(English writing below)
上星期天,我到一間小花圃做春節直播。
以我的慣例,我如果用到店家的地方,我都會買些東西,不佔他人做生意的便宜。
那天開直播前,本想通知店員一聲,但因為急著在一個時間點前結束,忘得一乾二淨,就有勞我師兄去物色購買適合的盆景。
當時有三位員工 - 兩位華族女子,一位異族外勞男子。
開播到一半時,男員工看到我先生的手機正播映著我的直播。
「哇!這是現場直播嗎?」他很興奮地問我先生,「在哪裡可以看?」
「你可以在臉書看。」
男員工二話不說,拿出手機,開啟臉書應用程序,請我先生為他找出我的臉書。先生輸入我的名字後,接下來就更好笑了。
我當時毫不知情,因為專注在直播。
結束後,我翻看按讚名單時,還想著怎麼會有異族朋友的名字。後來,先生才告訴我事情的來龍去脈。
昨天在剪輯直播,想這星期上傳到Youtube時,才發現那位男員工還向我鏡頭揮手,並展示播放著我直播的手機螢幕。😂
雖然我全程都說著華語,但想必他應該或多或少都聽得懂吧!
這畫面非常有趣,因為幾天前,一位女讀者來訊詢問我批八字的收費。(我服務的收費都列在:www.qianyu.sg/consultations 有中文網頁功能)
這女讀者說,我影片裡的資訊非常準確及珍貴。
我感謝她告訴我,因為我沒有印象在臉書互動裡看過她的名字。
她說她害羞。
這讓我想起另一位女客人,也曾說過類似的話。她說她一向很低調,所以雖然獲益匪淺,但從沒想過要按讚。
我問她:
萬一我寫了那麼多,卻得不到觀眾按讚的肯定,以致我放棄寫作與拍片呢?
她沒回答我。
我笑說,我雖不會因此而放棄,因為我曾經發過願,我也會用我的一生去履行我的發願。
但是,只拿不給,非君子所為,而是自私自利。 我也是人,自然也會需要認同感,尤其是寫的又是一些較另類的課題。
給予鼓勵是一種善行,也是一種感謝,無論是通過按讚、留言、分享,或告訴我。
直接與我貼文互動的好處是有時,可以利益其他比我們更需要這訊息的人。
打從我在去年六月底每星期更新Youtube影片後,我收到的詢問也多了。這些詢問當中,好一些是因為他們的臉書朋友分享了我的影片,而認識我。
他們的臉書朋友並不知道他們來找我服務。
畢竟,我們不會向全世界公佈我們的貼身問題。很多時候,向一個陌生人傾述你的問題,比向朋友訴苦還有用,因為那位陌生人有解決你問題的能力。
我在網路寫作已有三年半的時間,看過數百人。表面上看來是我在幫助人,但如大聖佛陀所言,眾生讓我們實踐自己的修行,幫助我們開悟成佛的人。
這是個互相利益的循環。
見的人越多,我越覺得娑婆世界如浮雲,終究沒有任何人事物是自己的。
寫作拍片越多,自己的思維與志向越明確。
我看到到因果的可怕,不想要我客人那般的命運,因此我更加謹言慎行。我親眼目睹貪、嗔、痴如何能毀掉一個人的人生,所以我打開自己的心房,學習把大愛放送出去,放下不利益他人的固執想法。
因此,感謝妳、你、您幫助我成為一個更好的人,幫我找到我的人生目標。這輩子,我從來沒有做一件事那麼開心過,我也想要一生就這樣做下去。
希望我也能幫助到你,盼你也能幫到別人。
___________________________
So last Sunday, I went to a plant stall to do a CNY Live.
As per my usual practice, I would always buy something from the shop if I use its premises. I don’t take advantage of other people’s businesses.
That day, I wanted to preempt the plant stall staff but in my haste to start my Live, I plain forgot about it. So the husband went about looking for a plant to buy on my behalf.
There were about three staff - two ladies and the gentleman standing behind me in this photo.
Halfway through my Live, the male staff saw the handphone screen of the Husband’s.
