, setting a new record for Chinese music entertainment scene, and was the #1 trending MV in over 10 countries, including USA, Australia, Korea, Germany, Singapore, Malaysia, Hong Kong and Taiwan. His latest single also crashed Chinese music streaming site QQ music in less than a hour after its release.
In comparison, Jolin Tsai launched her new concept album end of last year, after a hiatus of 4 years. The album broke out of the conventional love ballads typical of Mandopop. 7 songs in this album were launched on Youtube with very creative and artsy music videos, which attracted much online discussion.
Yet the views on her MV cannot be compared with Jay Chou's latest MV.
While I am not a fan of Jolin Tsai, I applaud her effort for this album. The Ugly Beauty MV talks about the criticisms that Jolin Tsai had received since her debut. The Hubby MV was a salute to Hong Kong movies in the 80s & 90s, with Sandra Wu guest starring. Xiao S was also invited for her Lady in Red MV. The song Womxnly won the Song of the Year in this year's Golden Melody Awards, while this album won Album of the Year.
My personal favourite is the song Womxnly, which was inspired by the sensational story of Yeh Yung-chih, a secondary school Taiwanese student who had been long bullied for his perceived effeminate behaviour and thus, never dared to go to the school toilet at break times. One day, just five minutes before school ended, he was found dead in the school’s restroom in a pool of blood at the age of 15.
In May this year, Taiwan became the first Asian country to legalise same-sex marriage and Womxnly became even more symbolic.
Let's now take a look at Jay Chou's new single Won't Cry. If you also think that "Jay Chou is my youth", the many punchlines in this MV, the lyricist Vincent Fang and the mystery guest Ashin of Mayday will have you grinning in surprise.
To me, while this song is not bad and a continuation of Jay Chou's love ballad style, it does not carry as much creativity and positive energy as Jolin Tsai's Ugly Beauty album. Jay Chou's MV was also pretty similar to many of his past MVs. There was no breakthrough.
Yet, beneath all that we have seen till now, is the karma from many past lives.
My Root Guru, His Holiness Living Buddha expounded that in Jay Chou's past life, he practiced the Magnetization Sadhana of Varjayana, and had recited an astronomical number of the mantra of Love and Respect. As stated in his Bazi, his songwriting talent this lifetime is a reflection of his cultivated Peach Blossoms of Mass Appeal.
This is an extraordinary Peach Blossom, as it rewrote the judgment standard of Mandopop. The viewership of Jay Chou's Won't Cry MV and sales volume of the single are just as astounding. Within 24 hours of release, his new song sold 5.485 million copies online and raked in S$3.2million.
The entire physical appearance of Jolin Tsai spells of heavy Peach Blossom of mass appeal. However, with Jay Chou in the picture, both she and JJ Lin Junjie who released a new single The Right Time 3 weeks ago paled in comparison.
Some clever Youtubers quickly uploaded their own covers, in less than 24 hours of Jay Chou's new song release. There were cover songs, piano versions, and lyric version. This is a very smart way of leveraging on Jay Chou's Peach Blossom luck for FREE. Works best if the song and Jay Chou’s Bazi are compatible with their Bazi.
Through online searches and online entertainment channels who report about the covers, the Youtubers get to boost their subscriber volumes and viewership at a much faster rate.
These are the 3 points I wish to highlight to everyone after writing so much:
1) To my fellow Dharma brothers and sisters who are fortunate enough to receive our Root Guru's Dharma empowerment of Kurukullā and Rāgarāja, please cultivate this Sadhana diligently.
When you have Peach Blossom of Mass Appeal, your benefactors are prominent and everything that you do in life gets easily done, even earning money is faster for you. My personal experience is that if you practice this Sadhana with the Bodhicitta heart to benefit sentient beings, the effects will be incredible.
2) If you make money, you must be speedy.
Money waits for no man. You have to know how to observe the situations and learn the money-making speed and drive of those Youtubers. If you do not know how, seek the advise of your Chinese Metaphysics practitioner, when getting your Bazi analysed or Feng Shui audit done.
3)Move in the right direction with the right method, and you can change your life and others' too.
Regardless your Bazi has mass appeal affinity or not, to have money, to have charisma of Love and Respect, you must be diligent in forming mass positive affinities. Learn to give and accumulate your way through. For no matter how many mass affinities you have, they get expedited over time.