“Wah! It’s Live ah?” He excitedly asked the husband. “How to see?!”
“You can see on Facebook!”
The staff whipped out his mobile phone and opened the Facebook app. Then the husband typed in my profile name and what followed next was comical.
I wasn’t aware as I was very focused on presenting to my Live audience.
After the Live ended, I looked through the list of Likes to see who engaged with my video.
And I was wondering why there were some foreign names.
Then the husband told me what transpired.
Yesterday while editing the Live for my Youtube upload this week, I realised at one point in time, the staff also waved to my camera and flashed his handphone screen of my Live. 😂
I bet he somewhat understood what I said, despite it being in Mandarin.
It was an interesting moment because few days ago, a lady PM me to inquire about my Bazi consultation fee. (It’s all listed at www.qianyu.sg/consultations btw)
She told me the information in my videos were accurate and valuable.
I thanked her for telling me because I had never seen her name appeared in my engagement list.
She told me she was shy.
This reminded me of a Bazi client who told me the same thing. That client said she had always been low profile, so she did not think to Like my posts even though she benefitted from it.
I told the client:
But what if I stopped writing and filming because I received no or little affirmation from the audience?
She didn’t answered me.
I laughed and said I would not stop because I had made an aspiration in the past. I had made it my lifetime goal to keep my words.
But to be only taking and not giving is always selfish. I am human. And humans always need to feel belonged in one way or another. Even more so when I am writing about unorthodox topics.
Giving encouragement is a form of kindness and showing appreciation, be it through post engagements or telling me now.
The good thing about direct post engagement is that it benefits others, who may need the message more than us.
Since I started weekly uploads to YouTube in June, a lot more queries come in every month. A number of them know me, due to their FB friends sharing my videos on their timeline.
Thing is, their FB friend does not have a clue that they watched my video and came to seek my service.
We don’t go around telling the whole world our problems, you see.
Sometimes, it’s easier to tell a stranger who has the solutions, than a friend who can only tell you to think about happier things.
I have been posting online for 3.5 years and have met hundreds of people. Perhaps to you, it seems that I am helping people.
But like what Buddha says, the sentient beings are here to help us actualise our spiritual practice, to attain enlightenment and Buddhahood.
It is a reciprocal cycle. The more people I see, the more I realise how transient this Samsara world is. The more I write and film, the clearer I am in my thinking and aspirations.
I don't wish to have the kind of destinies I deal with, so I am more careful in my doings and thoughts. I see first-hand how greed, ignorance and anger can kill people, so I have opened up my heart to give out more love and let go of stubborn beliefs that benefit no one.
So thank you to you, you and you for helping me to be a better person and giving me a holy purpose in this life. I have never been happier in my entire lifetime and I want to do this for as long as I live.
I hope I can do the same for you, so that you will do the same for others too.
同時也有10000部Youtube影片,追蹤數超過2,910的網紅コバにゃんチャンネル,也在其Youtube影片中提到,...
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as per usual practice 在 玳瑚師父 Master Dai Hu Facebook 的精選貼文
(English version below)
大家若用心仔細的觀讀吾的文章、短文或视頻,會心領神會的知曉吾一直都在放送智慧。智慧就是一種祥光,讓生命中所出現的迷雾,不會蒙蔽生命的旅途,使之平順,而不是跌跌撞撞、鼻青臉肿、满身傷痕、終身傷痛。
二零一二年,吾已宣說半退休了。但,來電要吾服務的人,依然絡绎不絕。感謝佛菩薩的眷顧,也感謝大家的口耳相傳,及網路的分享。對於新來的人兒,請先去觀讀吾的文章一半或以上,才來找吾爲妳你服務,這樣較爲妥當。
一來,親自了解玳瑚師父。
二來,增廣見聞。
三來,消業增福慧。
給妳你自己一個機會,能够親近善知识,能够爲自己邀得更多的利益,讓自身的問題得以解決。不要成爲愚公愚婦,不要累己累人。
今時今日,依然還有好不容易,找到了吾又不肯爲自己謀取更多福利的人們。隨手拈來,就有好幾個案例。一位老公已托其律師,發出離婚信的女士,自己又是親口說又發短訊的讃吾多行、多準,可是卻不去好好地觀讀吾的文章。
另一位女士,命中已有了嚴重的過失,身子也有恙,卻執着於周末才肯致電於吾,且非得午餐時間,也不願去觀讀吾的文章。在第二次的通話中,吾依舊勸請她,觀讀吾的文章後,再來找吾,吾有把握解決她困擾。她還是選擇我行我素。
一位因他人分享吾的文章慕名而來的男士,類似中年危機,也想爲其公子批大運,無獨有偶的,同樣執着一定要在特定的時段打來,利用著公司的上班時間,同樣的不去好好地觀讀吾的文章。
吾,玳瑚師父,勸請來者先去,觀讀吾的文章才來找吾,是因爲知道這些欲找吾服務的眾生業重福薄及業障已現前,應速速以福德之力,助己跨過現前的障碍物啊!讚吾的是妳你,夸奖吾的也是妳你,何又愚執不通呢?
文章是爲妳你們而寫的,妳你看或不看,是業也是緣。姜太公釣魚,願者上鈎,不願者回頭。
***********************
購買玳瑚師父漫畫文集,贈送朋友一起向善向上:http://www.booklaunch.io/masterdaihu/towardskindness2
.......................
If you read my articles, posts and watch my videos attentively and meticulously, you will understand intuitively that I have always been giving wisdom away.
Wisdom is like the light of auspiciousness, that drive away the fog of obstacles. This ensures that your journey in Life will be smooth and obstruction-free. That you will not end up falling over the place, with a bruised nose and swollen face, injuries all over your body and pain for the rest of your life.
I announced my semi-retirement in 2012. But this did not put a stop to the people who were still calling me for my services. I am thankful to the providence of the Buddhas and Bodhisattvas, and the word-of-mouth sharing online. To the newcomers, please go read at least half of my online articles first. This would be more appropriate before you seek my services.
Firstly, understand Master Dai Hu personally.
Secondly, broaden your horizons.
Thirdly, eradicate your negative karma and increase your wisdom and good fortune.
Give yourself the chance to get near to a person of virtuous knowledge, for this will earn yourself more benefits and resolve the problems you are facing. Do not become a foolish man or woman, and bring trouble to yourself and others.
Till this day, there are people who managed to contact me after some effort, yet are unwilling to obtain more benefits and good fortune for themselves. Offhand, there are already several cases.
One man had already engaged a lawyer to issue divorce papers to his wife. This lady had praised me for my competence and accuracy in person and through text messages. However, she did not wish to put in more effort to read my articles.
Another lady was already suffering in her life due to her many past mistakes. She was also in poor health. Yet she was obstinate about calling me only in the weekends and it must be during lunch hours. She too refused to read my writings. In our second phone conversation, as per my usual practice, I advised her to read my articles first before seeking my help. I told her I was very confident that I could help her resolve her troubles. But she chose to do things her own way.
A gentleman knew of me through others' sharing of my posts. He seemed to be facing a mid-life crisis and also wished for me to analyse his son's Bazi. Coincidentally, he was also stubborn about calling me at a particular timing, which fell into his working hours at the office, and not reading my writings.
I, Master Dai Hu, advised these people to read my writings before looking for me, because I am aware that these sentient beings are of heavy negative karma and carry little good fortune on them. Their karmic obstacles have already manifested in front of them, and they should quickly leverage on the powers of good fortune and virtues to help themselves cross these hurdles!
You are the one who praise me and complimented me. So why remain so stubborn?
All these articles are written for you. Whether you choose to read or not, it is both your karma and your affinity.
As the Chinese saying goes, like the fish rising to Grand Duke Jiang's hookless and baitless line; a willing person will do it out of his own will. The unwilling ones will just have to turn back.