The celebrities and Youtubers I mentioned above are examples of diligence.
When your hard work brings you the ability to influence, you will be able to guide others to improve their luck, be it you are conscious of it or not. And that doubles up your merits.
Don't squander your youth by living aimlessly. Don't blindly give all your time to your family and be miserly in giving your time to others.
Constant giving requires thought, otherwise when your good fortune hits rock bottom, you and your family will face a dire drought of life resources.
"The smart one spends his effort in prevention and accumulation, while the fool puts his hope in salvaging. "
english writing picture story 在 王宇婕 Margaret Wang Facebook 的精選貼文
我哥之前因為陪朋友去考街頭藝人證照看到一些評審對街頭藝人的態度發聲 而上了新聞。我覺得他很勇敢的去做了一件對的事。
希望政府不會時間過了就不關心這些事情。希望我們都可以更客觀的去看藝術,尊重不一樣藝術和藝術家。我覺得以下我哥說的非常好,想跟大家分享。
想知道之前的事可看新聞連結:
http://www.storm.mg/article/270611
親愛的大家:
我想感謝所有支持我、以及給予我鼓勵意見的每個人;同時也要感謝熱情關注此事、協助揭露街頭表演者們應試處境問題的許多媒體與記者們。我很抱歉這些日子我保持著沉默—僅有一個原因:我並不希望這件事情,在台北市文化局正式給予溝通管道之前就發展到無法控制的程度;我很抱歉遲至今日我才發表這篇文章,但我確實需要一些時間來沉澱彙整我心中的感受和想法,而我也需要時間及一些協助使這篇文章能夠以中文來呈現。
在我採取更進一步的行動之前,我其實未曾預料到這件事情在媒體與社交媒體上的感染力如此龐大;我受寵若驚的感動能夠聽見發自你們每個人內心的聲音,而我也著實感到抱歉,面對著如潮水般湧來的各種訊息,似乎超過我所能負荷。請原諒我未能夠逐ㄧ去回應每個人的訊息,但我真的想讓你們知道,你們每ㄧ個人都讓我感到不可思議、帶給我深深的感動及感謝。
我不認為自己是一個勇敢的人,我也自知自己並非街頭藝人的代表或者發言人。但我是一個藝術創作者,一個表演藝術家,一個教育者,而最重要的,我身為一個 "人"。我的家人、朋友及師長們,總是教導我應該為正確的事情挺身而出。
我明白事情有時候總是不像我們所期待的永遠是非分明。但發生在5月21日星期天的街頭藝人評審事件,是對藝術群體的一種「極不尊重」。不論反面評論者所提出的藉口、理由或是文化差異等緣由,這些應試的表演者們,很顯然是被視為次等公民,或者(經驗與技能不夠成熟?)的學生等級。而與此同時,同樣非常清晰的是,街頭藝人評審制度或許是立意良善,但其審查過程的執行層面,卻是嚴重缺失連連。
藝術並非一種特權的這件事情如今已完全被遺忘。台北市文化局本應提倡所有具有文化及藝術可能性的事情,但它並未做到這ㄧ點。很顯然的,一個「對表演者的基本尊重」並不存在 — 許多表演者都如此感覺,有些人則深感受傷。
就算是得到全世界所有理應被如此對待的原因及理由,他們仍然感受到自己的不被尊重;因為這就是事實。
再一次的我想強調我並不是認定台北市文化局與該評審是一個「壞人」,我想強調的只是這個評審街頭藝人表演的執行環節,究竟有多麼的不妥當與糟糕。
我試著回應一個反面評論者所提到的觀點:若街頭藝人證照是ㄧ場「考試」、考試就會有考試的規則。評審無需與應試者惺惺相惜,掉頭就走是因為模擬街頭現場環境以及時間到了。再一次的,在我描述現場狀況的前ㄧ篇文章中,大家或許還記憶猶新:許多表演者根本沒有完整的短至一分半鐘的時間可以好好表演,遑論是超過2-5分鐘的時間限制了。
而這樣的回應是否也指出了另一個值得我們去思考的問題: 為什麼我們會將它視為一種「考試」,而不是ㄧ個表演者的「試鏡」呢?
首先,這些表演者們並不是學生。事實上,許多人更可能是一個專業的音樂家、舞者、或者正從事著表演藝術的人。當然,我不否認也可能會有些正在學習中的族群。但,最重要的是,當他們「在屬於他們應得的演出時間與機會裡 (而且還是付費才有的),他們就是ㄧ個真正的表演者。」
他們不應該被看待成一個不成熟的學生或者次等的公民。而就算一個人擁有著學生的身分,這個身分也不應該影響或侷限他或她,作為一個藝術創作者的身分及所有可能性。「藝術家」並非是透過一個人的職業身分或者社會地位來定義的。
所謂「考試」的這個字眼指涉著ㄧ個學術教育機構,而我們都知道台北市文化局所應該扮演的角色與作用,並非一個學術性的教育機構,也並非是用來教育藝術創作者們該知道些什麼?該怎麼表現?藝術教育及審美的養成也從來不是在追求填鴨式教育裡的ㄧ個標準答案。將街頭藝人的徵選視為「考試」的視角,或許本身就有待商榷。
評審的場所是在一個公共場合,許多居民與遊客都會圍觀欣賞著表演,其中有些人或許不了解藝術;因而這些人也許會將在場的評審們,視做為某種藝術的衡量標準;試問,當這些人看到評審對待表演藝術家的行為與態度,當他們看到評審總是任意打斷演出,並且掉頭就走不帶ㄧ句回應時,人們日後還能懂得尊重街頭表演藝術家嗎?
沒錯,我們都知道這是一場「考試」,我們也很清楚這些手上拿著計分表的人們就是評審;因此,事實上評審們根本無需「模擬」街頭現場那些會隨時走掉的陌生人們。
這些評審以及相關單位的人員,理應提倡藝術,並且作為ㄧ種示範與典範,讓普羅大眾都能夠看到該如何去欣賞ㄧ場演出。一個表演者並不會因為他選擇在街頭表演,就因此比不上一個在大舞台演出的藝術家。我自己就曾在世界各地超過百個不同的絢麗舞台演出過,但我仍然汗顏自己可能也不比這些街頭藝術家們來的優秀。
我曾擔任過ㄧ些國際比賽的評審,我也曾舉辦過專業的試鏡;我從來沒有聽過關於尊敬一個人的這件簡單事情,會需要在時間充裕的前提下才能夠發生。
如果一點表情會洩漏出評審成績的好惡,其實也真的可以不用笑或是無需在表演結束時說一聲謝謝。而評審也真的「不需要」與考證照的街頭藝人感覺惺惺相惜,因為這些都不是我想討論的重點。
我在意的是,表演者所需要的,只不過就是一個對人與對一個演出者的「基本尊重」而已。這樣的尊重存在與否,如人飲水冷暖自知,在人與人的接觸中就能直接感受的到,著實無需仰賴規則或語言的贅述。
我作為一個藝術創作者和教育者,穿梭各地工作超過15年的職業生涯經驗,或許會因此被視為一個外國人,但我的身分就是一個台灣公民。身為一個39歲的成年人,我可以分辨何謂尊重,而表達尊重甚至不需要浪費到任何一秒鐘。如果一個人會需要至少五分鐘以上的充足時間才有可能表達出對另外一個個體的尊重的話,那他可能需要重新再思考一下,尊重對他而言意謂著什麼?
再度回應一位也曾擔任過街頭藝人評審的老師所提出來「中途要求更換曲目或要求表演者改唱另ㄧ種語言的歌」的理由,是因為評審們不會希望一個街頭藝人一整年下來只會唱同一種語言、甚至是只唱同ㄧ首歌。
我所思考的是當一個街頭藝人遵守規定,付費且努力準備去應試時,他ㄧ定會準備了符合完整時間長度的、同時也是自己最擅長、最喜歡或者是最期待能被看見的那些內容;表演一首歌曲或者ㄧ種風格並不代表他就只會唱那ㄧ首歌;而且就算是當做他只會唱ㄧ種語言、ㄧ首歌,如果他能把這首歌反覆演繹的淋漓盡致時, 又有什麼不好呢?