***********************
Buy Master Dai Hu's comic book for your family & friends this holiday season:
http://www.booklaunch.io/masterdaihu/towardskindness2
as per usual practice 在 Lee388 Hi Fi 發燒專頁 Facebook 的最讚貼文
Alumine Five of Stenheim
Stenheim is a relatively late entrant to the high-end speaker field. It was founded in 2010 by a collective of mainly ex-Goldmund engineers, and its products have inherited an unmistakable aesthetic and, to a lesser extent, sonic DNA, although it was a significantly evolved character that was to emerge in the shape of the debut model, the compact, two-way Alumine Two. It’s a developmental divergence that has continued and, if anything, accelerated with the emergence of each subsequent product. The latest Stenheim speakers, developed under the auspices of new owner Jean-Pascal Panchard, definitely have their own, unambiguous identity, both visually and musically.
I’ve been seriously looking forward to the arrival of the Alumine Five. Previous experience with the brand has included impressive exposure to the various versions of the enormous and enormously impressive Ultime Reference models, as well as a brief but highly rewarding flirtation with the stand-mounted Alumine Two in my own system. The possibility of combining the sense of musical articulation, enthusiasm and communication I experienced from the Alumine Two, with more than a hint of the clarity, scale and authority so effortlessly delivered by the Reference models, all in a package that, if not exactly affordable, at least isn’t completely out of the question, makes the Alumine Five a distinctly interesting proposition.
Yet, confronted with the Alumine Five in the flesh, there’s little to hint at the extraordinary promise lurking within. Resolutely rectangular in true Stenheim style, the Five’s aluminum cabinet, with its plate-to-plate construction, stands just 48" tall, 15" deep and presents a broad 11" face to the world, dimensions based on golden-ratio numbers. The front baffle is split by a physical break between the upper midrange-treble enclosure and the lower bass cabinet, independently ported by the laminated full-width slots above and below, a physical separation that is mirrored by the contrasting inlaid strips that help visually break up the one-piece side panels. The regular lines, smooth surfaces, flawless matte finish and lack of visible fixings could easily result in a bland, almost featureless appearance. But those trim strips and the offset midrange and treble drivers do just enough to give the Five a subtle hint of individual style without resorting to the sort of gauche and ostentatious flourishes that so often pass as design.
The result is a refreshingly clean, classical appearance that will blend seamlessly with a range of different decors. Despite the lack of grilles (although they are available as an option, does anybody really spend this kind of money on a speaker and then compromise the performance by fitting covers?), the beautifully profiled baffle and absence of visible fixings makes for a genuinely neat, finished appearance that matches the superb surface finish on the cabinet. The end result just looks right, in a way that makes you wonder why you’d want grilles anyway.
The first hint of its potent sonic capabilities comes when you try to pick it up. Each comparatively compact cabinet tips the scales at 220 pounds. That’s a grunt-inducing, two-man lift. Now, take a look at the figures for bandwidth and sensitivity, and an in-room response that digs down as far as 28Hz combined with 94dB efficiency should raise your eyebrows, especially given the compact cabinet dimensions. Which brings us to the first experiential disconnect: boxes this size shouldn’t produce this much bass or do it so easily. Nor should they weigh so much -- although therein lies the clue to this particular conundrum. When it comes to bass extension, it’s not the external dimensions of the box that matter, but its internal volume. Just like the Crystal Cable Minissimo, a thin-wall cabinet makes for a much larger internal volume than the external dimensions might suggest -- especially if we apply the expectations of more conventional wood-based construction. Throw in the sheer weight of the aluminum panels and the combination of mass and physical dimensions would subconsciously suggest massively thick walls -- and a correspondingly limited internal volume. Instead, what we have here is a deceptively large volume, which, combined with the inertia of the heavy cabinet and the mechanical stability provided by the material, makes for an effective mechanical reference for driver movement, meaning that more of the energy your amplifier sticks into the speaker comes out as sound and (at least in theory) it will be more precisely rendered.