難道我們不曾注意到百老匯的音樂劇就是同樣的那幾部,而獅子王也已經在舞台上展演了20年了嗎?許多同樣內容重複的音樂劇票房始終歷久不衰,持續帶給觀眾們心靈的滿足。而人氣歌手愛黛兒從頭到尾也只會用英文唱歌,而且幾乎都是類似的曲風,我們可曾在乎過她有沒有能力去唱中文歌呢?
ㄧ部舞蹈作品光在荷蘭本土就能有至少五十場大大小小的演出機會。但在台灣,ㄧ部作品如果能有五個場次的演出,可能已經算是很長壽了。這樣的環境迫使藝術創作者們必須不斷快速的「生產新作」,而將舊有積累的作品與經驗拋在腦後。就所有對於藝術的挹注與投資(不僅僅是金錢)來說,這樣的情況對藝術的生產是ㄧ種過度消耗與浪費,也並未真正教育到民眾如何去看待藝術的價值。
而最終,這樣的評審過程與態度並不僅僅是對街頭表演藝術者的不尊重,同時也是對於藝術的不尊重。
台北市文化局星期ㄧ曾經聯絡過我,親切向我表示將與我進一步聯絡並討論這件事情;他們要求我先將評審的照片拿掉—我答應取下照片,但前提是他們必須確實誠意的允諾一個面對面的溝通。這幾天我也暫時迴避了一些報導媒體的詢問(還請大家見諒)只因我衷心希望能先與台北市文化局及該評審當面談一談。我ㄧ直等待,但我也持續的看到了相關機構或人員回應給媒體的諸多理由與藉口; 自從將照片從網路上取下之後,直到今日都沒有人再跟我連繫過。慢慢的我突然明白星期一的那通電話,或許純粹只是ㄧ個希望我能將照片取下的操作手法,而並非真的試圖去了解整個經過以及解決問題。我對這個本應提倡藝術與文化的機構感到無比失望。
我知道我並非一個公眾人物,而我也不能代表所有想要考取街頭藝人執照的表演者們;自從我的臉書網頁訊息爆炸之後,我就不斷的在思考這件事情,我反覆思考自己是否該繼續爭執此事,這似乎並非與我切身相關的事情,然而,身為一個藝術教育者,我卻又感受到深切的責任。
經過反覆的思考以及與朋友們的討論,我意識到不論我們的展演形式如何不同,我們同樣都是表演藝術群體中的一分子。台北市文化局最後很可能將持續充耳不聞,而這位被我所抱怨的評審也可能繼續做他這些年來ㄧ直在做的事—用他ㄧ貫的態度。除非他們願意傾聽與改變,否則我無法改變任何人。
我真心相信有些事情值得改善,也可以改善。我必須強調我並不是想要攻擊或羞辱任何人。我只希望能有機會去討論如何讓審查的過程變的更適當。我看到台灣有許多優秀的藝術家,但環境對藝術和藝術家的不尊重不但打擊同時也限制了他們的發展;更遺憾的是,這一切可能是在許多疏忽之中造就出來的環境。
許多評審過程如果能夠在尊重藝術的前提之下思考和進行,事情或許會截然不同。
只要有一點點可能去拋開面子的問題,或許也就有機會明嘹我們所期待的結果其實是一樣的。
事實上我之所以說了這麼冗長的話語,並非是要不尊敬所謂的評審或師長,而正是因為我對藝術的尊敬,使我更深切的關注身為一個教育者所代表的意義。今天我看到了街頭表演藝術家是如何被不當的對待,而很顯然的我也不會是唯一的目擊者。某個程度上我的聲音似乎被放大了,但我也知道我的聲音並不是唯一的一個,我是許許多多的聲音中的ㄧ份子。
William
---------
Dear All,
I would like to thank you for all the encouraging messages and supportive comments. I would also like to thank all the journalists and reporters who are passionate about this issue and are so willing to expose the problem that was faced by these street performers. I am sorry that I have been quiet but with a reason: I don’t want it to get much bigger than it already was until I talked to the Taipei Cultural Affair. I apologize that it took me a while, but I needed some time to gather my thoughts and help to translate my writing into Chinese.
Before I go on any further, I never expected my story would go viral on the media and the social media. I am humbled and touched to hear from many of you. All the messages I’ve received have been overwhelming. I am not able to reply to all of them, but I’d like you to know that I am honored, thankful, and touched by every single one of them.
I do not consider myself as a brave person, nor do I consider myself a representative for the street performers. BUT I am an artist, a performer, educator, and most of all I am a human being.I have always been taught to stand for what’s right by my family, friends and mentors.
I understand things are not as black and white as we all wish sometimes. However, what happened on Sunday 21st of May was a disgrace to the art community. Regardless of all the excuses that were given or cultural differences, it was very obvious these performers were treated like lower-class citizens; if not, students. It was also very clear that the intention might be well, but the execution of the busker’s exam was done horribly.
Somehow the idea that ART is NOT a privilege had been forgotten. Taipei Cultural Affair is supposed to be advocating for all things cultural and artistic but it was not conveyed that day. It was very clear the respect was not there. Many felt it and some got their feelings hurt. Even with all the excuses there are in the world, many experienced the disrespect. That was the truth. Again I have to emphasize that I believe Taipei Department of Cultural Affair and its adjudicators are good people, but the execution of the exam was poor.
It brings to the question…. why is it called an exam? Shouldn’t it be an audition?
These performers were not students when they took the exam. Some of them were actually professional musicians, dancers, or performers. Just because one is a student, it doesn’t make him or her less of an artist. Artists are not defined by their social status or occupation.
The term exam suggests an educational institution, but we know Taipei Department of Cultural Affair is not an educational institution. They do not decide what these artists need to know. These performers were not given any materials to study, thus the term exam is very misleading.
The exam took place in a public space. Many tourists and residents were there to enjoy the event. Many do not understand arts. So they may look up to these adjudicators as role models who are experienced in the arts. When they saw how this exam was being done, do you think they would have any respect for these performers afterwards? They saw these adjudicators interrupting the performers and left without saying a “thank you.” We all knew it was an exam, we all knew these people were adjudicators. They did not need to pretend to be street spectators who just walk away. They all carried their score boards in their hands.
Just because a performer performs on the street, it doesn’t make that performer any less of a performer than someone who is performing on big stages. I myself have performed over hundreds of stages around the world and I do not dare to think myself better than these performers.
I have judged a handful of international competitions. I have also held professional auditions. I have never heard an excuse that respect can’t be shown when time is limited. You do not need to smile to simply say “thank you.” Since when, a smile means “I favor you.” What a performer need is respect. Over the 15 year span of my professional career as an educator and artist, and 39 years of being a human being, I know what respect looks like. It doesn’t take more than a second to show it. If it takes longer than 5 minutes to show what respect is, I think you may need to rethink what respect means to you.
Another excuse that was presented was that they don’t want a street artist performs only one kind of songs or genre throughout the year. Don’t they know broadway musicals? Lion King has been performed over 20 years. They’ve been doing the same musical numbers for years to sold out audiences. Adele has been singing the same genre of music and always in English. Does it matter that she doesn’t sing in other genre or sing in Chinese?
One dance production in the Netherlands can be performed up to 50 performances within the Netherlands itself. In Taiwan, a dance work only performed 5 times the most. They are forced to constantly create new works and leave the old works behind. That is a waste of arts funding and it doesn’t educate the public on the value of the arts. These performers is old enough to decide what they want to show these judges with their limited time.
In the end it wasn’t just disrespectful to the performers, but also to the arts.
I was contacted by the Taipei Cultural Affair on Monday, the representative spoke nicely promising that they would discuss further with me. He asked me to take the adjudicator’s picture down, I agreed with the condition of meeting in person to further discuss what could be done better. I have refused to talk to reporters for the last few days. I have been waiting but I then heard the excuses given to the media. Since I’ve taken down the picture of the head adjudicator, they haven’t made any attempt to contact me. I came into a realization that when they made the call, it wasn’t to address the problem but simply to manipulate me to take down his picture. I’m disappointed at this institution that was supposed to promote the arts and culture.
I realized I am not a public figure, nor am I responsible for the well being of all artists who want to get a busker license. After my Facebook post went viral, I’ve been thinking so much about this issue. I kept going back and forth questioning whether I should keep fighting for this. It doesn’t feel like my fight, but at the same time I feel responsible as an art educator.