So far, not very much that’s new. It’s not like Stenheim (or Magico, or YG Acoustics) has exclusivity when it comes to aluminum cabinets. But what does make Stenheim different is the unique material they use in damping their cabinet panels. Of course, the separate enclosures and the internal baffles they demand make for an inherently heavily braced structure, but look inside a dismantled Alumine Five and you’ll find strategically placed pads stuck to the cabinet walls. These three-layer, self-adhesive pads combine a heavy damping layer (adjacent to the cabinet wall itself) with added foam and impervious layers, allowing the low-volume pads to influence both the mechanical behavior of the cabinet itself and the enclosed volume. It’s an interesting solution because it manages to overcome the weakness so often audible in simple, braced aluminum cabinets (the all-too-recognizable resonant signature of the material itself) while maximizing the benefits (large volume and rigidity) by obviating the need to stuff the internal space full of wadding or long-haired wool. In fact, if the Stenheims were stood behind a sonically transparent curtain, you’d be hard-pressed to recognize the music as emanating from an aluminum cabinet at all. The absence of the bleached, grainy or lean colorations, the lack of sterile, mechanistic reproduction, is one big half of the Stenheim story, living, breathing proof that it’s not what you use but how you use it that counts.
The other half is down to the drive units, and after the cabinets, those come as quite a surprise, both the lineup and the chosen materials. In stark contrast to the use of the latest, precision CNC techniques, complex damping pads and finishing options, the Alumine Five's drivers are as traditional as they come, with a coated silk-dome tweeter and pulp or laminated paper midrange and bass drivers. The cone drivers use textile double-roll surrounds and massive magnets more normally found in pro-audio applications, and while Stenheim doesn’t build its own drivers, the company works closely with its chosen supplier (PHL, definitely not one of the usual suspects) to specify the electrical parameters, mechanical characteristics and precise details of the surface coating.
The use of such lightweight cone materials and large motors aids the system efficiency, while a hybrid second-order/Linkwitz-Riley crossover, the result of extended listening and evolution, ensures phase coherence and excellent out-of-band attenuation and makes for easy non-reactive load characteristics, despite the three-way topology. The other aspect of the driver lineup that might be considered slightly unusual is the use of a large-diameter (6 1/2") midrange unit -- although less so since Vandersteen’s patent on the approach lapsed some years ago, resulting in a rash of companies suddenly exploring the possibilities of the topology.
Perhaps more important, in the case of the Alumine Five, it means that you are getting the tweeter and midrange drivers from the Ultime Reference series speakers, teamed here with a pair of 10" woofers but without the benefit of a super tweeter. Even so, Stenheim quotes bandwidth out to 35kHz, which should suffice for most purposes. The review speakers arrived with the optional second set of terminals installed, allowing for biwiring or, more significantly, biamping, an upgrade opportunity that makes this an option you should take. If, in the meantime, you are single-wiring the speakers, make sure you factor in a set of jumpers that match your speaker cables: the Alumine Five's overall sense of musical coherence makes the benefits especially obvious. Likewise, good wiring practice is essential, both in terms of cable dressing and diagonal connection (red to midrange/treble, black to bass, with jumpers arranged accordingly).
Aside from the speaker's substantial weight, the parallel sides and flat surfaces of the four-square cabinet make setting up the Fives an absolute joy. Precise, repeatable, angular adjustments are easily achieved, while changes in attitude are just as straightforward, helped by the beautifully profiled stainless-steel spiked feet and deeply cupped footers. Both the cones and their locking rings have nice, large ports to take the supplied pry bars, but it’s worth greasing the threads before installation. One other thing to watch out for: the spikes are seriously (refreshingly) sharp -- sharp enough to penetrate a thick rug and score the floor below, so be careful where you stand the speakers once the feet are installed. Final positioning disposed the speakers on a broad front with minimal toe-in. When it came to dialing in their considerable musical energy, the most critical factor proved to be height off the ground, with tiny adjustments of the spikes making profound differences to the weight and pace of the presentation. Likewise, equal weighting of the four spikes was crucial to a proper sense of grounded weight and dynamic authority.
........................................................
Price: $60,000 per pair.
Warranty: Five years parts and labor.
(Source: The Audio Beat)
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