I truly believe this can be fixed. I need to emphasize, I am not attacking anyone. And I don’t want to shame anyone. I want to start a discussion how to make it better. Taipei has some of the best performers I’ve seen, yet the lack of respect for the arts and artists has suppressed their ability to excel. And ironically, it’s often done unintentionally.
If the exam is done based on respect for the arts itself, things might have come out differently. And just maybe if we all let go the “face” culture, we could possibly see further to realize that we are all wanting the same thing.
I saw mistreatments towards performers that day. It was very obvious I wasn’t the only one witnessing it. It was not that I don’t respect these adjudicators/teachers, but because I respect the arts and the meaning of a teacher that is why I had to speak up. Somehow my voice had been amplified this week. But my voice wasn’t and isn’t singular. I am simply a voice amongst many.
Sincerely,
William Lü
Taipei National University of the Arts 國立台北藝術大學
寶藏巖國際藝術村 Treasure Hill Artist Village
Taipei National University of the Arts
臺北表演藝術中心 Taipei Performing Arts Center
National Theater and Concert Hall, Taipei
中正紀念堂 Chiang Kai-shek Memorial Hall
National Taiwan University of Arts
Department of Cultural Affairs, Taipei City Government
english writing picture story 在 BEAUTYQQ Youtube 的最讚貼文
There are thousands of newborn babies everyday.
Stories to be told in many corners around the world.
My name is Queenie Chan, my dad was a Shanghainese and he was an architect. Mum is Taiwanese. They're both Virgo, clean freak and a perfectionist.
Dad was 22 yrs older than mum, dad took mum's virginity and moved to HK after they get married. And I was told his tricks were conventional, writing love letters which could potentially make you diarrhea and it worked well apparently ..
I almost split my mum's vagina when a head coming out other way around, my head that is.
Mum was screaming how painful she felt and I was screaming how tight her vagina was which almost suffocated me.! Dad named ^me after his daughter at his previous marriage whom passed away from drug overdosed.
One Night, Two months after I was born, I got locked from the inside of my room,
mum and dad were both like .. OMG IS IT THE END OF WORLD....
I was crying my arse off, louder than the thunderstorm outside of the windows, dad just got back from a dinner meeting, went straight ahead to the kitchen and grab a chopper then started banging the door knob.
Dad managed to crack open my door, but he also cracked few his blood vessels at the same time and passed away, Mum lost her first love and I lost a lovable dad on the same night. I hardly remember how my dad looks apart from the picture mum shown.
I haven't had a chance to talk to either Bruce or my dad. But I admire them both
There weren't no 'Dummies For Widow' or 'How To Be a Widow In 5 days' books available back then, so Mum flew back to Taiwan with me, and grandparents took over mum's duty so mum get to go search for love.
Because I was the only child, I got all the attention and love from my grannies, and the feeling of being loved has been deep rooted in my brain ever since.I left Taiwan to HK when I was 4 ^to attend pre school, my grannies were so upset and weren't able to eat well for days..It wasn't easy for me to adapt the new environment and I was so used to be around my grannies. Mum were like a stranger to me then. Too bad being a child of 4 yrs old, I didn't have a say at all.
But,Wait for it... That wasn't it, I only then found out there was another man at my new home in hk. My mum second husband, he was in jewelry business..
Mum was still young, she gave most of her attention and love to her new husband. And i started to become a 'world destroyer", I tended to break anything comes in my way. I guess I was just trying to seek attention from my mum, and being an attention whore was one of my jobs.
......
The rest of story is in my video...
Now, being 41 years of age.... skin a bit lose, butt a bit saggy, no big house ,no cars, but what really matter is I love what I do, I do what I love,
Happiness is not given, happiness is an attitude, and it can be DIY.
Always try to give your very best in whatever you do, You are not living to please every single person on planet earth.
Don't waste time, make use of every second cuz we only live once.
I used to think : damn !I m 41 now, half of my life gone pass already
But now I m like, 2nd half of my life has just began, I m looking forward to whats goanna come next.
If I can live for another 40 yrs, I will definitely make draw my life part 2, hope you all enjoy my sharing, good luck and see you soon!
With much Love,
Queenie xoxoox
Music:
Tea For Two
Young Woman
On A Good Day.

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